Issei Herr uses the vast sound-world of the cello to expose openness, vulnerability, and a sense of wonder in her intricately looped and layered compositions. On her debut album 

, released in Spring 2023 on NNA Tapes, Issei distills her musical memories as a classically-trained performer and weaves together bold new narratives, centered on themes of possibility, becoming, and transformation. Upon its release, the album received critical praise and attention from platforms such as Bandcamp Daily (as Album of the Day), Stereogum, Our Culture, New Sounds, I Care If You Listen, Foxy Digitalis, and Them, and landed in the Top 10 of the Billboard Classical Crossover charts. Her live performance highlights include opening for Geotic at Public Records in NYC, and shows in Los Angeles, Tokyo, and Boston.

Trained as a classical cellist at Juilliard, Issei began her performance career as a collaborator - featuring as a solo cellist in live performances of Rachika Nayar’s 

, and premiering a solo cello work by Nico Muhly, amongst many other collaborations.

Issei Herr

Michael Foster is a saxophonist, multi-instrumentalist, curator, and improviser based in New York City dealing with various forms of "weird music". His work seeks to bridge the gaps between noise, improvisation, the jazz tradition, and queer theoretical practices. He often prepares his saxophone with an array of objects such as balloons, drum heads, amplification, etc as a method of queering the instrument's musical roles and history.
He works in duos with Ben Bennett, Leila Bordreuil, Lydia Lunch, and Richard Kamerman as The New York Review of Cocksucking. He has worked with William Parker, Weasel Walter, Marina Rosenfeld, Nate Wooley, Sarah Hennies, and many others. He has performed at various venues across North America and Europe, such as BimHuis, Roulette, Issue Project Room, The Stone, The Kitchen, Pioneer Works and many more. In addition to his work as a performer, he co-founded "Queer Trash", a curatorial platform for LGBTQIA+ artists engaged in experimental performance practices. "Queer Trash" was selected as the 2018 Suzanne Fiol Curatorial Fellow at Issue Project Room.

Michael Foster

Composer, cellist, producer, arranger, etc. Studied with violinist Michael White (Pharoah Sanders, John Handy) and cellist Walter Grey (Kronos Quartet). Creates music for cello & electronics and composes for concert, theater, film, dance. Founding member of Ghost Quartet with Dave Malloy, Gelsey Bell, and Brittain Ashford. Music Director & Conductor for Robert Aiki Aubrey Lowe’s Candyman performances. Composer for films including The Saint of the Impossible (dir. Marc Wilkins). Played/collaborated with artists including The Antlers, Ashwini Ramaswami, Filastine, Randall Dunn, Zola Jesus, Arun Ramamurthy, Jim Jarmusch, Jessica Pavone, DJ/rupture, Hiro Kone, Andrew Drury, Aditya Kalyanpur, Eyvind Kang, Jessika Kenney, Wally Shoup, Reggie Watts, Steve Von Till, Sleater-Kinney, Modest Mouse, Baby Copperhead, and many more. Currently resides in New York City.

Brent Arnold

 is a songwriter/composer/producer with an artistic voice that reaches into several disciplines, some of these being radio, film, and journalism. His current musical output exists somewhere between jazz, soul, and psych rock, but he considers himself a student of all areas of music, and intends to cover as much sonic and thematic ground as possible over his artistic life. His work explores such themes as self-exploration, self determination, love and its iterations, isolation, and black cultural context. His recent collaborations include work with TELFAR, Dweller, and Locally Grown TV amongst others.

Khari Lucas

Brooklyn-based Corrine Jasmin is a poet, musician, celebrated writer, and multidisciplinary artist creating to cement a Black future.

The powerhouse and dynamic performance artist shared stages with Flo Milli, opening for her Pittsburgh tour stop, and is a back-to-back Brooklyn Poetry Slam Champion. Her music is reflective, vast and experimental in nature. Move Through, her debut single, was accompanied by a self-directed and edited film and followed by (micro) album: Fever Dream Insomniac.

Jasmin has performed around the country and at spaces like BRIC, The Andy Warhol Museum, Nuyorican Poets Cafe, August Wilson Center, and Carnegie Museum of Art. She’s also a former Kelly Strayhorn Theater artist-in-residence.

Corrine Jasmin

HxH is the improvisatory electro-acoustic duo of Lester St. Louis and Chris Williams. The duo utilizes a mix of trumpet, cello and electronics to build worlds traversing through acoustic sound, grainy textures, expansive pools of sounds, breaks, cuts and beats. The approach is conceived as an expansiveness that holds a personal intimacy. HxH wants to bring the listeners in, tune them to the experience and take a long trip. HxH functions as a vehicle to bring together the mass of references and influences Chris and Lester share and create ways to crystalize those ideas in real, expanded time to an experience over minutes or hours.

 is a band from Queens, New York. They write and produce their own music, imbuing it with a reverence for their ancestry, community, and faith. Flowing in various shapes and formations, duendita is a living collaborative project made with family and friends across mediums and cities.

duendita

 is a vocalist, musician, songwriter, and teaching artist who has been living and working in Philadelphia for nearly a decade. Under the stage moniker "Honeychile", Graham explores their Black American identity with an interest in fusing the sonic and lyrical expressions of both a hip hop emcee and jazz diva. As an artist educator, Graham teaches a school and community-based complaint choir program and works with young people and their support teams to help them observe and process the charged world around them, artistically express a need for critical change, and create original songs and productions with an emphasis on humor, heart, and healing.

Becca 'Honeychile' Graham

Ciarra Black is a music producer, sound artist, and DJ specializing in experimental sounds. After spending 5 years in Berlin, Ciarra recently moved back to Brooklyn where she continues to develop her artistic practice. During her time living in Europe, Ciarra toured extensively and was able to test her work on state of the art sound systems. These experiences gave new visions and inspirations to her work in the fields of immersive sound, sound design, and club music.

