Name: Second Sundays: February 2019
Start: 2019-02-10
End: 2019-02-10
Location: Pioneer Works

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Due to weather conditions, Pioneer Works is suspending open gallery hours for Friday, September 29. MHYSA's performance has been rescheduled for Sunday, October 1, with all tickets being transferred to the new date.

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Just Announced: Pioneer Works Names Mara Manus Chief Executive Officer

The Board of Directors of Pioneer Works is pleased to announce that Mara Manus, former Executive Director for New York State Council on the Arts (NYSCA), has been appointed as the organization’s new Chief Executive Officer. 

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Food and drinks by Grasshopper and Pioneer Works Bar

Second Sundays Commissions are made possible by Facebook’s Artist in Residence Program (FB AIR).

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Food and drinks by Grasshopper and Pioneer Works Bar
Second Sundays Commissions are made possible by Facebook’s Artist in Residence Program (FB AIR).

Second Sundays is a free event series that engages Pioneer Works disciplines through live music, food, artists’ open studios, and interactive programs.

Second Sundays

In Disassembler, Maria Antelman presents eight installation works across three floors of the Pioneer Works building. Antelman creates collage-like videos that pull from a well of sources, including scenarios about rewilding the American West, ideas of techno-animism, and early reconnaissance images from outer space. Crafted from unexpected juxtapositions, her often foreboding filmic compositions decode what it means to exist in a networks system.

In the third floor gallery, Antelman will debut the namesake video installation Disassembler, newly commissioned by Pioneer Works and co-produced by the National Museum of Contemporary Art, Athens (EMST). Titled after a computer tool that translates machine code into assembly language for humans to understand, the piece raises questions about the physical and psychological impact of automation processes on the individual and society. Disassembler confronts a post-automated experience, where bodies and gestures return to an organic, experiential world.

Additionally, five video sculptures will be exhibited in the second floor gallery, including The Wild West (2017), Stones Make The Rivers Move (2016), and Darth Vader (2014). As a whole, Antelman’s installations bring together the cerebral with the comic, and the alarming with the absurd in an attempt to suggest new meanings and raise new questions. Disassembler points toward the grasp of the unthinkable, the moment where our ability to reasonably understand reality collapses. The exhibition is accompanied by a new, Risograph-printed publication which bears text and imagery from the newly commissioned video, as part of Pioneer Works’ Mimo series.

About the Artist

Maria Antelman (b. 1971, Athens, Greece) is a video artist based in New York. She studied Art History at the Complutense University in Madrid and holds an MFA from Columbia University. Her work has been shown in recent exhibitions at Daata Editions; Marinaro Gallery, New York, NY; Videonale, Bonn, Germany; and Apex Art, New York, NY; The Agency, London, UK; and Melanie Flood Projects, Portland, Oregon. She has been awarded grants from the J.F. Costopoulos Foundation and residencies at ISCP and Pioneer Works, both in New York. Her work has been featured and reviewed in Art in America, Art Papers, Flash Art, zingmagazine, and artforum.com.

&nbsp;

Maria Antelman: Disassembler is produced by the Onassis Foundation USA.

<img class="alignnone wp-image-6342" src="https://pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-300x232.jpg" alt="" width="126" height="97" />

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The work Disassembler is co-produced by the National Museum of Contemporary Art, Athens (EMST).

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<img class="alignnone size-medium wp-image-7690" src="https://pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-300x21.png" alt="" width="300" height="21" />

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Maria Antelman: Disassembler

<div>Jaimie Warren is a multidisciplinary artist and the Co-Director and Co-Creator of the community arts project and fake public access tv show Whoop Dee Doo. Warren is a NYFA Fellow and has been awarded residencies with the Sharpe-Walentas Studio Program, BRICworkspace, Abrons AIRspace, and American Medium. Warren is the recipient of the Baum Award and is featured in Art21’s documentary series “New York Close Up.”</div>
<div></div>
<div>Warren has taught workshops with the Museum of Modern Art, the Art21 Education Department, the Museum of Art &amp; Design, the Brooklyn Arts Council SU-CASA Program, NurtureArt, Dia: Beacon, and Abrons Arts Center. They received a U.S. Presidential Teaching Award, presented by Barack Obama in 2013.</div>

