A learner, Kameelah Janan Rasheed grapples with the poetics-pleasures-politics of Black knowledge production, information technologies, [un]learning, and belief formation. Most recently, they are a recipient of a 2022 Schering Stiftung Award for Artistic Research; a 2022 Creative Capital Award; a 2022 Betty Parsons Fellow – Artists2Artists Art Matters Award; a 2022 Artists + Machine Intelligence Grants - Experiments with Google; and a 2021 Guggenheim Fellowship in Fine Arts. Rasheed is the author of four artist’s books: i am not done yet (Mousse Publishing, 2022); An Alphabetical Accumulation of Approximate Observations (Endless Editions, 2019); No New Theories (Printed Matter, 2019); and the digital publication Scoring the Stacks (Brooklyn Public Library, 2021). Her fifth artist book is due out in 2023 from KW Institute for Contemporary Art (Berlin, DE). Their writing has appeared in Triple Canopy, The New Inquiry, Shift Space, Active Cultures, and The Believer. They are an adjunct instructor at the Cooper Union for the Advancement of Science and Art, a Critic at Yale School of Art, Sculpture, and a Mentor-in-Residence with NEW Inc. Rasheed is represented by NOME Gallery in Berlin, Germany.
Rasheed is an inaugural Working Artist Fellows. The Working Artist Fellowship is part of The Rockefeller Foundation’s The Artist Impact Initiative. To learn more, visit our news page.