Name: Second Sundays: May 2018
Start: 2018-05-13
End: 2018-05-13
Location: Pioneer Works

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PW Closure 10/25-10/26

Pioneer Works's galleries and garden are closed to the public on Friday, October 25th and Saturday, October 26th for the United Sounds NYC Festival 2024. 

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Own the Archive Sale

This week only, we’re heavily discounting our #PWPress publications to make way for new projects. Find artist-created books for $5, $10, & $15—sales raised from the PW Store are reinvested into funding new, ambitious projects by emerging and underrepresented artists and writers.

Gift Guide

From November 28 through December 14, take 20% off products in the Gift Guide with code: ULTRAFESTIVE. 

Ragas 

Pioneer Works will be closed for normal gallery hours this October 14 & 15 for Ragas Live Festival 2023, learn more 

June closing

Please note, Pioneer Works will be closed for daily admissions until July 7th. We 

open for ticketed programs, view our calendar 

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Celebrate 10 years of Pioneer Works by shopping the PW Press Archive Sale! Through October 31, take 10% off Pioneer Works Press items with code 

Flash Flood Closures

Building Closures Due to Flash Floods

Due to weather conditions, Pioneer Works is suspending open gallery hours for Friday, September 29. MHYSA's performance has been rescheduled for Sunday, October 1, with all tickets being transferred to the new date.

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Shop the PW Store Spring Sale!

 for the entire month of April and receive an automatic 20% off books, records, apparel, and more. Members save 35%—learn more about membership 

Aura Closure 5/27

Please note:

 will close early at 5pm on Saturday, May 27. Learn more and plan your visit 

CEO Announcement

Just Announced: Pioneer Works Names Mara Manus Chief Executive Officer

The Board of Directors of Pioneer Works is pleased to announce that Mara Manus, former Executive Director for New York State Council on the Arts (NYSCA), has been appointed as the organization’s new Chief Executive Officer. 

PW Closed 11/11

We're closed all day Friday, November 11 for our annual Village Fête Benefit. To learn more about the After Party and get tickets, visit 

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Let Pioneer Works come to you                                    

Our galleries and garden are closed to the public today for a United Sounds NYC Festival 2024. Learn more about the festival 

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We’re making Pioneer Works accessible to all! While our building is temporarily closed until this September, we are continuing to host offsite programming. See upcoming programs 

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In order to build programs that uphold our values and remain predominantly free and open to the public, we rely on our phenomenal community of supporters.

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 takes place at PW to celebrate this digital experiment and the artists, scientists, musicians, writers, and readers who’ve made it possible. RSVP 

Aura Closure 6/3

 will close early at 5pm on Saturday, June 3. Learn more and plan your visit 

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We're pleased to announce the first major renovation of Pioneer Works! To accommodate the first phase of our construction, we're temporarily relocating to 133 Imlay Street opening in Spring 2022.

Early Closure 5/10/23

Due to programming, Pioneer Works will be closed to the public on Wednesday, May 10. We will be open from Thursday through Sunday for the remainder of the week. Learn more and plan your visit 

Thanksgiving Closure

Pioneer Works will be closed on 11/28 - 11/29 in observance of Thanksgiving and Native American Heritage Day.

Food and Beverage by Dolce Brooklyn, Red Hook Snack Bar, and PW Bar.

Second Sundays

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Food and Beverage by Dolce Brooklyn, Red Hook Snack Bar, and PW Bar.
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May '18

Second Sundays is a free event series that engages Pioneer Works disciplines through live music, food, artists’ open studios, and interactive programs.

Pioneer Works, the astronomers of Columbia University, and the Amateur Astronomers Association of New York host various stargazing events. We welcomed thousands of New Yorkers into our garden for The Great American Eclipse and regularly bring our telescopes out for public viewing, including most Second Sundays.



Astronomy in the Pioneer Works Garden

A Ballast Flora Garden: Pioneer Works is one of three gardens that are part of Maria Thereza Alves&#8217; Seeds of Change: New York&#8211; A Botany of Colonization.

A Ballast Flora Garden: Pioneer Works 

Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.

&nbsp;

Mary Helena Clark

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 

Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.

Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.

