Name: Second Sundays: May 2026
Start: 2026-05-10
End: 2026-05-10
Location: Pioneer Works

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Own the Archive Sale

This week only, we’re heavily discounting our #PWPress publications to make way for new projects. Find artist-created books for $5, $10, & $15—sales raised from the PW Store are reinvested into funding new, ambitious projects by emerging and underrepresented artists and writers.

Gift Guide

From November 28 through December 14, take 20% off products in the Gift Guide with code: ULTRAFESTIVE. 

Ragas 

Pioneer Works's galleries and garden will be closed this Sunday, October 19 for Ragas Live Festival 2025. Learn more 

June closing

Please note, Pioneer Works will be closed for daily admissions until July 7th. We 

open for ticketed programs, view our calendar 

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Celebrate 10 years of Pioneer Works by shopping the PW Press Archive Sale! Through October 31, take 10% off Pioneer Works Press items with code 

Flash Flood Closures

Building Closures Due to Flash Floods

Due to weather conditions, Pioneer Works is suspending open gallery hours for Friday, September 29. MHYSA's performance has been rescheduled for Sunday, October 1, with all tickets being transferred to the new date.

April PW Store Banner

Shop the PW Store Spring Sale!

 for the entire month of April and receive an automatic 20% off books, records, apparel, and more. Members save 35%—learn more about membership 

Our galleries and garden are closed to the public today for a United Sounds NYC Festival 2024. Learn more about the festival 

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Pioneer Works will be closed on Sunday, January 25 for inclement weather.

Aura Closure 5/27

Please note:

 will close early at 5pm on Saturday, May 27. Learn more and plan your visit 

CEO Announcement

Just Announced: Pioneer Works Names Mara Manus Chief Executive Officer

The Board of Directors of Pioneer Works is pleased to announce that Mara Manus, former Executive Director for New York State Council on the Arts (NYSCA), has been appointed as the organization’s new Chief Executive Officer. 

We are grateful for your engagement and support of Pioneer Works over the last year. Now through December 31st, we’re fundraising to meet our end of year goal and close out 2024.

85% of our programming is free or accessibly-priced and we rely on our community of supporters to make that possible. Give now to ensure that we can continue nurturing artists and audiences through 2025.


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PW Closed 11/11

We're closed all day Friday, November 11 for our annual Village Fête Benefit. To learn more about the After Party and get tickets, visit 

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 takes place at PW to celebrate this digital experiment and the artists, scientists, musicians, writers, and readers who’ve made it possible. RSVP 

Deinstall Closure

Early Closure

Aura Closure 6/3

 will close early at 5pm on Saturday, June 3. Learn more and plan your visit 

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We're pleased to announce the first major renovation of Pioneer Works! To accommodate the first phase of our construction, we're temporarily relocating to 133 Imlay Street opening in Spring 2022.

Early Closure 5/10/23

Due to programming, Pioneer Works will be closed to the public on Wednesday, May 10. We will be open from Thursday through Sunday for the remainder of the week. Learn more and plan your visit 

Our galleries and garden are currently closed for installation. We will reopen on 

Friday, September 12, 2025, from 7–9 PM

Raúl de Nieves, Tega Brain, and Sam Lavigne

Since 2013, Pioneer Works has hosted Second Sundays, a free monthly open house. Highlighting our programs, artists-in-residence, and Red Hook community members, Second Sundays features open studios, exhibitions, workshops, live music, and food—with programming across all three floors and in our garden.


Our full schedule will be announced soon! Food and drink provided by Pioneer Works Bar.


Second Sundays is funded in part by a grant from the New York City Tourism Foundation. Pioneer Works is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

NYC Cultural Affairs

New York State Council on the Arts

New York City Tourism Foundation

 is an ongoing transnational exhibition project that studies the ways in which Asian fashion production is represented. Curated by 

. While earlier iterations used the South China Sea as a conceptual starting point, Atlantic Basin responds to the specificity of New York City—particularly Red Hook, once a major entry point for goods shipped to the United States, and a site that remains deeply connected to the Asian and global textile trade.

