Name: Second Sundays: July 2018
Start: 2018-07-08
End: 2018-07-08
Location: Pioneer Works

Come early for Gallery Dialogues with Demian DinéYazhi’ at 3pm.

Food and Beverage by Grasshopper Brooklyn, Dolce Brooklyn, and Pioneer Works Bar.

Second Sundays

Come early for Gallery Dialogues with Demian DinéYazhi&#8217; at 3pm.
Food and Beverage by Grasshopper Brooklyn, Dolce Brooklyn, and Pioneer Works Bar.
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July '18

Second Sundays is a free event series that engages Pioneer Works disciplines through live music, food, artists’ open studios, and interactive programs.

Pioneer Works, the astronomers of Columbia University, and the Amateur Astronomers Association of New York host various stargazing events. We welcomed thousands of New Yorkers into our garden for The Great American Eclipse and regularly bring our telescopes out for public viewing, including most Second Sundays.



Astronomy in the Pioneer Works Garden

Through a selection of paintings and drawings, Meandering Curves of a Creek highlights Maia Cruz Palileo&#8217;s artistic exploration of her personal identity, cultural heritage, and feelings of multiplicity as a Filipino-American.

Maia Cruz Palileo: Meandering Curves of a Creek

Utilizing the artistic style of agitprop activist propaganda, artist Demian DinéYazhi’ brings attention to ongoing acts of violence against indigenous bodies via posters and flyers made at Pioneer Works and Small Editions.

Demian DinéYazhi' and R.I.S.E.: Radical Indigenous Survivance & Empowerment: A Nation Is a Massacre 

Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.

&nbsp;

Mary Helena Clark

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 

Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.

Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.

<img class="alignnone size-medium wp-image-5145" src="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" />

Gözde İlkin

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy. 

Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include Matisse + Fratino, Cabinet Printemps, Düsseldorf (2018); So I've got you, Thierry Goldberg, New York (2017); and Practice in Leisure, Galería Mascota, Mexico DF, (2017).

Louis Fratino

NIC Kay is from the Bronx. 

They currently occupy several liminal spaces. 

They are a person who makes performances and creates/organizes performative spaces. 

They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective. 

Their current trans disciplinary projects explore movement as a place of reclamation. 

NIC has performed and shown work internationally and in The United States.

NIC Kay

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

Autumn Knight

Xin Liu (刘昕, born in<a href="https://www.google.com/maps/place/Karamay,+Xinjiang,+China/@42.7265109,82.3501495,5z/data=!4m13!1m7!3m6!1s0x3806008cfd7b4dab:0xa84116ec366707a1!2sXinjiang,+China!3b1!8m2!3d42.5246357!4d87.5395855!3m4!1s0x42a06a2eef16ea89:0xe6c3e6253f9024fc!8m2!3d45.5794451!4d84.8886108"> Xinjiang</a>, 1991) is an artist and engineer.

Xin creates experiences and artifacts to examine what makes subjectivities and affects, to actively participate in the paradigm shifts between technological advances and human experiences, to reconfigure the tools of technology for the recovery of human experiences. Her projects materialize as performances, apparatus, installations, scientific experiments, and academic papers. She has shown her work internationally at events and venues including Ars Electronica, Boston MFA, Sundance Film Festival, The Walker Art Center, OCAT Shanghai, and ISEA. As a researcher, Xin has worked in institutions including Microsoft Research NYC &amp; Asia and Google ATAP.

Xin Liu

Victoria Scott is a Canadian-born educator and visual artist, mainly a sculptor, working between physical materials, emotional energy and electronic media of many flavors. Her projects include constructing material representations of conceptual objects and images that exist in simulated digital environments, the public commons and in the space of cultural imagination. She is currently developing interactive Virtual Reality environments to visualize human energy fields and has just founded Imaginary Objects, a VR/AR company based in San Francisco. Victoria has exhibited throughout North America and Europe, and completed her MFA at the School of the Art Institute of Chicago.

We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.
Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

Victoria Scott

Ann tbd is an artist currently based in New York City. She creates strange and horrible new technologies to explore questions of identity and alienation. Her works combine organic and electronic materials—such as teeth, blood, and deconstructed circuitry—to evoke feelings of exposure and vulnerability.

Ann tbd

TYGAPAW (Dion McKenzie) is a multi-disciplined producer and DJ based in Crown Heights, Brooklyn. Her Jamaican ancestry and upbringing fused with her 13 years living in New York City have influenced a music style she dubs “Sultry Club.” She incorporates sexy 90s R&amp;B sounds with futuristic vibes and intricate melodies that are as much for the club as they are for a chill kiki at your home girls crib. Her productions are unique and specific to her history. She is the curator behind “Fake Accent,” a monthly Brooklyn based queer club night that has featured DJ’s such as Rizzla, False Witness, HD, Mursi Layne, and more, and also the co-curator behind queer Caribbean party series and creative platform, “NO BADMIND.”

