Name: Second Sundays: November 2021
Start: 2021-11-14
End: 2021-11-14
Location: Pioneer Works

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PW Closure 10/25-10/26

Pioneer Works's galleries and garden are closed to the public on Friday, October 25th and Saturday, October 26th for the United Sounds NYC Festival 2024. 

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Own the Archive Sale

This week only, we’re heavily discounting our #PWPress publications to make way for new projects. Find artist-created books for $5, $10, & $15—sales raised from the PW Store are reinvested into funding new, ambitious projects by emerging and underrepresented artists and writers.

Gift Guide

From November 28 through December 14, take 20% off products in the Gift Guide with code: ULTRAFESTIVE. 

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Pioneer Works will be closed for normal gallery hours this October 14 & 15 for Ragas Live Festival 2023, learn more 

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Please note, Pioneer Works will be closed for daily admissions until July 7th. We 

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Celebrate 10 years of Pioneer Works by shopping the PW Press Archive Sale! Through October 31, take 10% off Pioneer Works Press items with code 

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Building Closures Due to Flash Floods

Due to weather conditions, Pioneer Works is suspending open gallery hours for Friday, September 29. MHYSA's performance has been rescheduled for Sunday, October 1, with all tickets being transferred to the new date.

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Shop the PW Store Spring Sale!

 for the entire month of April and receive an automatic 20% off books, records, apparel, and more. Members save 35%—learn more about membership 

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Please note:

 will close early at 5pm on Saturday, May 27. Learn more and plan your visit 

CEO Announcement

Just Announced: Pioneer Works Names Mara Manus Chief Executive Officer

The Board of Directors of Pioneer Works is pleased to announce that Mara Manus, former Executive Director for New York State Council on the Arts (NYSCA), has been appointed as the organization’s new Chief Executive Officer. 

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We're closed all day Friday, November 11 for our annual Village Fête Benefit. To learn more about the After Party and get tickets, visit 

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Our galleries and garden are closed to the public today for a United Sounds NYC Festival 2024. Learn more about the festival 

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We’re making Pioneer Works accessible to all! While our building is temporarily closed until this September, we are continuing to host offsite programming. See upcoming programs 

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In order to build programs that uphold our values and remain predominantly free and open to the public, we rely on our phenomenal community of supporters.

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We're pleased to announce the first major renovation of Pioneer Works! To accommodate the first phase of our construction, we're temporarily relocating to 133 Imlay Street opening in Spring 2022.

Early Closure 5/10/23

Due to programming, Pioneer Works will be closed to the public on Wednesday, May 10. We will be open from Thursday through Sunday for the remainder of the week. Learn more and plan your visit 

Thanksgiving Closure

Pioneer Works will be closed on 11/28 - 11/29 in observance of Thanksgiving and Native American Heritage Day.

Second Sundays is our signature event series that engages Pioneer Works disciplines through live music, food, artists’ open studios, and programs. 

Join us at Pioneer Works for a day filled with fun fall programming! This November Second Sundays is presented in partnership with 

Experience new works from PW Resident Suneil Sanzgiri and Resident Alum LaJuné McMillian, attend a drumming and dance workshop with Imamou Lele, do some holiday gift shopping with a variety of vendors, including Shop Haiti Bazaar Kreyol and Nick Oh Studio, and more! See below for the full schedule of events.

Please note, some programming will be held on the second and third floors of Pioneer Works. At this time, we do not have an elevator. Please email 

 for any questions or concerns regarding accessibility.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

 (2014-2019) is a multi-platform installation that casts real-life musicians, artists, and actors as bands on tour, and expands into a cross-generational, Trump–era commentary on contemporary culture and politics. It features members of Gang Gang Dance, Le Tigre, The Julie Ruin, MEN, Eartheater, MGMT, Light Asylum, and more.

