Name: Second Sundays: October 2018
Start: 2018-10-14
End: 2018-10-14
Location: Pioneer Works

Food and drinks by Marlow & Sons and Pioneer Works Bar.

Second Sundays Commissions are made possible by Facebook’s Artist in Residence Program (FB AIR).

Second Sundays

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Food and drinks by Marlow &amp; Sons and Pioneer Works Bar.
Second Sundays Commissions are made possible by Facebook’s Artist in Residence Program (FB AIR).
&nbsp;

PÒTOPRENS: The Urban Artists of Port-au-Prince brings together the work of over 20 artists working in the Haitian capital. The exhibition is a compelling portrait of a historically significant and intensely complex city in flux.

PÒTOPRENS: The Urban Artists of Port-au-Prince

American Artist is an interdisciplinary artist whose work extends dialectics formalized in Black radicalism and organized labor into a context of networked virtual life. Their practice makes use of video, installation, new media, and writing to reveal historical dynamics embedded within contemporary culture and technology. Artist attended the Whitney Independent Study program as an artist and was a resident at Eyebeam. They have exhibited at the Studio Museum in Harlem, New York; the Museum of Contemporary Art, Chicago; Koenig &amp; Clinton, New York; and HOUSING, New York; as well as other international group shows.

American Artist

Baseera Khan is a New York-based artist whose work shares experiences of exile and kinship shaped by economic, pop cultural, and political situations. She mixes consumerism with spirituality and treats decolonial histories, practices, and archives as geographies of the future. Khan was recently included in the group exhibition In Practice: Another Echo at SculptureCenter. Her first solo exhibition, iamuslima, took place at Participant Inc in 2017 and is currently on tour to Moudy Gallery at Texas Christian University and the Fine Arts Museum of Colorado Springs. She has performed at Whitney Museum of Art, Queens Museum, and ArtPop Montreal International Music Festival.

Khan has completed an artist-in-residence program at Abrons Art Center, was an International Travel Fellow to Jerusalem/Ramallah through Apexart, a Process Space artist-in-residence for Lower Manhattan Cultural Council, and attended Skowhegan School of Painting and Sculpture. She is published in Artforum Magazine, Art in America, Bomb Magazine, OSMOSMagazine, Unbag, and TDR Drama Review. She received an M.F.A. at Cornell University and B.F.A. from the University of North Texas.

Baseera Khan

Billy Rennekamp is an artist and developer from Louisville, KY living in Berlin, Germany. His work in software, sculpture, and moving images uses influences from games, play, and cognitive science. He received a 2018 grant from the Ethereum Community Fund to continue work on Clovers.Network, a game that rewards the creation of scarce art.

Billy Rennekamp

Jen Liu is a New York-based visual artist working in video, performance, and painting on topics of national identity, economy, and the re-motivating of archival artifacts. In 2017, she received the Guggenheim Fellowship in Film/Video, the NYFA/NYSCA Gregory Millard Fellowship in Digital/Electronic Media, and she premiered her most recent work, PINK SLIME CAESAR SHIFT, in 2018's Berlinale Forum Expanded exhibition.

She has presented work at the Whitney Museum, the New Museum, and Issue Project Room, all in New York; the Royal Academy and the ICA in London; Kunsthaus Zurich; Kunsthalle Wien and das weisse haus in Vienna; the Aspen Museum of Art; Henry Art Gallery, Seattle; MUSAC, Leon; as well as the 2014 Shanghai Biennale (China) and the Coreana Museum in Seoul, Korea. She has also received multiple grants and residencies, including Akademie Schloss Solitude, Stuttgart, Germany; Sommerakademie, Bern, Switzerland; de ateliers, Amsterdam, Netherlands; and the Pollock-Krasner Foundation, New York, among others.