TYGAPAW

Visit resident TYGAPAW in the music studio as she prepares for a DJ set at 7:30pm in the North Hall.

TYGAPAW in Studios

Resident NIC Kay will present three performance works-in-progress beggining at 4pm in studio 3A, on Pioneer Street, and in the Garden.

NIC Kay Performance Works-in-Progress 

Make stereoscopic books as you learn about early photography and VR technologies using found images from the Reanimation Library, a collection of over 2,000 obscure or out-of-print publications housed across the street at Pioneer Books.

Reanimation Library: Stereoscopic Books

Visit the Tech Lab for a look at work produced by our residents. Xin Liu will present videos-in-progress, Victoria Scott will show an in progress VR work, and Ann tbd will display experimental technologies.

Tech  Lab / VE Lab Open Studios

Explore drawing games, digital painting theory, and custom painting software made by traveling artist and lecturer Jeffrey Alan Scudder.

Radical Digital Painting

See installations from our recent Software for Artists Day conference, made by Kristin Lucas, Damjanski, Pioneer Works Tech Lab, Looking Glass Factory, Jeremy Couillard, Jakob Kudsk Steensen, {UNGLITCH}, Melissa F. Clarke, DiMoDA, and Margaret Anne Schedel.

Software for Artists Day Installations 

Cowboy in Totality allows users to interact with an uploaded consciousness named Cowboy. Lightfield display by Looking Glass Factory and AI provided by IBM Watson.

S4AD Installation: Cowboy in Totality

David Lobser&#8217;s Cosmic Sugar is an elegant, GPU-driven simulation space that allows participants to craft nebulas.

S4AD Installation: Cosmic Sugar 

Margaret Anne Schedel and Melissa F. Clarke present their work glass menagerie, a VR experience showing unique renderings of nanoscience data.

S4AD Installation: glass menagerie

The Digital Museum of Digital Art (DiMoDA) presents two new projects: New Talismans explores the embodiment of computer witchcraft and Mind Body Dualism examines existence as the simultaneity of the physical being and the digital being.

S4AD Installation: DiMoDa 3.0 presents TALISMANS (74L15M4N5) and MIND BODY DUALISM (MND//BDY)

Join the Amateur Astronomers Association of New York in the garden for an interactive look into the sky. *Weather permitting*

Solar and Star Gazing with Amateur Astronomers Association

TYGAPAW (Dion McKenzie) is a multi-disciplined producer and DJ based in Crown Heights, Brooklyn. Her Jamaican ancestry and upbringing fused with 13 years living in New York City have influenced a music style she dubs “Sultry Club.”

June-SS

Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.

Mary Helena Clark is an artist working in film, video, and installation. Her work uses the language of collage to explore dissociative states through cinema, bringing together disparate subjects and styles that suggest an exterior logic or code. Using the conventions of narrative, language, and genre, her films explore shifting subjectivities and the limits of the embodied camera. Clark’s work has recently been exhibited at DOCUMENT, Chicago; Künstlerhaus, Stuttgart, Germany; JOAN, Los Angeles; and the 2017 Whitney Biennial, New York; and at festivals including the International Film Festival Rotterdam, the New York Film Festival, the Toronto International Film Festival, and the Hong Kong International Film Festival.
&nbsp;

clark_delphifalls_bebe

Clark_DelphiFalls_Bebe

clark_delphifalls_lake

Clark_DelphiFalls_Lake

mhc-jan-2018_ligature

MHC-Jan-2018_Ligature

mhc-jan-2018-ligature

MHC-Jan-2018-Ligature

Mary-Helena-The Palm_install

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation.

 at Françoise Heitsch Gallery, Munich (2015); and 

, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, 

, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.

Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 
Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.
Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.
<img loading="lazy" class="alignnone size-medium wp-image-5145" src="https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" srcset="https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg 300w, https://sunset.pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey.jpg 610w" sizes="(max-width: 300px) 100vw, 300px" />