Shot in real environments and situations, the core group of players improvised based on semi-scripted scenes. Because many of these performers are legends themselves in the New York City downtown scene, they are archetypes playing archetypes. The work revels in the sometimes hilarious—but always complex—band dynamics that the characters endure while touring, collaborating, and aging in a youth-driven music industry. As the players move in and out of character, blending fiction and real life, the film moves in and out of non-linear narrative and historical document. Shot from 2014 to 2018 at over 15 DIY music spaces in and around New York City—many of which have since shuttered their doors—the film acts as an urgent time capsule for the rapidly gentrifying city.

 also highlights the extensive and growing archive of live performance in NYC shot during the four-year production schedule and the raw footage from improvised scenes, while portraits of performers taken by Justine Kurland are arranged in a grid. The film’s multitude of characters include: Wooster Group founder Kate Valk, Jim Fletcher (The NYC Players), musicians Lizzi Bougatsos, (Gang Gang Dance), Kathleen Hanna (The Julie Ruin), Brontez Purnell (The Younger Lovers), Eileen Myles, Alexandra Drewchin (Eartheater), Nicole Eisenman, K8 Hardy, Johanna Fateman (Le Tigre) Shannon Funchess (Light Asylum), JD Samson (MEN), Gary Indiana, Kembra Pfahler, (Voluptuous Horror of Karen Black), Rachel Mason, Tom McGrath, Matthew Asti (MGMT), Becca Blackwell, Christen Clifford, Alessandra Genovese (Crush), Rogelio Ramos (Love Pig), Kenya Robinson (Cheeky LaShae) and Neon Music (Youth Quake).


’s multi-platform, lens-based projects craft darkly comedic narratives of trauma and repressed memory around mass-culture experiences and youthful rites of passage. Using historical, literary and popular culture-based references, she addresses issues related to cultural production and societal malaise. Herwork has been screened and exhibited widely in the US and internationally, including at the Whitney Museum of American Art, NY; MoMA PS1, NY; Miami Museum of Contemporary Art, FL; Brooklyn Museum; Deste Foundation for Contemporary Art, Athens; The International Film Festival Rotterdam, Rotterdam, Netherlands; and Museo Nacional Centro De Arte Reina Sofia, Madrid; and NY and on PBS and Spanish Television. Recently she had solo exhibitions at LA><, LA; Participant Inc and Fitzroy Gallery, both N; and solo screenings at the Museum of Modern Art, and The Kitchen, New York City. Parnes is a 2013 John Simon Guggenheim Memorial Fellow, a 2014 NYFA recipient, and a 2016 Creative Capital Awardee. Video Data Bank published a box set of her work, and Participant Press published a book of her scripts titled

Blood and Guts in Hollywood: Two Screenplays

 by Laura Parnes, with an introduction by Chris Kraus. She has also directed music videos for The Julie Ruin and Le Tigre.

Presented by Pioneer Works and curated by David Everitt Howe, the installation of Laura Parnes: 

 was previously exhibited at Burchfield Penney, Buffalo, NY, and Human Resources, Los Angeles, CA (both 2019). A one-night screening of the film was shown at The Wexner Center for the Arts, OH (2019) and

 is made possible with funds from The John Simon Guggenheim Foundation, Creative Capital, and the New York State Council on the Arts in Partnership with Wave Farm: Media Arts Assistance Fund, a regrant program of the New York State Council on the Arts, Electronic Media and Film Program, with the support of the New York State Legislature. The artist would like to give special thanks to Petros Lales.

Tour Without End

Laura Parnes: Tour Without End

Carry You With Me: Ten Years of Portraits

, LJ Roberts’s first solo exhibition in New York City as well as first publication, is the result of a long-term, ongoing project, consisting of 26 six-by-four-inch embroidered portraits of the artist’s friends, collaborators, and lovers within New York City’s queer and trans communities. Stitched entirely by hand and typically completed during transit on subway trains, these embroideries illustrate how politics, culture, and identity manifest in both visible and subtle ways through encounters in daily life.

An artist perhaps best known for large-scale, collaged, textile works, Roberts spends up to one year stitching each portrait within the series, taking inspiration from both photographs and memory. As much a tribute to the subjects as they are to the public and private places that provide safe spaces for vital exchange, the images hone in on meticulously stitched details—from the letters that make up Zoe Leonard’s critically important 

 mural along the High Line, to the book covers and refrigerator magnets that distinguish a person’s home. Roberts also regards the backs of each embroidery—abstract networks of colorful threads layered atop one another, created entirely by happenstance—as integral to the works as the front images themselves. The artist considers the series as a way of dismantling the heteronormative tendencies of portraiture, and also of subverting conventional ideas of representation and abstraction by making each dependent on the other.