Ciarra has performed at many notable venues and festivals including MoMA PS1, Museum of Fine Arts (Boston), Berghain (Berlin), Sound of Stockholm Festival (Sweden) and Unsound Dislocation Festival (Armenia).

Ciarra Black

 is a Hong Kong-born electroacoustic composer and sound artist working in California and New York. Her work explores the coexistence of polarity, psychoacoustics in binaural beats, and equal-loudness contour. With the immediacy of tension and release, she navigates between oppositions, transforming deafening noise into meditative stance. Her compositions, developed during recovery from a concussion, utilize brainwave entrainment, time shifts, and changes of neurological responses to DELTA, THETA, ALPHA, BETA, GAMMA waves as their materials and focal point. With memories of condensed cities, she gravitates towards frequencies of close-ranged airplanes, polyrhythmic occurrences, out-of-body experiences, sustained harmonics intersected with musique concrète, and distorted speech as lost speech.

Amma Ateria

For this residency, Katherine Young and Yarn/Wire collaborate to create the outdoor installation and performance piece 

’s electroacoustic music and sonic art uses expressive noises, curious timbres, and kinetic structures. Collaboration is central to her practice. The LAPhil, Chicago Symphony Orchestra’s MusicNOW, Internationales Musikinstitut Darmstadt, Third Coast Percussion, Ensemble Dal Niente, Bludenzer Tage zeitgemäßer Musik, and others have commissioned her music. She has worked closely with Wet Ink, Ensemble Nikel, WasteLAnd, Linda Jankowska, and Oliva DePrato. Her installation work has been commissioned by the University of Chicago’s Smart Museum of Art. As a bassoonist and improviser, Katherine amplifies her instrument and employs a flexible electronics setup. She has documented her work on numerous recordings, including her debut with Sam Scranton as Beautifulish (out December 2020 on Shinkoyo) and a duo with Anthony Braxton. She teaches composition, improvisation, and electronic music at Emory University in Atlanta. Young is a 2021 Guggenheim Fellow in Music Composition. 

 is a New York-based percussion and piano quartet dedicated to the promotion of creative, experimental new music. Described by The Brooklyn Rail as “fascinating and exciting, with playing that is precise and full of purpose,” the ensemble is admired globally for the energy and precision it brings to performances of today’s most adventurous compositions. Founded in 2005, the ensemble seeks to expand the representation of composers so that it might begin to better reflect our communities and experience new creative potential.

Yarn/Wire appears internationally at prominent festivals and venues including the Lincoln Center Festival, Edinburgh International Festival, Shanghai Symphony Orchestra Hall, Rainy Days Festival (Luxembourg), Ultima Festival (Norway), Transit Festival (Belgium), Dublin SoundLab, Monday Evening Concerts (Los Angeles), Contempuls Festival (Prague), Brooklyn Academy of Music, New York’s Miller Theatre at Columbia University, River-to-River Festival, La MaMa Theatre, Festival of New American Music, and London’s Barbican Centre. Their numerous commissions include works from composers such as Enno Poppe, Michael Gordon, George Lewis, Ann Cleare, Raphaël Cendo, Peter Evans, Alex Mincek, Thomas Meadowcroft, Misato Mochizuki, Tristan Murail, Sam Pluta, Tyondai Braxton, Kate Soper, and Øyvind Torvund. The ensemble enjoys collaborations with genre-bending artists such as Tristan Perich, Ben Vida, Mark Fell, Sufjan Stevens, and Pete Swanson. For more information, visit 

Katherine Young & Yarn/Wire

Imogen Teasley-Vlautin is a composer, songwriter, and producer from Los Angeles. Their work has ranged from film scoring to long-form electronic music composition and performance. They’re now shifting their focus to songwriting and production, traversing themes of grief, love, black freedom, and spirituality. Imogen’s music has been featured in publications such as Fact Mag and SF Weekly, and they were a recent artist-in-residence at This Will Take Time.

Imogen Teasley-Vlautin

Kwami Winfield is from Jersey City, NJ and has been based in NYC for the past few years. A multi-disciplinary type who plays trumpet, drums, electronics, trash, Kwami creates collections of visual creations, rocks, pez dispensers. Her music can touch on the relationship of externalized sound and the ancillary, grotesque functions required to produce them. Looking for windows between noisy circuits and noisy bodies, both bubbling from complications to resource consumption and procurement.

In 2022 she released “Hearts”, a 20 something track collection of noises and songs, on phone/tape label Call Waitn as Soless Dialtone.

Kwami Winfield

 is a composer, choreographer, and vocalist focusing on the empathic potential and agency developed by performance. Their performances have been shown at MoMA, Mana Contemporary, MoMA PS1, New Museum, National Sawdust, Knockdown Center, and throughout Europe, amongst other places. 

 was Kinlaw's first LP release on Bayonet Records.

Kinlaw

 (formerly known as Tengu Yawn) is Dan Ahrendt, a producer and vocalist in service to whatever his musical hemorrhage is currently spewing out. After half a life lived between Tacoma and Seattle in the Pacific Northwest, years in local music merged with a moment of intense physical trauma, leading to a search for control and exploration through mutated electronic formats. In Seattle, Dahjyn performed and curated in club and DIY settings, transforming and boldening a dark, eclectic mingling of noisy industrial pummeling with equal parts ephemeral and guttural song. He relocated to Brooklyn in 2019, and released his debut EP 

 in 2021 via London’s Most Dismal Swamp.

Dan Jyn Suk Ahrendt

Veronica “Vern” Avola is a composer, multimedia artist, instructor and champion of friendship, born in Italy and based in Portland, Oregon. She founded EMS Records.