03-boys-eat-turkish-delight_gi

03.Boys eat turkish delight_GI

04-overthrown-alcove_inverted-home_2017_gi

04.Overthrown Alcove_Inverted Home_2017_GI

04-the-deficient-joint-gap_inverted-home-2017_gi

04.The Deficient Joint Gap_Inverted Home 2017_GI

05-temperate-resentful-and-nolens-volens_-inverted-home-2017_gi

05.Temperate, Resentful and Nolens volens_ Inverted Home 2017_GI

06-inverted-home_exhibition-view_pera-museum-2017_gi

06.Inverted home_exhibition view_Pera Museum 2017_GI

08-ripper-rooter-2015-gi

08.Ripper- Rooter 2015–GI

07-diplomacy_series-from-rehearsal_gi

07. Diplomacy_series from Rehearsal_GI

09-absent-demonstration-2017_gi

09.Absent Demonstration 2017_GI

02.At home day 2010_ GI

Gözde İlkin lives and works in Istanbul, Turkey. She studied painting at the Fine Arts Faculty of Mimar Sinan University and is pursuing a master’s degree at Marmara University in Istanbul. Using mainly stitching, drawing, and painting as well as video and sound installations, İlkin constructs forms of confrontational interactions within the motifs of found domestic fabrics. In the process, she refers to social and political relationships/manipulation, borders, power issues, gender attitudes, and urban transformation. 
Selected solo exhibitions include: The Trap, Gypsum Gallery, Cairo (2016); Stained Estate at Françoise Heitsch Gallery, Munich (2015); and Please Clear the Dance Floor, artSümer Gallery, Istanbul (2010). Selected group exhibitions include the 15th Istanbul Biennale, A Good Neighbour (2017); Spaceliner, Arter, Istanbul (2015); and No one belongs here more than you, 54th October Salon, Belgrade (2013). Between 2006 and 2013, she worked with Gülcin Aksoy and Yasemin Nur Erkalır as a collective called AtılKunst.
Gözde İlkin’s residency is sponsored by the Saha Foundation, Turkey.
<img loading="lazy" class="alignnone size-medium wp-image-5145" src="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg" alt="" width="300" height="156" srcset="https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey-300x156.jpg 300w, https://pioneerworks.org/wp-content/uploads/SAHA_logo_eng_supporting-contemporary-art-from-turkey.jpg 610w" sizes="(max-width: 300px) 100vw, 300px" />

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy.

Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include 

, Cabinet Printemps, Düsseldorf (2018); 

Louis Fratino lives and works in Brooklyn, NY. He is currently making paintings and drawings that focus on homoerotic love. Figures and interiors are generated by mixing art historical references in an attempt to conjure feelings of intimacy. 
Fratino attended the Maryland Institute College of Art, graduating in 2015 with a degree in painting. He also attended the Yale Norfolk Summer School of Art and was awarded a Fulbright Research Fellowship to Berlin in 2016. He recently had a solo exhibition at Antoine Levi, Paris. Other exhibitions include Matisse + Fratino, Cabinet Printemps, Düsseldorf (2018); So I&#8217;ve got you, Thierry Goldberg, New York (2017); and Practice in Leisure, Galería Mascota, Mexico DF, (2017).

gal-2018-louis-fratino-001

GAL 2018-Louis Fratino-001

gal-2018-louis-fratino-002

GAL 2018-Louis Fratino-002

gal-2018-louis-fratino-005

GAL 2018-Louis Fratino-005

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GAL 2018-Louis Fratino-006

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GAL 2018-Louis Fratino-007

GAL 2018-Louis Fratino-011

They currently occupy several liminal spaces.

They are a person who makes performances and creates/organizes performative spaces.

They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective.

Their current trans disciplinary projects explore movement as a place of reclamation.

NIC has performed and shown work internationally and in The United States.

NIC Kay is from the Bronx. 
They currently occupy several liminal spaces. 
They are a person who makes performances and creates/organizes performative spaces. 
They are obsessed with the act and process of moving, the change of place, production of space, position, and the meaning gleaned from the shifting of perspective. 
Their current trans disciplinary projects explore movement as a place of reclamation. 
NIC has performed and shown work internationally and in The United States.

ar2018_nic-kay_lil-blk_d855598_credit-ian-douglas-1

AR2018_NIC Kay_lil BLK_D855598_CREDIT IAN DOUGLAS (1)

how-we-carry-container-the-end-is-the-beginning-1

How We Carry, Container, The End is the Beginning (1)

screen-shot-2018-01-19-at-1-51-47-am-1

Screen Shot 2018-01-19 at 1.51.47 AM (1)

2017-12-16-nic-kay_60_david-gonsier-1

2017.12.16.NIC Kay_60_David Gonsier (1)

Photo1_NICKay_TCS_VolVII_170819_byCoreyMelton_ND4_0053

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

Autumn Knight is an interdisciplinary artist working with performance, installation and text. Her work primarily addresses conventions of racial and gender identity, psychotherapy, and art access. She attended the Skowhegan School of Painting and Sculpture and holds an M.A. in Drama Therapy from New York University. Her performance work has been in exhibitions at various institutions including: DiverseWorks, Project Row Houses, and Blaffer Art Museum, all in Houston; Crystal Bridges Museum, Bentonville, Arkansas; Skowhegan Space, New York; The New Museum, New York; The Contemporary Art Museum, Houston; and most recently The Studio Museum in Harlem. Knight is from Houston, Texas, and is currently based in New York, NY.

artadiapresentation3

Xin creates experiences and artifacts to examine what makes subjectivities and affects, to actively participate in the paradigm shifts between technological advances and human experiences, to reconfigure the tools of technology for the recovery of human experiences. Her projects materialize as performances, apparatus, installations, scientific experiments, and academic papers. She has shown her work internationally at events and venues including Ars Electronica, Boston MFA, Sundance Film Festival, The Walker Art Center, OCAT Shanghai, and ISEA. As a researcher, Xin has worked in institutions including Microsoft Research NYC & Asia and Google ATAP.