<img class="alignnone size-medium wp-image-5145" src="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" />

Gözde İlkin

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy. 

Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include Matisse + Fratino, Cabinet Printemps, Düsseldorf (2018); So I've got you, Thierry Goldberg, New York (2017); and Practice in Leisure, Galería Mascota, Mexico DF, (2017).

Louis Fratino

NIC Kay is from the Bronx. 

They currently occupy several liminal spaces. 

They are a person who makes performances and creates/organizes performative spaces. 

They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective. 

Their current trans disciplinary projects explore movement as a place of reclamation. 

NIC has performed and shown work internationally and in The United States.

NIC Kay

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

Autumn Knight

A mainstay of the Chicago jazz scene and recent active addition to the New York scene, Jaimie Branch is an avant-garde trumpeter known for her “ghostly sounds," says The New York Times, and for "sucker punching" crowds straight from the jump off, says Time Out. Her classical training and “unique voice capable of transforming every ensemble of which she is a part” (Jazz Right Now) has contributed to a wide range of projects not only in jazz but also punk, noise, indie rock, electronic and hip-hop. Branch’s prolific as-of-yet underexposed work as a composer and a producer, as well as a sideman for the likes of William Parker, Matana Roberts, TV on the Radio and Spoon, is all on display in her debut record Fly or Die – a dynamic 35-minute ride that dares listeners to open their minds to music that knows no genre, no gender, no limits.

Jaimie Branch

Experience the work of our spring tech residents Vanessa Rosa and David Huerta. Rosa discusses culturally responsive computation and exhibits experiments in pattern abrasion with fiber optic fabric. Huerta helps visitors take their first steps towards online privacy and security with members of CryptoParty NYC.

Tech Lab Open Studios

Tech resident Morehshin Allahyari discusses her newest work, She Who Sees the Unknown, focusing on catastrophe and a Jinn called The Laughing Snake.

Virtual Environments Lab Open Studio: Morehshin Allahyari

Learn more about the multi-disciplinary performance art group, Trouble, through a retrospective of their work. Trouble will perform in the Main Hall at 7pm.

Trouble Retrospective

Kick back and check out our library of science related magazines and books.

Little Science Library & Bar

Join Pioneer Works Press to launch Dorothea Lasky’s fifth full-length poetry collection, MILK (Wave Books). Lasky will apply her signature word-music and invention of new language to motherhood and the production of new life. As much a personal document as it is an occult text, MILK investigates paradigms of what it means to be a creator in all its horrors horrors and joys. Lasky will be joined by performances from M. Lamar, Dara Wier, and Timothy Donnelly.

Dorothea Lasky: MILK

Trouble, an artist group featuring Laura Paris and Sam Hilmer will present &#8220;Stood Maze&#8221;, a long-form performance installation that integrates geography, music, performance art, and society.

"Stood Maze" by Trouble

Join the Amateur Astronomers Association of NY in the garden for an interactive look into the sky.

Solar and Star Gazing with Amateur Astronomers Association

Performing within Trouble&#8217;s Stood Maze, Felt &#038; Known is a collaboration between producer Joey Desktop and Turtle, of the Flex Dance Movement.

Felt & Known

Performing as a musical element in Trouble&#8217;s Stood Maze, Diamond Terrifier Cipher is a band led by Sam Hilmer, featuring a collaboration with Don Devore.

Diamond Terrifier Cipher

Performing in conjunction with Trouble, AceMo (Adrian Mojica) creates visceral, dystopian techno that reflects the deep thrum of the city.

AceMo (DJ Set) 

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Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.

Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.
&nbsp;

clark_delphifalls_bebe

Clark_DelphiFalls_Bebe

clark_delphifalls_lake

Clark_DelphiFalls_Lake

mhc-jan-2018_ligature

MHC-Jan-2018_Ligature

mhc-jan-2018-ligature

MHC-Jan-2018-Ligature

Mary-Helena-The Palm_install

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation.

 at Françoise Heitsch Gallery, Munich (2015); and 

, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, 

, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.

Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 
Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.
Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.
<img loading="lazy" class="alignnone size-medium wp-image-5145" src="https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" srcset="https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg 300w, https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey.jpg 610w" sizes="(max-width: 300px) 100vw, 300px" />

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03.Boys eat turkish delight_GI

04-overthrown-alcove_inverted-home_2017_gi

04.Overthrown Alcove_Inverted Home_2017_GI

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04.The Deficient Joint Gap_Inverted Home 2017_GI

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05.Temperate, Resentful and Nolens volens_ Inverted Home 2017_GI

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06.Inverted home_exhibition view_Pera Museum 2017_GI

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08.Ripper- Rooter 2015–GI

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07. Diplomacy_series from Rehearsal_GI

09-absent-demonstration-2017_gi

09.Absent Demonstration 2017_GI

02.At home day 2010_ GI

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 
Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.
Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.
<img loading="lazy" class="alignnone size-medium wp-image-5145" src="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" srcset="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg 300w, https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey.jpg 610w" sizes="(max-width: 300px) 100vw, 300px" />

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy.

Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include 

, Cabinet Printemps, Düsseldorf (2018); 

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy. 
Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include Matisse + Fratino, Cabinet Printemps, Düsseldorf (2018); So I&#8217;ve got you, Thierry Goldberg, New York (2017); and Practice in Leisure, Galería Mascota, Mexico DF, (2017).

gal-2018-louis-fratino-001

GAL 2018-Louis Fratino-001

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GAL 2018-Louis Fratino-002

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GAL 2018-Louis Fratino-005

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GAL 2018-Louis Fratino-006

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GAL 2018-Louis Fratino-007

GAL 2018-Louis Fratino-011

They currently occupy several liminal spaces.

They are a person who makes performances and creates/organizes performative spaces.

They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective.

Their current trans disciplinary projects explore movement as a place of reclamation.

NIC has performed and shown work internationally and in The United States.

NIC Kay is from the Bronx. 
They currently occupy several liminal spaces. 
They are a person who makes performances and creates/organizes performative spaces. 
They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective. 
Their current trans disciplinary projects explore movement as a place of reclamation. 
NIC has performed and shown work internationally and in The United States.

ar2018_nic-kay_lil-blk_d855598_credit-ian-douglas-1

AR2018_NIC Kay_lil BLK_D855598_CREDIT IAN DOUGLAS (1)

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How We Carry, Container, The End is the Beginning (1)

screen-shot-2018-01-19-at-1-51-47-am-1

Screen Shot 2018-01-19 at 1.51.47 AM (1)

2017-12-16-nic-kay_60_david-gonsier-1

2017.12.16.NIC Kay_60_David Gonsier (1)

Photo1_NICKay_TCS_VolVII_170819_byCoreyMelton_ND4_0053

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

artadiapresentation3

A mainstay of the Chicago jazz scene and recent active addition to the New York scene, Jaimie Branch is an avant-garde trumpeter known for her “ghostly sounds,” says 

, and for “sucker punching” crowds straight from the jump off, says 

. Her classical training and “unique voice capable of transforming every ensemble of which she is a part” (

) has contributed to a wide range of projects not only in jazz but also punk, noise, indie rock, electronic and hip-hop. Branch’s prolific as-of-yet underexposed work as a composer and a producer, as well as a sideman for the likes of William Parker, Matana Roberts, TV on the Radio and Spoon, is all on display in her debut record 

 – a dynamic 35-minute ride that dares listeners to open their minds to music that knows no genre, no gender, no limits.

A mainstay of the Chicago jazz scene and recent active addition to the New York scene, Jaimie Branch is an avant-garde trumpeter known for her “ghostly sounds,&#8221; says The New York Times, and for &#8220;sucker punching&#8221; crowds straight from the jump off, says Time Out. Her classical training and “unique voice capable of transforming every ensemble of which she is a part” (Jazz Right Now) has contributed to a wide range of projects not only in jazz but also punk, noise, indie rock, electronic and hip-hop. Branch’s prolific as-of-yet underexposed work as a composer and a producer, as well as a sideman for the likes of William Parker, Matana Roberts, TV on the Radio and Spoon, is all on display in her debut record Fly or Die – a dynamic 35-minute ride that dares listeners to open their minds to music that knows no genre, no gender, no limits.