Avola’s solo sound works uses deep electronic sounds to geomap the hidden layers that also come with a given “present moment”; from the guttural subterranean or the hallways of the earthly punk and DIY culture to consensual abduction and flight. Avola’s compositions hold space for these physical stretches that become emblems of safety when society faces a truth in zero control within a political predestination. In this process Avola brings an ability back to the listener to think and exist outside of man’s algorithm.

Since 2007, Avola has performed this work internationally and has released several albums.

Veronica Avola

 is a Brooklyn-based singer, songwriter, and scholar. She has been described by the New York Times as “one of New York’s most adventurous musicians” and “a charismatic and fiercely intelligent performer.” She is a core member of thingNY, Varispeed, and the Chutneys. Her soundwalk Cairns, created with Joseph White, is ongoing at Green-Wood Cemetery. Her work has been performed throughout North America, Europe, and Japan. She has released multiple albums on Gold Bolus Recordings. She is a resident artist at the HERE Arts Center, where she is developing the opera mɔːnɪŋ, and she has received awards from the Foundation for Contemporary Arts, Opera America, and the Japan Foundation.

Gelsey Bell


FAUZIA is a multi-disciplinary artist hailing from London. First breaking through as a DJ, her roots began in the context of dance music via NTS. During the pandemic she shifted her efforts towards production which saw her release projects showcasing her own voice, while collaborating with singers Kelela and George Riley; picking up glowing press from Resident Advisor, Mixmag, Pitchfork, Crack and more in the process . Debuting her live show at Wysing Polyphonic in 2021, FAUZIA went on to support artists Loraine James & Space Afrika. FAUZIA sold out her first headline at Southbank Centre’s Purcell room, accompanied by her band. Working on her official debut, she is yet to begin...

FAUZIA

Singer/songwriter/producer Sid Sriram represents a collision point of radically different worlds; a true hybridist. Sriram was born in Chennai, India. His family moved to the San Francisco/Bay Area suburbs when he was one. His duality of cultural roots is integral to Sriram’s identity. Carnatic music is his foundation and fountainhead. He graduated from Berklee College of Music with a degree in Music Production and Engineering. He is a singular force in the world of Indian film music. Sid Sriram's music creates a bold cross section where traditionally disconnected meet and live with one another.

Sid Sriram

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Tony Cruise is a global sound artist who cultivates ideas for musicians, institutions, and brands - including scoring film, sound and instrument design and consulting. In 2020, Cruise was selected as one of ten global artists to attend the Factory Berlin/Beats by Dre/Sonar +D Artist Residency. He has since been shortlisted for the Soho House Design Prize, commissioned to compose for London Fashion Week 2021, and chosen to be Pioneer Works’ (NY) January 2022 Music Resident.

Tony Cruise is a sound artist who cultivates ideas for musicians, institutions, and brands—including scoring film, sound and instrument design, and consulting as well as the development of special projects such as software, books, installations, and limited-run merchandising.

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11 - Tony Cruise

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IMG_3703 &#8211; Tony Cruise

Tony Cruise

 is a percussionist and sound healer based in Brooklyn, NY. He studied jazz and world music while at Brown University before moving to NYC in 2008. He's recorded and toured with jazz-odyssey ensemble Dave Harrington, spiritual-psyche vocalist Angel Deradoorian, and dark-dance magician Matthew Dear. Since 2018 he's been a student and practitioner of sound healing, having now offered over 300 sound meditations in various settings. Samer continues training under and working alongside leaders in the field through Sage Academy (Woodstock, NY) and 9 Ways Academia (Perkasie, PA). Recently, Samer consulted for the Rubin museum's gong installation, and created an ongoing monthly live soundhealing-meets-improv performance series called Spontaneous Space.

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C. Lavender is a multi-disciplinary sound artist, sound healing practitioner, and educator whose work spans through live performance, recording, installations, videos, and workshops. C. Lavender has performed, lectured, and hosted workshops at The Guggenheim, Hirshhorn Museum, Issue Project Room, The Rubin Museum, MoMA PS1, The Brooklyn Botanic Garden, Fridman Gallery, and Rensselaer Polytechnic Institute among other venues. She studied Deep Listening with its founder Pauline Oliveros while volunteering at The Deep Listening Institute. In 2016 she taught a ten-week class for children about the scientific and artistic aspects of sound.

Lavender has albums and recordings featured on the labels Ecstatic Peace!, RVNG Intl, Primitive Languages, and Hot Releases.

C. Lavender is a multi-disciplinary sound artist, sound healing practitioner, and educator whose work spans through live performance, recording, installations, videos, and workshops. C. Lavender has performed, lectured, and hosted workshops at The Guggenheim, Hirshhorn Museum, Issue Project Room, The Rubin Museum, MoMA PS1, The Brooklyn Botanic Garden, Fridman Gallery, and Rensselaer Polytechnic Institute among other venues. She studied Deep Listening with its founder Pauline Oliveros while volunteering at The Deep Listening Institute. In 2016 she taught a ten-week class for children about the scientific and artistic aspects of sound.
Lavender has albums and recordings featured on the labels Ecstatic Peace!, RVNG Intl, Primitive Languages, and Hot Releases.

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C. Lavender

Chloe Alexandra Thompson is a Canadian sound artist based in Brooklyn, New York. Thompson is an interdisciplinary artist and musician composing works of sonic minimalism that envelope listeners into a state of equilibrium and fill rooms with discrete frequencies. Her work creates spatial sound art composed using audio programming software and acoustic instruments. Focused on live performance and spatial intervention, Thompson engineers multi-channel interplay of psychoacoustics, live-processed field recordings, and isolated frequencies to produce felt effects on the body. Fascinated by digital technology’s seemingly endless possibilities for sound experimentation, Thompson routinely collaborates with other artists to explore new avenues for acoustic and physical environments and experiences.