Xin Liu (刘昕, born in<a href="https://www.google.com/maps/place/Karamay,+Xinjiang,+China/@42.7265109,82.3501495,5z/data=!4m13!1m7!3m6!1s0x3806008cfd7b4dab:0xa84116ec366707a1!2sXinjiang,+China!3b1!8m2!3d42.5246357!4d87.5395855!3m4!1s0x42a06a2eef16ea89:0xe6c3e6253f9024fc!8m2!3d45.5794451!4d84.8886108"> Xinjiang</a>, 1991) is an artist and engineer.
Xin creates experiences and artifacts to examine what makes subjectivities and affects, to actively participate in the paradigm shifts between technological advances and human experiences, to reconfigure the tools of technology for the recovery of human experiences. Her projects materialize as performances, apparatus, installations, scientific experiments, and academic papers. She has shown her work internationally at events and venues including Ars Electronica, Boston MFA, Sundance Film Festival, The Walker Art Center, OCAT Shanghai, and ISEA. As a researcher, Xin has worked in institutions including Microsoft Research NYC &amp; Asia and Google ATAP.

Xin-1Credit-Rob_Chron

Victoria Scott is a Canadian-born educator and visual artist, mainly a sculptor, working between physical materials, emotional energy and electronic media of many flavors. Her projects include constructing material representations of conceptual objects and images that exist in simulated digital environments, the public commons and in the space of cultural imagination. She is currently developing interactive Virtual Reality environments to visualize human energy fields and has just founded Imaginary Objects, a VR/AR company based in San Francisco. Victoria has exhibited throughout North America and Europe, and completed her MFA at the School of the Art Institute of Chicago.

We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.


Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

Victoria Scott is a Canadian-born educator and visual artist, mainly a sculptor, working between physical materials, emotional energy and electronic media of many flavors. Her projects include constructing material representations of conceptual objects and images that exist in simulated digital environments, the public commons and in the space of cultural imagination. She is currently developing interactive Virtual Reality environments to visualize human energy fields and has just founded Imaginary Objects, a VR/AR company based in San Francisco. Victoria has exhibited throughout North America and Europe, and completed her MFA at the School of the Art Institute of Chicago.
We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country. 
Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

res_Victoria Scott-MushroomHunt

Ann tbd is an artist currently based in New York City. She creates strange and horrible new technologies to explore questions of identity and alienation. Her works combine organic and electronic materials—such as teeth, blood, and deconstructed circuitry—to evoke feelings of exposure and vulnerability.

Ann tbd is an artist currently based in New York City. She creates strange and horrible new technologies to explore questions of identity and alienation. Her works combine organic and electronic materials—such as teeth, blood, and deconstructed circuitry—to evoke feelings of exposure and vulnerability.

ann tbd

res_ann tbd_mukbang

TYGAPAW (Dion McKenzie) is a multi-disciplined producer and DJ based in Crown Heights, Brooklyn. Her Jamaican ancestry and upbringing fused with her 13 years living in New York City have influenced a music style she dubs “Sultry Club.” She incorporates sexy 90s R&B sounds with futuristic vibes and intricate melodies that are as much for the club as they are for a chill kiki at your home girls crib. Her productions are unique and specific to her history. She is the curator behind “Fake Accent,” a monthly Brooklyn based queer club night that has featured DJ’s such as Rizzla, False Witness, HD, Mursi Layne, and more, and also the co-curator behind queer Caribbean party series and creative platform, “NO BADMIND.”

TYGAPAW (Dion McKenzie) is a multi-disciplined producer and DJ based in Crown Heights, Brooklyn. Her Jamaican ancestry and upbringing fused with her 13 years living in New York City have influenced a music style she dubs “Sultry Club.” She incorporates sexy 90s R&amp;B sounds with futuristic vibes and intricate melodies that are as much for the club as they are for a chill kiki at your home girls crib. Her productions are unique and specific to her history. She is the curator behind “Fake Accent,” a monthly Brooklyn based queer club night that has featured DJ’s such as Rizzla, False Witness, HD, Mursi Layne, and more, and also the co-curator behind queer Caribbean party series and creative platform, “NO BADMIND.”