13 Ways of Looking
13 Ways of Looking, With Kaveh Akbar
Usually, after I’ve spent a good deal of time with a poem, it begins to become impenetrable to me—less a “small machine made of words” and more a symbol that enters my eye all at once like an ideogram or hieroglyph. A glance at a poem will visually summon all its experiential or psychospiritual data without requiring any actual engagement with its syntax (which also makes the poems obnoxious to revise, and often requires either another set of eyes or a great deal of time to turn the poem back into words).
Here, I’ve tried to intuitively—read: without overthinking myself into preciousness—paint visual representations of some poems from Pilgrim Bell, reflecting not their narrative or lexical data (Klee described his work being “not to reproduce the visible but to make visible”), but rather charting the ideogrammatic content that’s hardened into place for me over time with each piece. These painted haloes feel truer to me, or at least more interesting, than anything I might try to clumsily articulate about the poems.
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