Jen Liu

Nicholas Oh is a Korean American artist currently working in Brooklyn. Oh focuses on creating objects and installations that deal with race and identity. By creating and destroying clay replicas of Confederate statues, the artist explores changes in the statue’s meaning through time and history. While many believe these statues were built to commemorate fallen soldiers during the Civil War, he looks deeper into their role in oppression and terror. The artist’s ideas start by looking back on his own history and background (Oh was born in Wisconsin, but spent his early childhood in Korea). Nicholas Oh is a United States Marine Corps veteran. He received his MFA from Rhode Island School of Design, Providence, in 2018, after graduating with a BA from San Francisco State University, San Francisco, 2015. Oh's Residency is supported in part by a partnership with Rhode Island School of Design.

Nicholas Oh

<div>Jaimie Warren is a multidisciplinary artist and the Co-Director and Co-Creator of the community arts project and fake public access tv show Whoop Dee Doo. Warren is a NYFA Fellow and has been awarded residencies with the Sharpe-Walentas Studio Program, BRICworkspace, Abrons AIRspace, and American Medium. Warren is the recipient of the Baum Award and is featured in Art21’s documentary series “New York Close Up.”</div>
<div></div>
<div>Warren has taught workshops with the Museum of Modern Art, the Art21 Education Department, the Museum of Art &amp; Design, the Brooklyn Arts Council SU-CASA Program, NurtureArt, Dia: Beacon, and Abrons Arts Center. They received a U.S. Presidential Teaching Award, presented by Barack Obama in 2013.</div>

Jaimie Warren

Kameelah Janan Rasheed is a learner seeking to make her learning and thinking visible through an ecosystem of iterative projects including “architecturally-scaled collages,” poetic gestures, long-form essays, publications, large-scale public works, digital archives, teaching, curriculum development, lecture performances, stand up comedy, and other forms yet to be determined.

Rasheed’s work has been exhibited nationally and internationally at the 2017 Venice Biennale; New Museum of Contemporary Art, New York, NY; The Kitchen, New York, NY; Portland Institute of Contemporary Art, Portland, OR; Institute of Contemporary Art, Philadelphia, PA; Printed Matter, New York, NY; Jack Shainman Gallery, New York, NY; Studio Museum in Harlem, New York, NY; Bronx Museum, New York, NY; Queens Museum, New York, NY; Schomburg Center for Research in Black Culture, New York, NY; Brooklyn Academy of Music, New York, NY; and PinchukArtCentre, Kyiv, Ukraine, among others. She has forthcoming shows at Ghebaly Gallery, Los Angeles, CA; Contemporary Art Gallery, Vancouver, Canada; Tufts University, Medford, MA; Oberlin College, Oberlin, OH; and Reid Gallery, Glasgow, UK.

Her work has been written about in Artforum, Guernica Magazine, The New York Times, Art21, BOMB, Hyperallergic, ArtSlant, and Frieze, among others.

Kameelah Janan Rasheed

Mani Nilchiani and Caroline Sinders are a collaborative duo exploring the future of surveillance and networked identities in VR with their interactive narrative project “Dark Patterns.” Their project and residency is imagining a near future dystopia in a world with zero net neutrality, rising fascism, and surveillance in everyday products. “Dark Patterns” has previously been shown at MoMA PS1, the Weird Reality Conference at Carnegie Mellon University, and at Pioneer Works Second Sundays.

Caroline Sinders is a researcher and artist working at the intersections of emerging technology and public good through critical design and narrative. Sinders holds a masters from New York University’s Interactive Telecommunications Program. She is from New Orleans, Louisiana and is currently based in Brooklyn.

Mani Nilchiani is an artist, technologist, and musician. His work explores displacement, memory, and diasporic psyche. Nilchiani holds a masters from the Parsons School of Design’s Design and Technology Program. He is from Tehran, Iran and is currently based in Brooklyn.

Mani Nilchiani and Caroline Sinders

Salome Asega is an artist and researcher based in New York. She is the Technology Fellow in the Ford Foundation’s Creativity and Free Expression program area and a director of POWRPLNT, a digital art collaboratory in Bushwick. Salome has participated in residencies and fellowships with Eyebeam, New Museum, the Laundromat Project, and Recess Art. She has exhibited and given presentations at the 11th Shanghai Biennale, Performa, EYEO, and the Brooklyn Museum. Salome received her MFA from Parsons at the New School in Design and Technology where she also teaches.