The exhibition will open in tandem with the publication of a companion book, wherein each illustration is paired with an anecdotal passage written by Roberts. These texts reflect on their deeply personal encounters and companionships with the depicted subjects, speaking to shared moments that are both mundane and significant. The book, which takes its name from the exhibition, includes a foreword by Sur Rodney (Sur), essays by Carmen Hermo and Theodore (ted) Kerr, and a conversation between the artist, Tirza True Latimer, and TT Takemoto. Together, these contributions further contextualize the series within Roberts’s practice and the histories that it was borne out of.

As Roberts notes within the book, “The embroideries are a ten-year record of my friendships and relationships, the politics that marked the decade, the fun I had with friends, the everyday action and resistance that these people practice, those who influence and inspire me, the elders who have mentored me, people who have collaborated with me.”

 is an artist working in installation, textiles, collage, and text. Their practice addresses queer and trans politics, material deviance, alternative kinship structures, archives, and narrative. Based in Brooklyn, the artist has exhibited work at institutions such as the Smithsonian Museum of American Art, Brooklyn Museum, Toledo Museum of Art, The 8th Floor, Leslie-Lohman Museum of Art, Museum of the City of New York, Victoria and Albert Museum, Yerba Buena Center for the Arts, Spring/Break Art Show, La Mama Galleria, and Anthology Film Archives. Roberts is a 2021 Socrates Sculpture Park Artist Fellow, and has been an artist-in-residence at IASPIS, Ox-Bow School of Art, Queenslab, Textile Arts Center, Pioneer Works, and MacDowell. They were one of nine recipients of The White House Champions of Change Award for LGBTQI+ artists in 2015, and received the Women's Caucus for Art President's Award for Art and Activism in 2019.

 is made possible through generous support from Pamela and David Hornik. It is also supported in part by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of the New York State Legislature.

LJ Roberts: Carry You With Me: Ten Years of Portraits

Jordan Kisner is an essayist and cultural critic, and the author of the forthcoming, 

, which will be published by Farrar, Straus & Giroux in March 2020. Her work has appeared in 

, and others. Kisner is also the recipient of a Pushcart Prize. She is the former director of The Bellwether, teaches creative writing at Columbia University, and serves as a mentor-editor for the Op-Ed Project.

Jordan Kisner is an essayist and cultural critic, and the author of the forthcoming, Thin Places, which will be published by Farrar, Straus &amp; Giroux in March 2020. Her work has appeared in n+1, The Atlantic, The New York Times Magazine, The Believer, The Guardian, The American Scholar, California Sunday, The Best American Essays 2016, and others. Kisner is also the recipient of a Pushcart Prize. She is the former director of The Bellwether, teaches creative writing at Columbia University, and serves as a mentor-editor for the Op-Ed Project.

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Jordan Kisner

Suneil Sanzgiri is an artist, researcher, and filmmaker working to understand how systems of oppression are informed and reinforced by trauma, history, and memory. His work spans experimental film and video, animations, essays, and installations, and contends with questions of identity, heritage, culture, and diaspora. In 2017, Sanzgiri graduated from the Art, Culture and Technology program at MIT. His film 

 made its world premiere at the International Film Festival Rotterdam in January 2020, and his follow up film 

recently premiered at the New York Film Festival. His work has been screened extensively at festivals and galleries nationally and internationally.

Suneil Sanzgiri is an artist, researcher, and filmmaker working to understand how systems of oppression are informed and reinforced by trauma, history, and memory. His work spans experimental film and video, animations, essays, and installations, and contends with questions of identity, heritage, culture, and diaspora. In 2017, Sanzgiri graduated from the Art, Culture and Technology program at MIT. His film At Home But Not At Home made its world premiere at the International Film Festival Rotterdam in January 2020, and his follow up film Letter From Your Far-Off Country recently premiered at the New York Film Festival. His work has been screened extensively at festivals and galleries nationally and internationally.