Chloe Alexandra Thompson is a Canadian sound artist based in Brooklyn, New York. Thompson is an interdisciplinary artist and musician composing works of sonic minimalism that envelope listeners into a state of equilibrium and fill rooms with discrete frequencies. Her work creates spatial sound art composed using audio programming software and acoustic instruments. Focused on live performance and spatial intervention, Thompson engineers multi-channel interplay of psychoacoustics, live-processed field recordings, and isolated frequencies to produce felt effects on the body. Fascinated by digital technology&#8217;s seemingly endless possibilities for sound experimentation, Thompson routinely collaborates with other artists to explore new avenues for acoustic and physical environments and experiences.

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MUTEK20_210819_Chloe-Alexandra-Thompson_MyriamMénard_06

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Chloe Alexandra Thompson

Vibrating voices and moving bodies create an experience that is deeply human, magical, healing and psychedelic. Constellation Chor is a philosophy; vocal improvisation and performance practice; and performing ensemble comprising composers, singers, dancers, and actors, founded by 

Engaging at the intersection of singing, movement, Deep Listening, and music-theatre, the Chor simultaneously practices fierce individuality and radical surrender to group consciousness. Described by 

 as “astringently captivating,” the ensemble performs interdisciplinary pieces composed by Michelson, as well as collaborating with other composers, choreographers, directors, and mindfulness practitioners.

Band members include Marisa Michelson, Chad Goodridge, Kalli Siamidou, Tamrin Goldberg, Luisa Muhr, Chanan Ben Simon, Chaesong Kim, Jen Anaya, Shawn Shafner, Nikko Benson, Heathcliff Saunders, and Raphael Sacks.

Miriam Parker (b. New York) is a multidisciplinary artist who uses movement, media and sculpture/installation who lives and works in New York. Parker is a CBA Fellow ’21 in collaboration with Marisa Michelson. She has performed in the Metropolitan Museum of Art, New York; PS1 MoMA, New York; The Fridman Gallery, New York; a residency at École Normale Supérieure, Paris; at the Every Women Biennial, New York; Survey Dover Plains, NY; at Vision Festival through consecutive years; the Satellite Art Fair, in Miami, FL; Clement Soto Velez Cultural and Education Center, New York; Whitebox ArtCenter, New York; a month residency at Governors Island in the House of Poetics curated by Cooper Union; among others.

She is co-founder and collaborator of Lost Voyage, a multimedia collaborative work led by women artists, as well as Inner City Projects, a multimedia collaborative work group with Jo Wood Brown, based in New York.

Vibrating voices and moving bodies create an experience that is deeply human, magical, healing and psychedelic. Constellation Chor is a philosophy; vocal improvisation and performance practice; and performing ensemble comprising composers, singers, dancers, and actors, founded by <a href="http://www.marisamichelson.com/">Marisa Michelson</a>.  Engaging at the intersection of singing, movement, Deep Listening, and music-theatre, the Chor simultaneously practices fierce individuality and radical surrender to group consciousness. Described by The New Yorker as “visceral and committed” and by The New York Times as “astringently captivating,” the ensemble performs interdisciplinary pieces composed by Michelson, as well as collaborating with other composers, choreographers, directors, and mindfulness practitioners.
Band members include Marisa Michelson, Chad Goodridge, Kalli Siamidou, Tamrin Goldberg, Luisa Muhr, Chanan Ben Simon, Chaesong Kim, Jen Anaya, Shawn Shafner, Nikko Benson, Heathcliff Saunders, and Raphael Sacks.
Miriam Parker (b. New York) is a multidisciplinary artist who uses movement, media and sculpture/installation who lives and works in New York. Parker is a CBA Fellow ’21 in collaboration with Marisa Michelson. She has performed in the Metropolitan Museum of Art, New York; PS1 MoMA, New York; The Fridman Gallery, New York; a residency at École Normale Supérieure, Paris; at the Every Women Biennial, New York; Survey Dover Plains, NY; at Vision Festival through consecutive years; the Satellite Art Fair, in Miami, FL; Clement Soto Velez Cultural and Education Center, New York; Whitebox ArtCenter, New York; a month residency at Governors Island in the House of Poetics curated by Cooper Union; among others.
She is co-founder and collaborator of Lost Voyage, a multimedia collaborative work led by women artists, as well as Inner City Projects, a multimedia collaborative work group with Jo Wood Brown, based in New York.

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Shawn and Sara

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Women's Quartet1

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1. Iceland Hot Spring (1)

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Constellation Chor in collaboration with Miriam Parker

Jeremiah Cymerman (b. 1980) is a New York City-based composer and producer. Since the early 2000s, “the protean composer and improviser has made an indelible mark on NYC’s DIY avant scene” writes the 

. His recorded output, with multiple releases on Tzadik and his own 5049 Records, has been described by the 

 as “blown out studio creations that merge extended reed techniques with the crushing, airless sonics of black metal.”

Since 2013, he has also produced the 5049 Podcast, a weekly program of conversations with contemporary music’s most daring artists such as Oren Ambarchi, Susie Ibarra, Zeena Parkins, Craig Taborn, MV Carbon, Trey Spruance, Ken Vandermark, and more.

Jeremiah Cymerman (b. 1980) is a New York City-based composer and producer. Since the early 2000s, “the protean composer and improviser has made an indelible mark on NYC’s DIY avant scene” writes the Brooklyn Observer. His recorded output, with multiple releases on Tzadik and his own 5049 Records, has been described by the Wire as “blown out studio creations that merge extended reed techniques with the crushing, airless sonics of black metal.&#8221; 
Since 2013, he has also produced the 5049 Podcast, a weekly program of conversations with contemporary music’s most daring artists such as Oren Ambarchi, Susie Ibarra, Zeena Parkins, Craig Taborn, MV Carbon, Trey Spruance, Ken Vandermark, and more.