Salome Asega

Considered one of the pioneers of interactive cinema, New York-based artist Toni Dove creates hybrid performance, installation, and screen-based art that fuses film, game, or instrument based interaction, and experimental theater. Her work has been shown internationally at such venues as Banff Centre for the Arts, the Rotterdam Film Festival, the Museum of the Moving Image, ZKM, REDCAT, EMPAC, and the Kitchen.  Dove creates large-scale responsive environments, both performance and installation, that connect embodied interface technologies, like vocal analysis or video motion sensing to media and robotics to create immersive narratives.

Toni Dove

Joshua Jelly-Schapiro is a geographer and writer whose work often focuses on place, race, and how human difference is thought about and acted on in the world. He is the author of Island People: The Caribbean and the World, and co-editor, with Rebecca Solnit, of Nonstop Metropolis: A New York City Atlas. Jelly-Schapiro teaches at NYU and is a regular contributor to The New York Review of Books. His work has also appeared in The New Yorker, Harper’s, The Believer, The Nation, and Artforum, among many other publications. At Governors Island, he will be working on his next book, an exploration of place-names in the city.

Jelly-Schapiro will be an alumni resident on <a href="https://pioneerworks.org/series/pioneer-works-at-governors-island/" target="_blank" rel="noopener noreferrer">Governors Island</a> in Summer 2019.

Joshua Jelly-Schapiro

Join us in the Science Studios and Garden to learn about local marine life by observing mollusks with MICRO museum and plankton with BioBus.

Marine Life in Our Nearby Waters

Award-winning 8 Ball Radio is taking over our Media Lab where you can join them to watch live recordings of DJ sets. At 7pm, 8 Ball will livestream a Vincent Moon, HAT, &#038; Fanmi Asòtò concert in the North Hall at <a href="http://www.8ballradio.nyc">www.8ballradio.nyc</a>

8 Ball Radio

Visit resident Brandon Ares in the music studio.

Brandon Ares: Musician in Residence Open Studio

Come chat with our new tech residents Mani Nilchiani, Billy Rennekamp, Toni Dove, American Artist, and Salome Asega about their current works-in-progress.

Tech Lab Open Studios

Join the Amateur Astronomers Association of New York in the garden for an interactive look into the sky. *Weather permitting*

Solar and Star Gazing with Amateur Astronomers Association

Second Sundays Commission: GFP4LTR is a work-in-progress by current resident Jen Liu. This multimedia work uses VR, cell biology, and text written by Chinese feminist Qiu Jin to explore love and romance for Chinese factory workers, particularly as a means of economic upward mobility. Second Sundays Commissions are made possible by Facebook&#8217;s Artist in Residence Program (FB AIR).

Second Sundays Commission: GFP4LTR by Jen Liu

Learn the basics of circuit building to power your own unique, light-up greeting card.

Paper Circuit LED Cards

Get dirty in the Garden with urban ecologist Marisa Prefer as we inoculate fallen logs with fungus plugs that will grow into mycelial networks and fruiting bodies in years to come.

Spore Party: Fungus Inoculation Workshop

Vincent Moon, HAT, and Fanmi Asòtò present a three hour evening of live drumming, video remixes, and live cinema that is the culmination of a week-long residency at Pioneer Works. During their residency, they will be mixing, editing, and remixing recordings and footage from a previously filmed private ritual facilitated by Fanmi Asòtò in Canarsie. The musical performance is presented in three acts: a live cinema performance by Vincent Moon, a live video remix performance by HAT, and a live Vodou performance by Fanmi Asòtò.

Vincent Moon, HAT, & Fanmi Asòtò

OCTOBER

American Artist is an interdisciplinary artist whose work extends dialectics formalized in Black radicalism and organized labor into a context of networked virtual life. Their practice makes use of video, installation, new media, and writing to reveal historical dynamics embedded within contemporary culture and technology. Artist attended the Whitney Independent Study program as an artist and was a resident at Eyebeam. They have exhibited at the Studio Museum in Harlem, New York; the Museum of Contemporary Art, Chicago; Koenig & Clinton, New York; and HOUSING, New York; as well as other international group shows.