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Still 3_IFFR - Suneil Sanzgiri

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Still 3 - Suneil Sanzgiri

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Still 2_IFFR - Suneil Sanzgiri

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Still 1 - Suneil Sanzgiri

Still 1_NYFF &#8211; Suneil Sanzgiri (1)

Suneil Sanzgiri

Alexandra Bell (b. 1983, Chicago, IL) is a multidisciplinary artist who investigates the complexities of narrative, information consumption, and perception. Utilizing various media, she deconstructs language and imagery to explore the tension between marginal experiences and dominant histories. Through investigative research, she considers the ways media frameworks construct memory and inform discursive practices around race, politics, and culture. Her work has been exhibited at Jeffrey Deitch Gallery, MoMA PS1, and the Whitney Museum of Art. She received the 2018 International Center of Photography Infinity Award in the applied category. She is a 2019 CatchLight Fellow.

Alexandra Bell (b. 1983, Chicago, IL) is a multidisciplinary artist who investigates the complexities of narrative, information consumption, and perception. Utilizing various media, she deconstructs language and imagery to explore the tension between marginal experiences and dominant histories. Through investigative research, she considers the ways media frameworks construct memory and inform discursive practices around race, politics, and culture. Her work has been exhibited at Jeffrey Deitch Gallery, MoMA PS1, and the Whitney Museum of Art. She received the 2018 International Center of Photography Infinity Award in the applied category. She is a 2019 CatchLight Fellow.

bell_alexandra_a-teenager-with-promise_2017

Bell_Alexandra_A Teenager With Promise_2017

bell_alexandra_charlottesville_2017

Bell_Alexandra_Charlottesville_2017

bell_alexandra_olympic-threat_2017

Bell_Alexandra_Olympic Threat_2017

bell_alexandra_no-humans-involved02_2019

Bell_Alexandra_No Humans Involved02_2019

Bell_Alexandra_A Teenager With Promise Annotated_2017

Alexandra Bell

Xenia Bond (b. 1992, London) works in sculpture and installation. She graduated from the Stäedelscule in Frankfurt under Judith Hopf and the Slade School of Fine Art in London. Bond’s exhibitions include: Husslehof, APT Gallery, Zona Mista, Studio Picknick, and Neue Alte Brücke. She is interested in the formal relationship of materials and their reception as emotives, and communicating external relationships in her life. Bond’s works are neither immersive nor “looking outside.” These polarities are avoided. Instead the aim is to provoke a reaction between the imagination of the self and the viewer. The drift of signs and possible narratives, both concrete and imagined, characterize Bond’s works.

Xenia Bond (b. 1992, London) works in sculpture and installation. She graduated from the Stäedelscule in Frankfurt under Judith Hopf and the Slade School of Fine Art in London. Bond’s exhibitions include: Husslehof, APT Gallery, Zona Mista, Studio Picknick, and Neue Alte Brücke. She is interested in the formal relationship of materials and their reception as emotives, and communicating external relationships in her life. Bond’s works are neither immersive nor “looking outside.” These polarities are avoided. Instead the aim is to provoke a reaction between the imagination of the self and the viewer. The drift of signs and possible narratives, both concrete and imagined, characterize Bond’s works.

xenia-bond-4-2019

Xenia Bond 4, 2019

xenia-bond-5-2019

Xenia Bond 5, 2019

xenia-bond-8-2019

Xenia Bond 8, 2019

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Xenia Bond 9, 2019

Xenia Bond 6, 2019

Xenia Bond

Claudia Bitran (1986–) is a Brooklyn-based painting and video artist. Bitran holds an MFA from RISD and a BFA from the Universidad Catolica de Chile.

She has exhibited at Muhlenberg College, Practice Gallery, Brooklyn Bridge Park, Museo de Artes Visuales, and elsewhere. Bitran has held residencies at the Skowhegan School of Painting and Sculpture, the Bemis Center for Contemporary Arts, and more. Grants and awards include: The New York Trust Van Lier Fellowship, Hammersley Grant, Emergency Grant Foundation for Contemporary Arts, Jerome Foundation Grant for Emerging Filmmakers, 1st Prize Britney Spears Dance Challenge, 1st Prize UFO McDonald’s Painting Competition, 1st honorable mention at Bienal de Artes Mediales.

Claudia Bitran (1986–) is a Brooklyn-based painting and video artist. Bitran holds an MFA from RISD and a BFA from the Universidad Catolica de Chile.
She has exhibited at Muhlenberg College, Practice Gallery, Brooklyn Bridge Park, Museo de Artes Visuales, and elsewhere. Bitran has held residencies at the Skowhegan School of Painting and Sculpture, the Bemis Center for Contemporary Arts, and more. Grants and awards include: The New York Trust Van Lier Fellowship, Hammersley Grant, Emergency Grant Foundation for Contemporary Arts, Jerome Foundation Grant for Emerging Filmmakers, 1st Prize Britney Spears Dance Challenge, 1st Prize UFO McDonald’s Painting Competition, 1st honorable mention at Bienal de Artes Mediales.