Spanning the second and third floors of Pioneer Works, 

begins with three bodies of work that each examine the labor of garment workers, both in Taiwan and America. Inspired by the obsolescence of Taiwan’s textile industry that followed the outsourcing of fashion production to Shenzhen, Huang Po-Chih’s 

Production Line – Made in China & Made in Taiwan

 (2014–2020) situates a row of homogenous, blue denim shirts besides photographs of the young women—including his own mother—who once manufactured them. These works are presented alongside a sprawling archive of handmade garments, ephemera, and video documentation by U.S.-based Chinese artist Chang Yuchen, who began producing work under the moniker Use Value in 2016.

In the decade since, Use Value priced its commodities in accordance with the value of the artist’s time, which fluctuated as Yuchen drifted from various labor markets ranging from the service industry to academia. Use Value’s archive, presented as an incomplete retrospective, is ensconced in clusters of totem-like sculptures and wall-based collages by Serena Chang. Mimicking the forms of sugar cane stalks, Chang’s sculptures repurposed hosiery manufactured by Sheerly Touch-Ya, a company that the artist’s parents founded upon emigration from Taiwan to the United States. Memories of the family’s assimilation echo throughout her collages, which embed videos of manufacturing machinery within complex armatures.

Artist collective CFGNY transforms the third floor gallery into a cardboard-lined container—a reference to the ubiquitous material that serves as a skin for commodities shipped around the world—that houses a new series of photographs recently shot in Ho Chi Minh City. Captured at full-service studios offering everything from photography to makeup and lighting, the images spotlight the young entrepreneurs and influencers cultivating new visions for Vietnam’s garment production infrastructure.

These artworks are accompanied by a constellation of mannequins styled by Juje Hsiung, donning garments by designers who have come up through diasporic systems of enterprise—and done so while playing actively with the aesthetic tropes of Asia. From millennial legends to young New York fashion designers working today, these designers complicate, notions of heritage as style, exploring more complex histories of commodities and bodies in flux. 

—a phrase originally coined by Roland Barthes in his book 

(1967)—borrows its title from an ongoing project by Shanzhai Lyric, the self-described “poetic research unit” comprising artist-archivists Ming Lin and Alex Tatarsky. Over the past decade, the duo has accumulated hundreds of 

 T-shirts—Chinese-made counterfeits that imitate global brands and are peddled in markets across various Asian metropolises as well as New York City. At Pioneer Works, a selection of these garments is displayed, while the artists transform one of the institution’s artist-in-residency studios into a presentation space for their archive of research materials.

The exhibition is notably accompanied by a new, titular book by Shanzhai Lyric, which is composed of the shirts’ slogans, aphorisms, and mistranslations as a single poem. Published by Pioneer Works Press, the book marks a decade of the artists’ archival project while capturing the lyricism of both fast fashion and global clothing culture. As a whole, 

 contests the potential of fashion as a container for imagining community, identity, heritage, and history in both a local and transnational sense.

 is made possible with support from the Taipei Cultural Center in New York, Ministry of Culture, Republic of China (Taiwan). It is also supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council, as well as the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

The Endless Garment: Atlantic Basin

Benjamin Cho
feyfey Worldwide
United Bamboo
Amy Yao

Aapo Nikkanen is an artist, researcher, and hypnotherapist whose performative and photographic practice uses hypnosis to guide guests into speculative realities His work addresses the development of new technologies, their asymmetrical power concentration, and their political, ecological, and psychological impacts. In the process, he aims to open up spaces for understanding how these mechanisms operate and for evoking a sense of agency and resistance. Nikkanen’s works have been shown in numerous European institutions, including Palais de Tokyo and Fondation Ricard,Paris; the Rotterdam International Film Festival, Rotterdam; Casa Encendida, Madrid; The Living Art Museum, Reykjavik; and De Appel Art Centre, Amsterdam.

This residency is organized in collaboration with the

Aapo Nikkanen

Alice Wang is a Chinese-born American artist based in New York. She received a B.Sc. in Computer Science and International Relations from the University of Toronto, a BFA from CalArts, and an MFA from New York University. Wang has presented solo exhibitions at the UCCA Dune Art Museum, China; Vincent Price Art Museum, Los Angeles; Capsule Shanghai; and 18th Street Arts Center, Santa Monica, among others. Group presentations include the Hammer Museum, Los Angeles; Galleria Continua; Para Site, Hong Kong; Fotografiska, New York; and the 14th Shanghai Biennale. Wang was an artist-in-residence at the International Studio & Curatorial Program (ISCP). Upcoming exhibitions include 

 at the New Museum. Her first institutional solo show in New York will open in February 2026 at ISCP.