American Artist is an interdisciplinary artist whose work extends dialectics formalized in Black radicalism and organized labor into a context of networked virtual life. Their practice makes use of video, installation, new media, and writing to reveal historical dynamics embedded within contemporary culture and technology. Artist attended the Whitney Independent Study program as an artist and was a resident at Eyebeam. They have exhibited at the Studio Museum in Harlem, New York; the Museum of Contemporary Art, Chicago; Koenig &amp; Clinton, New York; and HOUSING, New York; as well as other international group shows.

AArtist_Housing_MOAD_1_2K

Baseera Khan is a New York-based artist whose work shares experiences of exile and kinship shaped by economic, pop cultural, and political situations. She mixes consumerism with spirituality and treats decolonial histories, practices, and archives as geographies of the future. Khan was recently included in the group exhibition 

at SculptureCenter. Her first solo exhibition, 

, took place at Participant Inc in 2017 and is currently on tour to Moudy Gallery at Texas Christian University and the Fine Arts Museum of Colorado Springs. She has performed at Whitney Museum of Art, Queens Museum, and ArtPop Montreal International Music Festival.

Khan has completed an artist-in-residence program at Abrons Art Center, was an International Travel Fellow to Jerusalem/Ramallah through Apexart, a Process Space artist-in-residence for Lower Manhattan Cultural Council, and attended Skowhegan School of Painting and Sculpture. She is published in 

Artforum Magazine, Art in America, Bomb Magazine, OSMOSMagazine, Unbag, 

. She received an M.F.A. at Cornell University and B.F.A. from the University of North Texas.

Baseera Khan is a New York-based artist whose work shares experiences of exile and kinship shaped by economic, pop cultural, and political situations. She mixes consumerism with spirituality and treats decolonial histories, practices, and archives as geographies of the future. Khan was recently included in the group exhibition In Practice: Another Echo at SculptureCenter. Her first solo exhibition, iamuslima, took place at Participant Inc in 2017 and is currently on tour to Moudy Gallery at Texas Christian University and the Fine Arts Museum of Colorado Springs. She has performed at Whitney Museum of Art, Queens Museum, and ArtPop Montreal International Music Festival.
Khan has completed an artist-in-residence program at Abrons Art Center, was an International Travel Fellow to Jerusalem/Ramallah through Apexart, a Process Space artist-in-residence for Lower Manhattan Cultural Council, and attended Skowhegan School of Painting and Sculpture. She is published in Artforum Magazine, Art in America, Bomb Magazine, OSMOSMagazine, Unbag, and TDR Drama Review. She received an M.F.A. at Cornell University and B.F.A. from the University of North Texas.

KHAN_Seat_12_v01 copy

Billy Rennekamp is an artist and developer from Louisville, KY living in Berlin, Germany. His work in software, sculpture, and moving images uses influences from games, play, and cognitive science. He received a 2018 grant from the Ethereum Community Fund to continue work on Clovers.Network, a game that rewards the creation of scarce art.

Billy Rennekamp is an artist and developer from Louisville, KY living in Berlin, Germany. His work in software, sculpture, and moving images uses influences from games, play, and cognitive science. He received a 2018 grant from the Ethereum Community Fund to continue work on Clovers.Network, a game that rewards the creation of scarce art.

Screen Shot 2018-08-31 at 3.43.29 PM

Jen Liu is a New York-based visual artist working in video, performance, and painting on topics of national identity, economy, and the re-motivating of archival artifacts. In 2017, she received the Guggenheim Fellowship in Film/Video, the NYFA/NYSCA Gregory Millard Fellowship in Digital/Electronic Media, and she premiered her most recent work, 

She has presented work at the Whitney Museum, the New Museum, and Issue Project Room, all in New York; the Royal Academy and the ICA in London; Kunsthaus Zurich; Kunsthalle Wien and das weisse haus in Vienna; the Aspen Museum of Art; Henry Art Gallery, Seattle; MUSAC, Leon; as well as the 2014 Shanghai Biennale (China) and the Coreana Museum in Seoul, Korea. She has also received multiple grants and residencies, including Akademie Schloss Solitude, Stuttgart, Germany; Sommerakademie, Bern, Switzerland; de ateliers, Amsterdam, Netherlands; and the Pollock-Krasner Foundation, New York, among others.