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Claudia Bitran 2018_Filters_12 light boxes_Pencil on Plastic and wood

claudia-bitran_fallen_2019_video-animation-instalation-tvs_-cindy-rucker-gallery

Claudia Bitran_Fallen_2019_Video Animation Instalation TVs_ Cindy Rucker Gallery

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Claudia Bitran_Untitled_2019_Acrylic on MDF_ Site specific Install Miami

Claudia Bitran_White Shoes_2018_Acrilic and Latex on MDF_22 free standing paintings_Practice Gallery

Claudia Bitran

Lizzi Bougatsos is an artist and performer. A singer for the band Gang Gang Dance and punk/noise outfit I.U.D. for over a decade, Bougatsos has performed at Kunsthalle Zurich, The Whitney Museum, The Sydney Opera House, The Museum of Modern Art, Hirshhorn Museum and Sculpture Garden, and Bergen Kunsthall. Her work has been exhibited at Hauser & Wirth, Gladstone Gallery, Museo d’arte Contemporanea di Roma, Kunste Werke, MoMa PS1, Participant Inc., American Fine Arts Co., Reena Spaulings, and James Fuentes Gallery. Bougatsos is a recipient of the Rema Hort Mann Foundation grant, and her work is included in The Astrup Fearnley Museet for Moderne Kunst and The Dikeou Collection.

Lizzi Bougatsos is an artist and performer. A singer for the band Gang Gang Dance and punk/noise outfit I.U.D. for over a decade, Bougatsos has performed at Kunsthalle Zurich, The Whitney Museum, The Sydney Opera House, The Museum of Modern Art, Hirshhorn Museum and Sculpture Garden, and Bergen Kunsthall.  Her work has been exhibited at Hauser &amp; Wirth, Gladstone Gallery, Museo d’arte Contemporanea di Roma, Kunste Werke, MoMa PS1, Participant Inc., American Fine Arts Co., Reena Spaulings, and James Fuentes Gallery. Bougatsos is a recipient of the Rema Hort Mann Foundation grant, and her work is included in The Astrup Fearnley Museet for Moderne Kunst and The Dikeou Collection.

lizzi-bougatsos-meditations-on-a-flow-break-up-2017

Lizzi Bougatsos, Meditations on a Flow Break Up, 2017

Lizzi Bougatsos, performance still with Kim Gordon_Penny Slinger, 2019

Lizzi Bougatsos

Carrie Sijia Wang is a Chinese-born, NYC-based multimedia artist working in performance and interactive installation. She is interested in how systems, rules, and regulations change cultures, beliefs, and rituals, affecting individuals from within. The juxtaposition between the real and the fictional, the rational and the absurd is a recurring theme in her work.

Wang is one of Mozilla’s 2019 Creative Media Awards recipients, and a research fellow at the Interactive Telecommunications Program (ITP) at New York University’s Tisch School of the Arts from 2019-2020. She has shown her work at venues including New York Transit Museum, Ujazdowski Castle Centre for Contemporary Art, Spokane Public Library, and CultureHub.

Carrie Sijia Wang is a Chinese-born, NYC-based multimedia artist working in performance and interactive installation. She is interested in how systems, rules, and regulations change cultures, beliefs, and rituals, affecting individuals from within. The juxtaposition between the real and the fictional, the rational and the absurd is a recurring theme in her work.
Wang is one of Mozilla&#8217;s 2019 Creative Media Awards recipients, and a research fellow at the Interactive Telecommunications Program (ITP) at New York University&#8217;s Tisch School of the Arts from 2019-2020. She has shown her work at venues including New York Transit Museum, Ujazdowski Castle Centre for Contemporary Art, Spokane Public Library, and CultureHub.

alex-your-best-friend-at-work_2019_multimedia-performance

ALEX Your Best Friend at Work_2019_Multimedia Performance

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Color Censorship_2018_Multimedia Performance

The System_2018_Multimedia Performance

Carrie Wang

Riley Hooker is an interdisciplinary artist based in New York. His work with artist collective House of LaDosha was featured in 

 at the New Museum in New York in 2018. The artist’s first solo show 

 was at Knulp in Sydney in 2019 and was in a group exhibition 

 curated by Water McBeer in 2020. In 2015, Hooker founded Façadomy, an intersectional publishing project focused on paradox and desire. Hooker’s work puts a distorted lens on reality by positioning elements of design, architecture, and popular culture in various states of transition, bringing forward the unstable subject and mutable nature of reality.