Alice Wang

Andros Zins-Browne works at the intersection of performance and dance, extending choreographic practice towards non-dancers, vocalists, objects, and text. His work 

 (2016-), which “de-hearses” previous performances, was presented at the ICA, London; The Whitney Museum, New York; RAM, Shanghai; and Fondation Galeries Lafayette, Paris. 

(2019), a cycle of collaborative exhibitions and performances, was included in PERFORMA19 and is currently streaming online on Criterion Channel and Triple Canopy. His “Vocal Choreographies” that activate intimacy through dissonance include 

 (Canal Projects, 2024 and Pioneer Works, 2025, both in New York). Performance “Remixes” include 

(Berlin Biennale, 2018; Dia Art Foundation, New York, 2023) and 

 (MoMA, 2019). Zins-Browne is the recipient of awards from the Goethe-Institut, Graham Foundation for Advanced Studies in the Fine Arts, Ministry of Culture of the Flemish Community, and New York State Council on the Arts.

Andros Zins-Browne

Barnett Cohen is a visual artist and choreographer whose work proposes a kaleidoscopic, queer surrealism. Select venues include Amant, Canal Projects as part of Performa 2023, The Center for Performance Research, The Exponential Festival, Judson Memorial Church, and RYAN LEE, all in New York; The Institute of Contemporary Art, JOAN, LAXART, REDCAT, and Human Resources, all in Los Angeles; The Centre Wallonie Bruxelles, Paris; Kunsthalle Trondheim, Norway; Rupert, Lithuania; and The Onassis Foundation (online). In 2021, Open Space/SFMoMA published a collection of their poems alongside those of artist and collaborator Simone Forti. Residencies include Skowhegan, MacDowell, NARS, Rupert, and Denniston Hill. Their work has been reviewed and featured in 

Barnett Cohen

Colin Self is an artist, composer, and puppeteer based between Brooklyn and Berlin. They create music, performances, and new systems for interfacing with the human spirit on a spectrum between the living and deceased. Their practices revolve around the temporary assembly of communities and envelop collaborative and dialogical experiments into play. Self has been running the collective of group singers XOIR since 2013, and co-founded TIAPS, a performance school in Lincolnville, Maine, in 2023, with their collaborator Monica Mirabile. They were a 2023 Resident Artist at Callie’s Berlin and a Presidential Fellow at La Becque in Autumn 2024. Their third LP, 

Colin Self

As a collaborative duo, Gabriela Ruiz and Emmett Palaima create multisensory work where technology, memory, and fantasy intersect. Ruiz explores surveillance capitalism and mass consumerism across sculpture, performance, digital media, painting, and installation. Her works manifest inner psychological experience through synthetic materials, saturated color, and psychedelic visual distortions. Palaima creates work with electronics and esoteric processes of sound creation. He is conceptually rooted in the idea that technology and magic are one and the same, and that electricity is a manifestation of elemental forces underlying physical reality. His instruments explore sound as a physical process and embody the sculptural beauty of sound-creation systems. Together, the duo build charged spaces that explore the tensions between desire, control, mysticism, and contemporary digital life.

Gabriela Ruiz & Emmett Palaima

Julian Chehirian is a Philadelphia- and Sofia-based multimedia artist and PhD Candidate in the History of Science at Princeton. His installations tune objects and spaces to surface their latent histories. He represented the Bulgarian Pavilion at the 2024 Venice Art Biennale.

D. Graham Burnett is a New York City-based scholar, writer, and maker. A longstanding editor at 

 magazine, he teaches at Princeton and was recently a visiting artist at the Academy of Fine Arts, Helsinki.

Julian Chehirian & D. Graham Burnett

Mae Howard is an artist and organizer calling upon lineages of disabled labor economies rooted in collective exchange and relational dependency. Their practice utilizes endurance to underscore long-form debilitation. Howard's work dwells in leather histories, sadomasochistic protocol, and practice as aesthetic, haptic, and material foils to the medical-carceral industrial complex. They received an MFA and Certificate in Gender, Women, and Sexuality Studies from the University of Pennsylvania in 2023. Howard is a 2026 Queer Art Mentorship Fellow, a 2025-2026 A.I.R. Gallery Fellow, and a 2023-2024 Whitney Independent Study Program Fellow. They have taught multiple courses at the University of Pennsylvania and facilitated Disabled Erotics at The School of Making Thinking in 2024 and 2025.