Jen Liu is a New York-based visual artist working in video, performance, and painting on topics of national identity, economy, and the re-motivating of archival artifacts. In 2017, she received the Guggenheim Fellowship in Film/Video, the NYFA/NYSCA Gregory Millard Fellowship in Digital/Electronic Media, and she premiered her most recent work, PINK SLIME CAESAR SHIFT, in 2018&#8217;s Berlinale Forum Expanded exhibition.
She has presented work at the Whitney Museum, the New Museum, and Issue Project Room, all in New York; the Royal Academy and the ICA in London; Kunsthaus Zurich; Kunsthalle Wien and das weisse haus in Vienna; the Aspen Museum of Art; Henry Art Gallery, Seattle; MUSAC, Leon; as well as the 2014 Shanghai Biennale (China) and the Coreana Museum in Seoul, Korea. She has also received multiple grants and residencies, including Akademie Schloss Solitude, Stuttgart, Germany; Sommerakademie, Bern, Switzerland; de ateliers, Amsterdam, Netherlands; and the Pollock-Krasner Foundation, New York, among others.

PART 2a

Nicholas Oh is a Korean American artist currently working in Brooklyn. Oh focuses on creating objects and installations that deal with race and identity. By creating and destroying clay replicas of Confederate statues, the artist explores changes in the statue’s meaning through time and history. While many believe these statues were built to commemorate fallen soldiers during the Civil War, he looks deeper into their role in oppression and terror. The artist’s ideas start by looking back on his own history and background (Oh was born in Wisconsin, but spent his early childhood in Korea). Nicholas Oh is a United States Marine Corps veteran. He received his MFA from Rhode Island School of Design, Providence, in 2018, after graduating with a BA from San Francisco State University, San Francisco, 2015. Oh’s Residency is supported in part by a partnership with Rhode Island School of Design.

Nicholas Oh is a Korean American artist currently working in Brooklyn. Oh focuses on creating objects and installations that deal with race and identity. By creating and destroying clay replicas of Confederate statues, the artist explores changes in the statue’s meaning through time and history. While many believe these statues were built to commemorate fallen soldiers during the Civil War, he looks deeper into their role in oppression and terror. The artist’s ideas start by looking back on his own history and background (Oh was born in Wisconsin, but spent his early childhood in Korea). Nicholas Oh is a United States Marine Corps veteran. He received his MFA from Rhode Island School of Design, Providence, in 2018, after graduating with a BA from San Francisco State University, San Francisco, 2015. Oh&#8217;s Residency is supported in part by a partnership with Rhode Island School of Design.

trump1

Jaimie Warren is a multidisciplinary artist and the Co-Director and Co-Creator of the community arts project and fake public access tv show 

. Warren is a NYFA Fellow and has been awarded residencies with the Sharpe-Walentas Studio Program, BRICworkspace, Abrons AIRspace, and American Medium. Warren is the recipient of the Baum Award and is featured in Art21’s documentary series “New York Close Up.”Warren has taught workshops with the Museum of Modern Art, the Art21 Education Department, the Museum of Art & Design, the Brooklyn Arts Council SU-CASA Program, NurtureArt, Dia: Beacon, and Abrons Arts Center. They received a U.S. Presidential Teaching Award, presented by Barack Obama in 2013.