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Jeremiah Cymerman

NYC-based duo LEYA is harpist Marilu Donovan and violinist/vocalist Adam Markiewicz.

The group deconstructs traditional connotations of their instruments through a deviant juxtaposition of ugliness vs. beauty in the form of simple, visceral songs. Through unorthodox tunings, amplification, and effects, Donovan and Markiewicz are able to mine unsettling depths, balancing deep euphoria and mourning.

 (NNA Tapes), featuring collaborations with Eartheater, PC Worship, Sunk Heaven, and a soundtrack for the erotic film 

, directed by Brooke Candy and produced by PornHub. In 2020, they will release a new full-length with NNA Tapes, and a collaborative EP with Eartheater.

NYC-based duo LEYA is harpist Marilu Donovan and violinist/vocalist Adam Markiewicz. 
The group deconstructs traditional connotations of their instruments through a deviant juxtaposition of ugliness vs. beauty in the form of simple, visceral songs. Through unorthodox tunings, amplification, and effects, Donovan and Markiewicz are able to mine unsettling depths, balancing deep euphoria and mourning. 
In 2018, LEYA released The Fool (NNA Tapes), featuring collaborations with Eartheater, PC Worship, Sunk Heaven, and a soundtrack for the erotic film I Love You, directed by Brooke Candy and produced by PornHub. In 2020, they will release a new full-length with NNA Tapes, and a collaborative EP with Eartheater.

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Lisa Schonberg is a percussionist, composer, and environmental sound artist with a background in entomology and ecology. She earned her Masters in Environmental Studies at the Evergreen State College with a focus on ant biodiversity. Lisa uses field recording, writing, and music composition to document inconspicuous elements of ecosystems with the goal of accentuating environmental issues, often in collaboration with ecologists. Her recent work includes investigations of endangered 

. Lisa composes for Secret Drum Band and UAU. She is the author of 

Lisa Schonberg is a percussionist, composer, and environmental sound artist with a background in entomology and ecology. She earned her Masters in Environmental Studies at the Evergreen State College with a focus on ant biodiversity. Lisa uses field recording, writing, and music composition to document inconspicuous elements of ecosystems with the goal of accentuating environmental issues, often in collaboration with ecologists. Her recent work includes investigations of endangered <a href="https://americanwaymagazine.com/musician-fighting-save-hawaiis-endangered-bees">Hawaiian Hylaeus bees</a>, old growth forests in <a href="http://www.lisaschonberg.com/hj-andrews-lter">Oregon</a>, and ant acoustics and soundscapes in <a href="http://www.lisaschonberg.com/ant-acoustics-in-amazonas">Amazonas, Brazil</a>. Lisa composes for Secret Drum Band and UAU. She is the author of The DIY Guide to Drums, and writes for Tom Tom and She Shreds magazines.

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By Alicia Rabins

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By Tainara Sobroza

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Lisa recording Oxbow Creek by Kim Zitzow

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Lisa Schonberg

Nate Kinsella is a composer, multi-instrumentalist, sound engineer, and producer. As a solo artist under the moniker Birthmark, he makes rhythmically complex, genre-bending music that blurs the boundaries between pop and avant-garde. Kinsella cultivates the uncanny in his work with inconspicuously complex polyrhythms and electro-acoustic layering. He has written scores for film and television, published a book of tablature, and toured extensively in the US and abroad for more than 20 years, performing at festivals such as Reading and Leeds, Pitchfork Music, Primavera Sound, and Fuji Rock. He has released four albums as Birthmark and is a contributing member of American Football, Joan of Arc, and Make Believe.

Nate Kinsella is a composer, multi-instrumentalist, sound engineer, and producer. As a solo artist under the moniker Birthmark, he makes rhythmically complex, genre-bending music that blurs the boundaries between pop and avant-garde. Kinsella cultivates the uncanny in his work with inconspicuously complex polyrhythms and electro-acoustic layering. He has written scores for film and television, published a book of tablature, and toured extensively in the US and abroad for more than 20 years, performing at festivals such as Reading and Leeds, Pitchfork Music, Primavera Sound, and Fuji Rock. He has released four albums as Birthmark and is a contributing member of American Football, Joan of Arc, and Make Believe.

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Nate Kinsella

Motivated by the history of Western misconception and opposition towards Muslims and the Islamic faith, Saint Abdullah began writing music to serve as cultural translators, with the goal of challenging stereotypes and acting as a conduit between unnecessary enemies. Saint Abdullah is the project of Mohammad and Mehdi, New York-based Iranian-Canadian brothers, creating sounds largely inspired by the religious, political, and cultural history of the Middle East.

Motivated by the history of Western misconception and opposition towards Muslims and the Islamic faith, Saint Abdullah began writing music to serve as cultural translators, with the goal of challenging stereotypes and acting as a conduit between unnecessary enemies. Saint Abdullah is the project of Mohammad and Mehdi, New York-based Iranian-Canadian brothers, creating sounds largely inspired by the religious, political, and cultural history of the Middle East.

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Saint Abdullah

Shayna Dunkelman is a musician and percussionist based in Brooklyn, NY.

Dunkelman is known for her versatile and unique techniques, and use of electronics to access a sonic pallet not found in acoustic percussion. Born and raised in Tokyo, Japan to an Indonesian mother and an American father, Dunkelman became a multi-instrumentalist performing alongside her mother. In addition to solo performances, Dunkelman tours with Du Yun, Balún, Emily Wells, Peptalk, Ali Sethi, and her percussion duo Nomon with her sister Nava Dunkelman.

