Carnival Machine Towers, 2021 Archival inkjet print on Canson Infinity Edition Etching Rag 20 x 16 inches Signed and dated on recto Numbered on verso Edition of 30 + 5 APs
Released in conjunction with <a href="https://pioneerworks.org/store/subcultural-karate-turtles" target="_blank">Subcultural Karate Turtles</a>—Adam Green’s second graphic novel published by Pioneer Works Press—Carnival Machine Towers features a colorful image that nods to the visual aesthetics and themes that recur throughout the artist’s practice.  
About the Artist
Adam Green is an artistic polymath—a songwriter, filmmaker, visual artist, and poet. A co-founder of The Moldy Peaches and author of ten solo albums, his songs have been performed by artists as diverse as The Libertines, Carla Bruni, Kelly Willis, Dean &amp; Britta, and Will Oldham. Green’s paintings and sculptures have been the subject of exhibitions in America, Asia and Europe, including a 2016 show at the Fondation Beyeler Museum in Basel, Switzerland. He wrote and directed the feature film The Wrong Ferarri (2010), the first feature film shot entirely on an iPhone, and Adam Green's Aladdin (2016) which Buzzfeed.com described as “the trippiest movie ever made." In 2019, Green released War and Paradise, a graphic novel combining his lyrical and visual vocabulary. The satirical war epic is about the clash of humans with machines, the meeting of spirituality with singularity, and the bidirectional relationship between life and the afterlife. 
Green’s 10th and latest solo album, Engine of Paradise, is a musical exploration of these same themes. Recorded in Brooklyn, New York, by Loren Humphrey, the album reimagines the baroque orchestral style of his early 2000s era records and features performances by James Richardson (MGMT), Florence Welch (Florence and the Machine) and Jonathan Rado (Foxygen). In 2020, he published an epic-poem MDVL: 1,000 Years of Dark Ages with Spheres Projects, a section of which was included in the Poetry London literary journal. This was followed by an animated movie version of the poem, narrated by the artist, in the style of a medieval illuminated manuscript.

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Carnival Machine Towers, 2021

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Dave Kim The Potter Dragon Moon Jars, 2021 Stoneware and pigment Dimensions variable Unique $600-$1000 
“I am interested in exploring the iconic and historically complex moon jar through a contemporary lens. The Dragon Moon Jars comprise a series of vessels created using traditional Korean ceramic techniques. Referencing blue and white porcelain pottery, the dragon motifs are painted with cobalt pigment.”
—Dave Kim The Potter
 
Please note that each edition is unique, with variations in the hand-painted motifs. The medium sculptures measure approximately 8 x 8 x 8 inches, while the large sculptures measure approximately 12 x 12 x 12 inches. 
Pick up is available from Pioneer Works, and please contact <a href="mailto:store@pioneerworks.org" data-mce-fragment="1" data-mce-href="mailto:store@pioneerworks.org">store@pioneerworks.org</a> should you like to request a specific moon jar. 
 
About the Artist
Dave Kim the Potter’s ceramic practice is centered on his Korean heritage. Currently based in New York, the artist is devoted to carrying on an ancient tradition that has been passed down, working to preserve a craft and culture that is slowly dissipating in the contemporary world. To create his specific style of pottery, he has researched and replicated key elements—form, surface, color, and material that predominate traditional Korean ceramics—alongside a wide variety of techniques including the Sang-gam (inlay), Baek-ja (porcelain-ware), and Bun-cheong (stamps). Dave Kim the Potter embraces the core philosophy behind Korean pottery, simplicity as an embodiment of natural and unpretentious beauty.