<div>Jaimie Warren is a multidisciplinary artist and the Co-Director and Co-Creator of the community arts project and fake public access tv show Whoop Dee Doo. Warren is a NYFA Fellow and has been awarded residencies with the Sharpe-Walentas Studio Program, BRICworkspace, Abrons AIRspace, and American Medium. Warren is the recipient of the Baum Award and is featured in Art21’s documentary series “New York Close Up.”</div>
<div></div>
<div>Warren has taught workshops with the Museum of Modern Art, the Art21 Education Department, the Museum of Art &amp; Design, the Brooklyn Arts Council SU-CASA Program, NurtureArt, Dia: Beacon, and Abrons Arts Center. They received a U.S. Presidential Teaching Award, presented by Barack Obama in 2013.</div>

01_Second-Sundays-Jaimie-Warren-Maggot-Surprise-by-Edwina-Hay-0107

Kameelah Janan Rasheed is a learner seeking to make her learning and thinking visible through an ecosystem of iterative projects including “architecturally-scaled collages,” poetic gestures, long-form essays, publications, large-scale public works, digital archives, teaching, curriculum development, lecture performances, stand up comedy, and other forms yet to be determined.

Rasheed’s work has been exhibited nationally and internationally at the 2017 Venice Biennale; New Museum of Contemporary Art, New York, NY; The Kitchen, New York, NY; Portland Institute of Contemporary Art, Portland, OR; Institute of Contemporary Art, Philadelphia, PA; Printed Matter, New York, NY; Jack Shainman Gallery, New York, NY; Studio Museum in Harlem, New York, NY; Bronx Museum, New York, NY; Queens Museum, New York, NY; Schomburg Center for Research in Black Culture, New York, NY; Brooklyn Academy of Music, New York, NY; and PinchukArtCentre, Kyiv, Ukraine, among others. She has forthcoming shows at Ghebaly Gallery, Los Angeles, CA; Contemporary Art Gallery, Vancouver, Canada; Tufts University, Medford, MA; Oberlin College, Oberlin, OH; and Reid Gallery, Glasgow, UK.

Artforum, Guernica Magazine, The New York Times, Art21, BOMB, Hyperallergic, ArtSlant, 

Kameelah Janan Rasheed is a learner seeking to make her learning and thinking visible through an ecosystem of iterative projects including “architecturally-scaled collages,” poetic gestures, long-form essays, publications, large-scale public works, digital archives, teaching, curriculum development, lecture performances, stand up comedy, and other forms yet to be determined.
Rasheed’s work has been exhibited nationally and internationally at the 2017 Venice Biennale; New Museum of Contemporary Art, New York, NY; The Kitchen, New York, NY; Portland Institute of Contemporary Art, Portland, OR; Institute of Contemporary Art, Philadelphia, PA; Printed Matter, New York, NY; Jack Shainman Gallery, New York, NY; Studio Museum in Harlem, New York, NY; Bronx Museum, New York, NY; Queens Museum, New York, NY; Schomburg Center for Research in Black Culture, New York, NY; Brooklyn Academy of Music, New York, NY; and PinchukArtCentre, Kyiv, Ukraine, among others. She has forthcoming shows at Ghebaly Gallery, Los Angeles, CA; Contemporary Art Gallery, Vancouver, Canada; Tufts University, Medford, MA; Oberlin College, Oberlin, OH; and Reid Gallery, Glasgow, UK.
Her work has been written about in Artforum, Guernica Magazine, The New York Times, Art21, BOMB, Hyperallergic, ArtSlant, and Frieze, among others.

Processed with VSCO with 1 preset

Mani Nilchiani and Caroline Sinders are a collaborative duo exploring the future of surveillance and networked identities in VR with their interactive narrative project “Dark Patterns.” Their project and residency is imagining a near future dystopia in a world with zero net neutrality, rising fascism, and surveillance in everyday products. “Dark Patterns” has previously been shown at MoMA PS1, the Weird Reality Conference at Carnegie Mellon University, and at Pioneer Works Second Sundays.

 is a researcher and artist working at the intersections of emerging technology and public good through critical design and narrative. Sinders holds a masters from New York University’s Interactive Telecommunications Program. She is from New Orleans, Louisiana and is currently based in Brooklyn.

 is an artist, technologist, and musician. His work explores displacement, memory, and diasporic psyche. Nilchiani holds a masters from the Parsons School of Design’s Design and Technology Program. He is from Tehran, Iran and is currently based in Brooklyn.