Dunkelman has also performed with pioneers of avant-garde experimental musicians such as Yuka C. Honda, John Zorn, Yoko Ono, Thurston Moore, and Xiu Xiu.

Shayna Dunkelman is a musician and percussionist based in Brooklyn, NY. 
Dunkelman is known for her versatile and unique techniques, and use of electronics to access a sonic pallet not found in acoustic percussion. Born and raised in Tokyo, Japan to an Indonesian mother and an American father, Dunkelman became a multi-instrumentalist performing alongside her mother. In addition to solo performances, Dunkelman tours with Du Yun, Balún, Emily Wells, Peptalk, Ali Sethi, and her percussion duo Nomon with her sister Nava Dunkelman. 
Dunkelman has also performed with pioneers of avant-garde experimental musicians such as Yuka C. Honda, John Zorn, Yoko Ono, Thurston Moore, and Xiu Xiu.

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Shayna Dunkelman

 (YATTA) is an artist, musician, performer, and educator from Houston, Texas. Over the years, YATTA has shared the stage with musicians like Cardi B and The Sun Ra Arkestra, creating multimedia performances that tour astrally, nationally, and globally. Yatta has performed at MOMA PS1, MOMA, The Getty, Sonic Acts Festival, and NTS x The Tate virtual festival. Their music has been highlighted in magazines like Pitchfork, Tiny Mixtapes, The Quietus, Fact Mag, Nylon, and The Wire. They are a former artist-in-residence of Clocktower Radio, Elsewhere Museum, Otion Front, and Flux Factory.


YATTA is an interdisciplinary artist and musician. They use incantations born of loop pedal drones, channeled screams, and improvised poetry to explore connections between psychosis, prayer, and presence. This year, they released their sophomore album WAHALA, via NYC imprint PTP, in conjunction with a self-written/directed theatrical production called An Episode: Ricky&#8217;s Room, commissioned by The Shed. YATTA has shared the stage with musicians like Cardi B, William Basinski, and The Sun Ra Arkestra, creating multimedia performances that tour nationally and globally.

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Yatta Zoker

Amirtha Kidambi is known for her improvisational vocabulary as a vocalist, utilizing experimental timbral techniques and infusing aesthetics and methodologies from Carnatic music, noise, rock, free jazz and classical avant-gardes. Kidambi is drawn to the subversive, driven by social and political issues of inequity and injustice. She leads the vocal ensemble Lines of Light, is co-founder of a duo with Lea Bertucci, and is the bandleader of Elder Ones. She has received grants from the Jerome Foundation and the Asian Cultural Council, and has been Artist-in-Residence at Bucareli 69, Roulette, and EMPAC. She also teaches at the New School, where she works to decolonize the canon, promoting racial and gender equity.

Amirtha Kidambi is known for her improvisational vocabulary as a vocalist, utilizing experimental timbral techniques and infusing aesthetics and methodologies from Carnatic music, noise, rock, free jazz and classical avant-gardes. Kidambi is drawn to the subversive, driven by social and political issues of inequity and injustice. She leads the vocal ensemble Lines of Light, is co-founder of a duo with Lea Bertucci, and is the bandleader of Elder Ones. She has received grants from the Jerome Foundation and the Asian Cultural Council, and has been Artist-in-Residence at Bucareli 69, Roulette, and EMPAC. She also teaches at the New School, where she works to decolonize the canon, promoting racial and gender equity.

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Amirtha Kidambi

Cleek Schrey is a musician and composer living in New York City. His compositions reach across disciplines, from musical performance to installation and performance art. His music engages the skill-sets of particular musicians, often using unconventional notation strategies to produce otherwise impossible convergences of vertical and horizontal parameters. During his residency at Pioneer Works, he will create a new work for 5-piece chamber ensemble.

Cleek Schrey is a musician and composer living in New York City. His compositions reach across disciplines, from musical performance to installation and performance art. His music engages the skill-sets of particular musicians, often using unconventional notation strategies to produce otherwise impossible convergences of vertical and horizontal parameters. During his residency at Pioneer Works, he will create a new work for 5-piece chamber ensemble.

Cleek Schrey

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Austrian born composer/musician Dorit Chrysler resides in New York and has composed the music for the 2013 Danish Pavilion at the Venice Biennale. She has performed at Lincoln Center, Coachella Festival, World Trade Center, Roskilde Festival, Vienna Konzerthaus, Moogfest & CBGB’s – she is a featured Moog Music artist and her contemporary compositions have taken her around the world, including concerts in Brazil, Japan, Russia & Australia. Having released several records, she has also written sound tracks for TV and Cinema, as well as for visual artists such as Jesper Just. Other collaborators include Elliott Sharp, JG Thirlwell, Anders Trentemoeller, The The & Gibby Haynes. Dorit produced and curated the 10 piece Theremin Orchestra at the Disney Hall of Los Angeles. She will be premiering a commissioned sound track at the MoMA February 27th 2014. Her solo work includes Theremin, Vocals, Laptop and Taurus.