Riley Hooker is an interdisciplinary artist based in New York. His work with artist collective House of LaDosha was featured in Trigger: Gender as a Tool and a Weapon at the New Museum in New York in 2018. The artist’s first solo show SPECIATION was at Knulp in Sydney in 2019 and was in a group exhibition Love Mussel curated by Water McBeer in 2020. In 2015, Hooker founded Façadomy, an intersectional publishing project focused on paradox and desire. Hooker’s work puts a distorted lens on reality by positioning elements of design, architecture, and popular culture in various states of transition, bringing forward the unstable subject and mutable nature of reality.

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AlternativePresent - Riley Hooker

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GenderTalents - Riley Hooker

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Ralph - Riley Hooker

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16Ways - Riley Hooker

Eusapia &#8211; Riley Hooker

Riley Hooker

OHYUNG is an Asian American musician and artist based in Brooklyn. Their first album 

 was released by Deathbomb Arc. In 2020, OHYUNG released their sophomore album 

, an experimental rap cross-genre collision course through distorted 808s, pitch-shifted rapping, frenetic pop energy, and ambient loops. Featured in 

 was described by Bandcamp as “a fascinating, shape-shifting record.”

They compose music for films and exhibitions as Robert Ouyang Rusli, and their work has been featured at Sundance, BAMCinématek, the Queens Museum, and BAM Next Wave Festival. In 2017, they received a Van Lier Fellowship in Music Composition from the Asian American Arts Alliance.

OHYUNG is an Asian American musician and artist based in Brooklyn. Their first album Untitled (Chinese Man with Flame) was released by Deathbomb Arc. In 2020, OHYUNG released their sophomore album PROTECTOR (Chinabot), an experimental rap cross-genre collision course through distorted 808s, pitch-shifted rapping, frenetic pop energy, and ambient loops. Featured in PAPER and Kaltblut, PROTECTOR was described by Bandcamp as “a fascinating, shape-shifting record.”
They compose music for films and exhibitions as Robert Ouyang Rusli, and their work has been featured at Sundance, BAMCinématek, the Queens Museum, and BAM Next Wave Festival. In 2017, they received a Van Lier Fellowship in Music Composition from the Asian American Arts Alliance.

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ohyung trans pecos pic2 credit Adam Sue - ohyung ohyung

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Screen Shot 2020-11-21 at 12.01.57 AM - ohyung ohyung

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ohyung vessels live photo credit dayday - ohyung ohyung

OHYUNG performance 1 credit Marion Aguas &#8211; ohyung ohyung

OHYUNG

In anticipation of the forthcoming publication PÒTOPRENS: The Urban Artists of Port-au-Prince, Pioneer Works re-stages a selection of the works originally presented in its 2018 titular exhibition. Printed in both English and Haitian Kreyòl, PÒTOPRENS is a map-like reflection of the urban landscape and a new geography of popular production. The city of Port-au-Prince is a polyphonic metropolis that declares its past via multiple voices; in this volume, the city’s complex present is evoked through artworks, images, testimonies, and essays. 

PÒTOPRENS: The Urban Artists of Port-au-Prince

November Second Sundays is presented in partnership with Haiti Cultural Exchange. Haiti Cultural Exchange (HCX) is a nonprofit organization founded in 2009 to develop, present and promote the cultural expressions of the Haitian people. HCX is a producer and presenter of music, dance, performance, art, film, and literary arts of the Haitian Diaspora, together with associated educational and public programs. HCX strives to increase access to arts programming for underrepresented, low-income minority communities; increase knowledge and appreciation of Haitian culture among the general public; foster positive cultural identity among Haitian Americans; and cultivate a sense of community & civic engagement.

www.haiticulturalx.org
www.instagram.com/haiticulturalx

Partnership with Haiti Cultural Exchange 

Holiday pop up shops and food curated by Haiti Cultural Exchange. Vendors include Bazile Sauce, Belle’s Kitchen, Bonbon Lakay, Brooklyn Loves Haiti,
Grandchamps Restaurant, Cantave De Saint Marc, Les Chocolateries Askanya, and Manny’s Sister.