Mani Nilchiani and Caroline Sinders are a collaborative duo exploring the future of surveillance and networked identities in VR with their interactive narrative project “Dark Patterns.” Their project and residency is imagining a near future dystopia in a world with zero net neutrality, rising fascism, and surveillance in everyday products. “Dark Patterns” has previously been shown at MoMA PS1, the Weird Reality Conference at Carnegie Mellon University, and at Pioneer Works Second Sundays.
Caroline Sinders is a researcher and artist working at the intersections of emerging technology and public good through critical design and narrative. Sinders holds a masters from New York University’s Interactive Telecommunications Program. She is from New Orleans, Louisiana and is currently based in Brooklyn.
Mani Nilchiani is an artist, technologist, and musician. His work explores displacement, memory, and diasporic psyche. Nilchiani holds a masters from the Parsons School of Design’s Design and Technology Program. He is from Tehran, Iran and is currently based in Brooklyn.

res_Mani Nilchiani and Caroline Sinders

Salome Asega is an artist and researcher based in New York. She is the Technology Fellow in the Ford Foundation’s Creativity and Free Expression program area and a director of POWRPLNT, a digital art collaboratory in Bushwick. Salome has participated in residencies and fellowships with Eyebeam, New Museum, the Laundromat Project, and Recess Art. She has exhibited and given presentations at the 11th Shanghai Biennale, Performa, EYEO, and the Brooklyn Museum. Salome received her MFA from Parsons at the New School in Design and Technology where she also teaches.

headshot1

Considered one of the pioneers of interactive cinema, New York-based artist Toni Dove creates hybrid performance, installation, and screen-based art that fuses film, game, or instrument based interaction, and experimental theater. Her work has been shown internationally at such venues as Banff Centre for the Arts, the Rotterdam Film Festival, the Museum of the Moving Image, ZKM, REDCAT, EMPAC, and the Kitchen. Dove creates large-scale responsive environments, both performance and installation, that connect embodied interface technologies, like vocal analysis or video motion sensing to media and robotics to create immersive narratives.

Considered one of the pioneers of interactive cinema, New York-based artist Toni Dove creates hybrid performance, installation, and screen-based art that fuses film, game, or instrument based interaction, and experimental theater. Her work has been shown internationally at such venues as Banff Centre for the Arts, the Rotterdam Film Festival, the Museum of the Moving Image, ZKM, REDCAT, EMPAC, and the Kitchen.  Dove creates large-scale responsive environments, both performance and installation, that connect embodied interface technologies, like vocal analysis or video motion sensing to media and robotics to create immersive narratives.

dove

Joshua Jelly-Schapiro is a geographer and writer whose work often focuses on place, race, and how human difference is thought about and acted on in the world. He is the author of 

Island People: The Caribbean and the World

, and co-editor, with Rebecca Solnit, of 

Nonstop Metropolis: A New York City Atlas

. Jelly-Schapiro teaches at NYU and is a regular contributor to 

The New Yorker, Harper’s, The Believer, The Nation, 

, among many other publications. At Governors Island, he will be working on his next book, an exploration of place-names in the city.

Jelly-Schapiro will be an alumni resident on 

Joshua Jelly-Schapiro is a geographer and writer whose work often focuses on place, race, and how human difference is thought about and acted on in the world. He is the author of Island People: The Caribbean and the World, and co-editor, with Rebecca Solnit, of Nonstop Metropolis: A New York City Atlas. Jelly-Schapiro teaches at NYU and is a regular contributor to The New York Review of Books. His work has also appeared in The New Yorker, Harper’s, The Believer, The Nation, and Artforum, among many other publications. At Governors Island, he will be working on his next book, an exploration of place-names in the city.
Jelly-Schapiro will be an alumni resident on <a href="https://pioneerworks.org/series/pioneer-works-at-governors-island/" target="_blank" rel="noopener noreferrer">Governors Island</a> in Summer 2019.