Listen: Dorit Chrysler and the New York Theramin Society

<div class="resident-info">Austrian born composer/musician Dorit Chrysler resides in New York and has composed the music for the 2013 Danish Pavilion at the Venice Biennale. She has performed at Lincoln Center, Coachella Festival, World Trade Center, Roskilde Festival, Vienna Konzerthaus, Moogfest &amp; CBGB’s – she is a featured Moog Music artist and her contemporary compositions have taken her around the world, including concerts in Brazil, Japan, Russia &amp; Australia. Having released several records, she has also written sound tracks for TV and Cinema, as well as for visual artists such as Jesper Just. Other collaborators include Elliott Sharp, JG Thirlwell, Anders Trentemoeller, The The &amp; Gibby Haynes. Dorit produced and curated the 10 piece Theremin Orchestra at the Disney Hall of Los Angeles. She will be premiering a commissioned sound track at the MoMA February 27th 2014. Her solo work includes Theremin, Vocals, Laptop and Taurus.</div>
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<a href="http://clocktower.org/show/dorit-chrysler-the-new-york-theremin-society">Listen: Dorit Chrysler and the New York Theramin Society</a>

Dorit Chrysler

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During his Clocktower residency at Pioneer Works, Ebe Oke crafts exquisite, experimental compositions and seductive, avant-garde pop music exploring the idea of “otherness.” From an early age Oke’s artistic practice has been multi-disciplinary, with work in various media including photography, design, performance, poetry, video, and storytelling. Raised in southern Georgia, the artist mixes a sense of mythology with the traditional art of song. His otherworldly compositions often incorporate the sounds of birds and insects, echoing his childhood spent on an exotic bird farm. He has studied composition with Karlheinz Stockhausen, collaborated and performed with Brian Eno, and headlined at The Kitchen for Synth Nights, curated by Laurie Anderson.

During his Clocktower residency at Pioneer Works, Ebe Oke crafts exquisite, experimental compositions and seductive, avant-garde pop music exploring the idea of “otherness.” From an early age Oke’s artistic practice has been multi-disciplinary, with work in various media including photography, design, performance, poetry, video, and storytelling. Raised in southern Georgia, the artist mixes a sense of mythology with the traditional art of song. His otherworldly compositions often incorporate the sounds of birds and insects, echoing his childhood spent on an exotic bird farm. He has studied composition with Karlheinz Stockhausen, collaborated and performed with Brian Eno, and headlined at The Kitchen for Synth Nights, curated by Laurie Anderson.

Ebe Oke

EBE OKE

Greg Fox is a New York City born-and bred drummer, multidisciplinary artist, and teacher. He has played on and released 49 records since 2008, including his work with Liturgy, ZS, Ben Frost, Colin Stetson, Skeletons, Hieroglyphic Being, Man Forever, and others, as well as with his own solo work and his projects GDFX and Guardian Alien. Fox has toured worldwide with various groups and collaborations, held residencies at The Clocktower NYC and was awarded “Best Drummer in NYC” by the Village Voice in 2011. Currently spending 2016 for the most part at home in NYC, he is working on new collaborations and compositions, teaching individual and group drum lessons, and exploring new territory as a solo artist, using a hybridized electroacoustic drum setup to explore new dimensions through the traditional gestures of the modern drummer and the possibilities inherent in electronic and computer music.

Greg Fox is a New York City born-and bred drummer, multidisciplinary artist, and teacher. He has played on and released 49 records since 2008, including his work with Liturgy, ZS, Ben Frost, Colin Stetson, Skeletons, Hieroglyphic Being, Man Forever, and others, as well as with his own solo work and his projects GDFX and Guardian Alien. Fox has toured worldwide with various groups and collaborations, held residencies at The Clocktower NYC and was awarded “Best Drummer in NYC” by the Village Voice in 2011. Currently spending 2016 for the most part at home in NYC, he is working on new collaborations and compositions, teaching individual and group drum lessons, and exploring new territory as a solo artist, using a hybridized electroacoustic drum setup to explore new dimensions through the traditional gestures of the modern drummer and the possibilities inherent in electronic and computer music.

Greg Fox is a New York City born and bred drummer, multidisciplinary artist, and teacher. He has played on and released over 50 releases since 2008, including his work with Liturgy, Ben Frost, Skeletons, Hieroglyphic Being, Man Forever, as a soloist, and with his projects GDFX and Guardian Alien. Fox has studied drumming with Thurman Barker, Marvin “Bugalu” Smith, Guy Licata, and Milford Graves, has toured worldwide with various groups and collaborations, held multiple international music residencies, and was awarded “Best Drummer in NYC” by the Village Voice. 2017 will see the release of a few new records, some touring in Europe and Japan as a solo performer and with Zs, Colin Stetson, Ex Eye, and Guardian Alien, as well as the continuation and expansion of his private and group teaching practice.

Greg Fox

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Haribo is the combination of artists Raul De Nieves, Jessie Stead, and Nathan Whipple. A master blend of early 21st century performance options, Haribo released their debut single “Hell Is Where I Die” in 2011 and have spent the past few years touring Brooklyn and select cities internationally, presenting their trademark cross-genre pop-operas to sold out crowds. Haribo have appeared in numerous motion-pictures and are currently working on their epic sophomore effort “Illuminati Island” and several paintings.

Haribo is the combination of artists Raul De Nieves, Jessie Stead, and Nathan Whipple. A master blend of early 21st century performance options, Haribo released their debut single “Hell Is Where I Die” in 2011 and have spent the past few years touring Brooklyn and select cities internationally, presenting their trademark cross-genre pop-operas to sold out crowds. Haribo have appeared in numerous motion-pictures and are currently working on their epic sophomore effort “Illuminati Island” and several paintings.

Haribo

Long Distance Poison’s two month residency, entitled Sound and Time, focuses on investigating methods and techniques for creating existential audio visual experiences. LDP uses the Clocktower residency space and the Pioneer Works recording studio as environments to experiment in the creation of modular synthesizer and analog electronic music, temporally programmed candles, experimental incense, and modular video synthesis that together form the materia prima for three performances.