Jaimie Warren

Baseera Khan is a New York-based artist whose work shares experiences of exile and kinship shaped by economic, pop cultural, and political situations. She mixes consumerism with spirituality and treats decolonial histories, practices, and archives as geographies of the future. Khan was recently included in the group exhibition In Practice: Another Echo at SculptureCenter. Her first solo exhibition, iamuslima, took place at Participant Inc in 2017 and is currently on tour to Moudy Gallery at Texas Christian University and the Fine Arts Museum of Colorado Springs. She has performed at Whitney Museum of Art, Queens Museum, and ArtPop Montreal International Music Festival.

Khan has completed an artist-in-residence program at Abrons Art Center, was an International Travel Fellow to Jerusalem/Ramallah through Apexart, a Process Space artist-in-residence for Lower Manhattan Cultural Council, and attended Skowhegan School of Painting and Sculpture. She is published in Artforum Magazine, Art in America, Bomb Magazine, OSMOSMagazine, Unbag, and TDR Drama Review. She received an M.F.A. at Cornell University and B.F.A. from the University of North Texas.

Baseera Khan

Jen Liu is a New York-based visual artist working in video, performance, and painting on topics of national identity, economy, and the re-motivating of archival artifacts. In 2017, she received the Guggenheim Fellowship in Film/Video, the NYFA/NYSCA Gregory Millard Fellowship in Digital/Electronic Media, and she premiered her most recent work, PINK SLIME CAESAR SHIFT, in 2018's Berlinale Forum Expanded exhibition.

She has presented work at the Whitney Museum, the New Museum, and Issue Project Room, all in New York; the Royal Academy and the ICA in London; Kunsthaus Zurich; Kunsthalle Wien and das weisse haus in Vienna; the Aspen Museum of Art; Henry Art Gallery, Seattle; MUSAC, Leon; as well as the 2014 Shanghai Biennale (China) and the Coreana Museum in Seoul, Korea. She has also received multiple grants and residencies, including Akademie Schloss Solitude, Stuttgart, Germany; Sommerakademie, Bern, Switzerland; de ateliers, Amsterdam, Netherlands; and the Pollock-Krasner Foundation, New York, among others.

Jen Liu

Nicholas Oh is a Korean American artist currently working in Brooklyn. Oh focuses on creating objects and installations that deal with race and identity. By creating and destroying clay replicas of Confederate statues, the artist explores changes in the statue’s meaning through time and history. While many believe these statues were built to commemorate fallen soldiers during the Civil War, he looks deeper into their role in oppression and terror. The artist’s ideas start by looking back on his own history and background (Oh was born in Wisconsin, but spent his early childhood in Korea). Nicholas Oh is a United States Marine Corps veteran. He received his MFA from Rhode Island School of Design, Providence, in 2018, after graduating with a BA from San Francisco State University, San Francisco, 2015. Oh's Residency is supported in part by a partnership with Rhode Island School of Design.

Nicholas Oh

Kameelah Janan Rasheed is a learner seeking to make her learning and thinking visible through an ecosystem of iterative projects including “architecturally-scaled collages,” poetic gestures, long-form essays, publications, large-scale public works, digital archives, teaching, curriculum development, lecture performances, stand up comedy, and other forms yet to be determined.

Rasheed’s work has been exhibited nationally and internationally at the 2017 Venice Biennale; New Museum of Contemporary Art, New York, NY; The Kitchen, New York, NY; Portland Institute of Contemporary Art, Portland, OR; Institute of Contemporary Art, Philadelphia, PA; Printed Matter, New York, NY; Jack Shainman Gallery, New York, NY; Studio Museum in Harlem, New York, NY; Bronx Museum, New York, NY; Queens Museum, New York, NY; Schomburg Center for Research in Black Culture, New York, NY; Brooklyn Academy of Music, New York, NY; and PinchukArtCentre, Kyiv, Ukraine, among others. She has forthcoming shows at Ghebaly Gallery, Los Angeles, CA; Contemporary Art Gallery, Vancouver, Canada; Tufts University, Medford, MA; Oberlin College, Oberlin, OH; and Reid Gallery, Glasgow, UK.