Size

Dave Kim The Potter, Dragon Moon Jars, 2021

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Large

Duke Riley Table For Three, 2020 Woodblock on Colorplan Paper Image size: 34 x 12 inches Paper Size: 37 x 15 ½ inches Signed, dated and numbered on recto  Edition of 25 + 5 APs
Rendered after an original drawing from 2012, this woodblock edition by Duke Riley, produced in collaboration with Brooklyn’s Shoestring Press, depicts three crustaceans seated before a feast that inverts the dominance of man over nature. 
About the Artist 
Duke Riley has had solo exhibitions at Magnan Metz Gallery, New York City; the Museum of Contemporary Art Cleveland; the Queens Museum of Art, Queens, NY; and the Havana Biennial (2009 and 2015), among other venues. He has received numerous awards and commissions, including a Joan Mitchell Foundation Painters &amp; Sculptors Grant, the U.S. State Department’s SmARTpower Program in China, and the MTA Arts For Transit commission for the Beach 98th Street Station renovation. In Spring 2016, Riley partnered with Creative Time and the Brooklyn Navy Yard to produce Fly By Night, a public art project which was presented again in 2018 by 1418 Now and the London International Festival of Theater. Born in Boston, he received his BFA from the Rhode Island School of Design, in Providence, before moving to New York, settling in Brooklyn and earning his M.F.A. from Pratt Institute.

Duke Riley, Table for Three, 2020

Carol Bove Vases from 2020 Stainless steel and glass Dimensions variable Unique $2,000 - $5,000 (each)
(A)  13 ⅛ x 4 ⅛ x 3 ½ inches, $3,000
(B)  21 x 5 ½ x 3 ¼ inches, $5,000
(C)  17 ¼ x 4 ⅛ x 4 inches, $4,000
(D)  6 ⅝ x 3 ⅞ x 3 ¾ inches, $2,000
(E)  14 ¼ x 4 ½ x 2 ¾ inches, $3,000
“I cut strips of stainless steel with a plasma cutter and welded them to a long stainless steel tube. After this initial period of active formation, the sculpture waited for five years for something to happen. The vase form presented itself as the solution to the unfinished project toward the end of the summer. The ephemerality of flowers in the vase and the ephemerality of steel, shown bearing the traces of being cut through melting, are contrasted; the two materials apparently moving at very different speeds.”
—Carol Bove
About the Artist 
Born in 1971 in Geneva, Carol Bove was raised in Berkeley, California, and studied at New York University. Bove currently lives and works in Brooklyn, NY. In 2021, the Metropolitan Museum of Art will debut a newly commissioned project by Bove for the niches of the museum's historic façade. Venues that have hosted significant solo exhibitions include Kunstverein, Hamburg (2003); The Institute of Contemporary Art, Boston (2004); Kunsthalle Zürich (2004); Tate St Ives, England (2009); Palais de Tokyo, Paris (2010); The Common Guild, Glasgow (2013); The High Line, New York (2013), The Museum of Modern Art, New York (2013), and The Betty and Edward Marcus Sculpture Park at Laguna Gloria, The Contemporary Austin (2017). Major group exhibitions featuring the artist’s work include documenta 13, Kassel (2012); the Venice Biennale (2011, 2017, 2019); and the San Francisco Museum of Modern Art (2020).  Work by the artist is represented in permanent collections worldwide, including: The Museum of Modern Art, New York; Princeton University Art Museum, New Jersey; San Francisco Museum of Modern Art; Whitney Museum of American Art, New York; and the Yale University Art Gallery, New Haven.

Style

Carol Bove, Vases from 2020

B — SOLD

C — SOLD

A — SOLD

D — SOLD

E — SOLD

Duke Riley Table For Three, 2020 Woodblock on Colorplan Paper Image size: 34 x 12 inches Paper Size: 37 x 15 ½ inches Signed, dated and numbered on recto  Edition of 25 + 5 APs 
Rendered after an original drawing from 2012, this woodblock edition by Duke Riley, produced in collaboration with Brooklyn’s Shoestring Press, depicts three crustaceans seated before a feast that inverts the dominance of man over nature. 
About the Artist 
Duke Riley has had solo exhibitions at Magnan Metz Gallery, New York City; the Museum of Contemporary Art Cleveland; the Queens Museum of Art, Queens, NY; and the Havana Biennial (2009 and 2015), among other venues. He has received numerous awards and commissions, including a Joan Mitchell Foundation Painters &amp; Sculptors Grant, the U.S. State Department’s SmARTpower Program in China, and the MTA Arts For Transit commission for the Beach 98th Street Station renovation. In Spring 2016, Riley partnered with Creative Time and the Brooklyn Navy Yard to produce Fly By Night, a public art project which was presented again in 2018 by 1418 Now and the London International Festival of Theater. Born in Boston, he received his BFA from the Rhode Island School of Design, in Providence, before moving to New York, settling in Brooklyn and earning his M.F.A. from Pratt Institute.