Blank Forms and Pioneer Works present an evening of performances by guitarists associated with the VDSQ label and working loosely within the American Primitive idiom pioneered by the late John Fahey. Guitar solo sets by Alan Licht, Donald Miller and Kristin Thora Haraldsdottir will be followed by a headlining series of solo and duo configurations featuring Bill Orcutt and Sir Richard Bishop.
7:00 – Doors
8:00 – Alan Licht
8:45 – Donald Miller
9:15 – Kristin Thora Haraldsdottir
9:45 – Richard Bishop + Bill Orcutt, Solo & Duo
Bill Orcutt reimagines the blues for a schizoid modernity. Orcutt developed and refined his approach to the 4-string guitar in the 90’s through his work with legendary ecstatic rock band Harry Pussy, whose spasmodic and unhinged dissonance remains unrivaled in noise rock since. Sometimes stuttering and ominous, other times mournful and vulnerable, Orcutt’s current output on his haggard acoustic Kay guitar is compared with equal frequency to both avant-garde composers and rural bluesmen. Orcutt continues to discover and invent a unique sonic vernacular built around his raw and tortured tone, ragged minimalism, and inexhaustible improvisational stamina.
Sir Richard Bishop was a founding member of ethnic-improv pioneers and DIY tricksters Sun City Girls, who, during their 26-year existence, perplexed, amazed, and alienated audiences over 50 full length albums, plus over 20 one-hour cassettes and a dozen 7” records. In early 2005, Richard began touring extensively as a solo artist, performing throughout Europe, Australia, and the United States. Though known mostly for his acoustic playing, he has recently been performing with electric guitars in a solo setting. Bishop’s guitar explorations often reflect the shadow worlds of India, North Africa the Middle East, and other points along the Gypsy trail, though many strange and experimental forms have crept into the live shows as of late. One can usually recognize the influences of Omar Khorshid, Django Reinhardt, Ali Akbar Khan, and Ravi Shankar in his playing, though he has fused these and many other influential elements into his own unique style. Bishop was also a co-founder in 2003 of the Sublime Frequencies label, whose mission is dedicated to acquiring and releasing obscure sights and sounds from Africa, India, Southeast Asia, and beyond. He currently has over 65 releases to its credit.
Kristin Thora Haraldsdottir’s deeply personal approach to modern guitar takes the listener on a journey of unexpected beauty. A classically trained violist from Iceland, Haraldsdottir picked up the guitar out of curiosity while studying for her master’s degree at Cal Arts. She seamlessly blends guitar with field recordings of oceans and rivers to create lush, haunting soundscapes that mirror the natural world and our place within it. She has also organized and performed a number of concerts for meditation and sleep, premiered work by Michael Pisaro, and performed with Sonic Boom, Dog Star Orchestra, and New Century Players.
As one third of legendary free jazz noise pioneers Borbetomagus, guitarist Donald Miller has experimented with extreme volume and timbre since the late 70’s. His first regular band was the cult group Sick Dick & the Volkswagens, which featured infamous critic Lester Bangs as an auxiliary member. From 1984-99, Miller worked closely with free jazz drummer William Hooker in both duo and larger band formats. Also a gifted solo acoustic composer, Donald will soon release an album of 12-string guitar presents a powerfully profound take on the instrument.
At the vanguard of the literary, critical, and musical scenes of New York City for the past two decades, Alan Licht is a key figure in the pantheon of experimental solo guitar players born in the late 60’s. As a guitarist and improviser, Licht has lent his talents to dozens of collaborations with the likes of Jim O’Rourke, Rashied Ali, Jandek, Keiji Haino, Michael Snow, and Loren Connors, and has performed in such revered bands as Title TK, Blue Humans, Text of Light, and Arthur Lee’s Love. Known for blending the genres of minimalism, noise, and the avant-garde, Licht’s most recent album, Currents, features a modern and minimal take on acoustic guitar music.
Steve Lowenthal is the author of Dance of Death:The Life of John Fahey and founded VDSQ Records, Vin Du Select Qualitite, in 2009 as a vehicle to explore the possibilities inherent in solo acoustic guitar. Dedicated to showcasing various connections and approaches to the guitar, the label has released albums by legendary artists Thurston Moore, Glenn Jones, and Michael Chapman, alongside new talents such as Sarah Louise, Anthony Pasquarosa, and Tashi Dorji.
Thanks to D’Addario.