Shop Haiti: Bazaar Kreyòl, Co-Presented with Haiti Cultural Exchange 

Carry You With Me: Ten Years of Portraits is LJ Roberts’ first solo exhibition in New York City in conjunction with their first publication. The series is the result of a long-term, ongoing project, consisting of 26 six-by-four-inch embroidered portraits of the artist’s friends, collaborators, and lovers within New York City’s queer and trans communities. Childen will be given clues to answer questions about the details in the hand-embroided works in the 3rd floor gallery.

Exhibition Scavenger Hunt

Vivianne Hamilton is a Brooklyn-based floral designer operating under the moniker Vivi Fleurz. Her work is a reaction to a rapidly evolving world of fluctuating trends, fantasy, and the shifting environment we all live in. Her designs can at once evoke a natural, woody, and earthy vibe, at the same time juxtaposed against a world of artificial, saturated, and hard-edged textures.


Vivi Fleurz Flower Shop 

Dave Kim the Potter uses direct influence from his Korean heritage to apply developed aesthetics to his functional pottery. Currently working in Brooklyn, NY, he believes that creating historic Korean pottery preserves a culture that is slowly dissipating in modern society.  
Each piece of pottery Kim creates collects elements of form, decoration, color and material from various traditional Korean pottery styles, individually offering a wide variety of styles such as Sang-gam (Korean inlay technique), Baek-ja (porcelain-ware, typically known for Moonjars), or Bun-cheong (a technique that uses stamps). 
Producing work that has been made for centuries, Kim still challenges the limits of what can be done by following the ways of Korean pottery. His experimental interest has enabled him to create new bodies of work that stray from the tradition yet are still very grounded at the core of what Korean pottery is: simplicity that represents natural, unpretentious beauty.

Nick Oh Studio Sale

25 Things to Photograph is a public project anyone can participate in, photographer or not. Using your smartphone camera, interpret and make one picture of each item listed below.

View submitted photographs from October Second Sundays in-person or online at https://25photographs.com/.

25 Photographs

In this episode of The Broadcast Monologues, the witty and thought-provoking Irish satirist, author, and musician known as Blindboy Boatclub riffs on “Value: Towards a Dialectic on Christ’s Foreskin.” Delving into the claims of authentic ownership of Christ’s foreskin by several Catholic churches around the world, Blindboy muses on the relationship between relics and scarcity, and the ebbs and flows of what is deemed valuable in our modern era.

Digital artist and filmmaker Eva Papamargariti provides a stunning, impressionistic visual context for Blindboy’s monologue. Opening and closing music are by Joel Robinow.

Blindboy Monologues

"During this past year and a half, I’ve found my virtual, physical, and dream realities blurring together. I often become lucid in dreams, making it hard to tell when I am awake. I developed a series of tests for myself to clarify. They seem to mirror the instructions I am constantly receiving from my technology telling me how to use it. This work invites you to question your own wake state, and perhaps through your actions, raise the question for others around you."—Lauren Lee McCarthy

Lauren Lee McCarthy: Wake Words

On the occasion of the 4:30–6pm screening of three films by Visual Arts Resident Suneil Sanzgiri at November Second Sundays, the artist has assembled a new three-channel installation of “Golden Jubilee” with 3D printed artifacts, framed works, sculptural elements, and writing.

Suneil Sanzgiri: Golden Jubilee

In the Name of Hypersurface of the Present, 2018, single channel animation 
10’22”, Full HD, stereo. Courtesy of the artist and P.A Waheed Archives.

This animation and speculative fiction explores a feminist historicization of Pakistan as the first ‘Muslim nuclear state’ through state and familial
archives. The script is written through the canon of patriarchal state structure via a fictional, populist, contemporary Urdu author; subversively
implicating the bodies of citizens, specifically women, as the containers to perpetuate state sanctioned notions of love, science, and nature. The
narrative inverts this ‘In the Name of God’ rhetoric initially used to push the Pakistani nuclear project.