Started by Nathan Cearley and Erica Bradbury, the LDP duo focuses on the development of long-form works that emerge from a negotiation and play between conceptual, frequency, and spectral territories and their alterations as they are engaged in time. LDP’s compositions take many forms, mirroring strategies found in drone, noise, and other forms of experimental electronic music; they employ empty and spatially porous zones, sequenced patterns of rhythmic noise, random and pseudo-random processes, improvised keyboard work, chance, and mistake. LDP’s “slow-time” weirdo sound experiment communicates with the Mystery.

Long Distance Poison’s two month residency, entitled Sound and Time, focuses on investigating methods and techniques for creating existential audio visual experiences. LDP uses the Clocktower residency space and the Pioneer Works recording studio as environments to experiment in the creation of modular synthesizer and analog electronic music, temporally programmed candles, experimental incense, and modular video synthesis that together form the materia prima for three performances.
Started by Nathan Cearley and Erica Bradbury, the LDP duo focuses on the development of long-form works that emerge from a negotiation and play between conceptual, frequency, and spectral territories and their alterations as they are engaged in time. LDP’s compositions take many forms, mirroring strategies found in drone, noise, and other forms of experimental electronic music; they employ empty and spatially porous zones, sequenced patterns of rhythmic noise, random and pseudo-random processes, improvised keyboard work, chance, and mistake. LDP’s “slow-time” weirdo sound experiment communicates with the Mystery.

Long Distance Poison

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Holland Andrews is a New York based avant-garde vocalist, composer, improviser, and performance artist whose work is based on emotionality in its many forms. In their work, Andrews focuses on the abstraction of operatic and extended-technique voice to build soundscapes encompassing both catharsis and the interplay between dissonance and resonance to tell stories of the interior worlds of humanity. Frequently highlighting themes surrounding vulnerability and healing, Andrews arranges music with voice and clarinet to serve as a vessel for these themes. As a vocalist, their influences stem from a dynamic range of musical stylings including contemporary opera, free jazz, theater, as well as ambient, drone, and noise music.

Holland Andrews is a New York based avant-garde vocalist, composer, improviser, and performance artist whose work is based on emotionality in its many forms. In their work, Andrews focuses on the abstraction of operatic and extended-technique voice to build soundscapes encompassing both catharsis and the interplay between dissonance and resonance to tell stories of the interior worlds of humanity. Frequently highlighting themes surrounding vulnerability and healing, Andrews arranges music with voice and clarinet to serve as a vessel for these themes. As a vocalist, their influences stem from a dynamic range of musical stylings including contemporary opera, free jazz, theater, as well as ambient, drone, and noise music.

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Screen Shot 2020-11-19 at 9.59.02 AM - Holland

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Holland Andrews 7_6_19 - Holland

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Holland Andrews

OHYUNG is an Asian American musician and artist based in Brooklyn. Their first album 

 was released by Deathbomb Arc. In 2020, OHYUNG released their sophomore album 

, an experimental rap cross-genre collision course through distorted 808s, pitch-shifted rapping, frenetic pop energy, and ambient loops. Featured in 

 was described by Bandcamp as “a fascinating, shape-shifting record.”

They compose music for films and exhibitions as Robert Ouyang Rusli, and their work has been featured at Sundance, BAMCinématek, the Queens Museum, and BAM Next Wave Festival. In 2017, they received a Van Lier Fellowship in Music Composition from the Asian American Arts Alliance.

OHYUNG is an Asian American musician and artist based in Brooklyn. Their first album Untitled (Chinese Man with Flame) was released by Deathbomb Arc. In 2020, OHYUNG released their sophomore album PROTECTOR (Chinabot), an experimental rap cross-genre collision course through distorted 808s, pitch-shifted rapping, frenetic pop energy, and ambient loops. Featured in PAPER and Kaltblut, PROTECTOR was described by Bandcamp as “a fascinating, shape-shifting record.”
They compose music for films and exhibitions as Robert Ouyang Rusli, and their work has been featured at Sundance, BAMCinématek, the Queens Museum, and BAM Next Wave Festival. In 2017, they received a Van Lier Fellowship in Music Composition from the Asian American Arts Alliance.

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ohyung trans pecos pic2 credit Adam Sue - ohyung ohyung

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ohyung vessels live photo credit dayday - ohyung ohyung

OHYUNG performance 1 credit Marion Aguas &#8211; ohyung ohyung

OHYUNG

Nordra is the solo project by Brooklyn-based artist Monika Khot, who fronts the band Zen Mother and to be found on bass touring with Daughters. She creates her design of the future of pop using an incredibly intense mix of noise, electronic beats, her ethereal voice, and various live instruments such as a guitar and a pocket trumpet. Her last album 

is the soundtrack to a modern dance and, like her debut album, was released on the renowned Sige label by Aaron Turner (Isis / Mamiffer / Sumac) and Faith Coloccia (Mamiffer). The work was voted one of the top 20 albums of 2018 by the 

Nordra is the solo project by Brooklyn-based artist Monika Khot, who fronts the band Zen Mother and to be found on bass touring with Daughters. She creates her design of the future of pop using an incredibly intense mix of noise, electronic beats, her ethereal voice, and various live instruments such as a guitar and a pocket trumpet. Her last album Pylon II is the soundtrack to a modern dance and, like her debut album, was released on the renowned Sige label by Aaron Turner (Isis / Mamiffer / Sumac) and Faith Coloccia (Mamiffer). The work was voted one of the top 20 albums of 2018 by the Wire Magazine.

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Screenshot_2020-11-22 Nordra Monika Khot ( good person and nice) • Instagram photos and videos - Monika Khot

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Nordra

Luke Stewart is a NYC/DC-based musician and organizer, with a strong presence in the national and international music community. His regular ensembles include Irreversible Entanglements, Blacks’ Myths, Heroes are Gang Leaders, and an array of continued collaborative projects with many others. He is noted in 