Her work has been written about in Artforum, Guernica Magazine, The New York Times, Art21, BOMB, Hyperallergic, ArtSlant, and Frieze, among others.

Kameelah Janan Rasheed

MV Carbon is an artist and composer whose work encompasses live performance, sound art, painting, sound for film, and multi-media installation. Her current work explores interchangeability, the human mechanism, perceptive states of consciousness, habitat, animism, and the empirical force of nature. In live performances, a non-traditional approach to music is embraced with the use of electric cello, sculptural sound objects, gongs, amplified objects, oscillators, and hand constructed instruments. Carbon reinterprets the physical form associated with virtuosity, and challenges the way a musical instrument is defined, and approached. She is interested in the psychological effect of sound and works to heighten our senses through spatial, psychic, and temporal based explorations. Photo by Olivia Wyatt.

MV Carbon

Taeyoon Choi is an artist and a co-founder of School for Poetic Computation in New York City. His practice involves performance, electronics, paintings, and installations that form the basis for storytelling to explore the connection between race, gender, disability and environment. He was a fellow at Data and Society and Eyebeam Art and Technology Center. His projects were presented at the Whitney Museum of American Art and Los Angeles County Museum of Art. In 2019, Taeyoon is working on Distributed Web of Care and ongoing research with a critical perspective towards technology, ethics, justice and sensitivity to the concept of personhood.

Taeyoon Choi

Matthew D. Gantt is an artist and composer based in Queens, NY. His practice focuses on (dis)embodiment in virtual spaces, procedural systems facilitated by idiosyncratic technology, and the recursive nature of digital production and consumption. He has presented or performed at a range of institutional and grassroots venues, including Panoply Performance Laboratory, New Museum, The Stone, Issue Project Room, and internationally at IRCAM (Paris) and Koma Elektronik (Berlin). Gantt releases music with Orange Milk and Oxtail Recordings, teaches extended media and experimental composition at Harvestworks, and worked as a studio assistant to electronics pioneer Morton Subotnick from 2016 – '18.

Lindsey Drury is a performance artist, dancer, choreographer, and arts-historical researcher from NYC, currently based in Berlin. As an artist and academic, Drury creates systems in which bodies and their function are conceived, deceived, received and perceived anew. Drury’s performances have been featured in various showings at venues around the world, including in Germany at CAT Cologne, Grüntaler9, and Theater Discounter; in Mexico at UDLAP; in New York City at the Queens Museum, Judson Church, Cunningham Studio, Brooklyn Arts Exchange, Gibney Dance, Danspace, Dance New Amsterdam, The Chocolate Factory, the Brooklyn International Performance Art Festival, Issue Project Room, and elsewhere.

Matthew Gantt and Lindsey Drury

Sophie Kahn is an Australian digital artist based in Brooklyn. She earned a BA in Fine Art/History of Art at Goldsmiths College, University of London; a Graduate Certificate in Spatial Information Architecture from RMIT University, Melbourne; and an MFA in Art and Technology Studies at the School of the Art Institute of Chicago, where she was awarded a full tuition Trustee scholarship.

She has exhibited her artwork in New York, Los Angeles, London, Paris, Sydney, Tokyo, Osaka, Seoul and Beijing. Recent exhibitions include ‘Rodin and the Contemporary Figurative Tradition’ at the Frederik Meijer Sculpture Gardens; ‘New Romantics’ at Eyebeam Art and Technology Center, New York; and The Real Fake 2.0, Bronx Art Space, New York. Sophie has taught in the Department of Digital Arts at Pratt Institute as a Visiting Associate Professor, and at Columbia College, Chicago, as a visiting instructor.

Sophie Kahn

Collectively riff on templates, patterns, and designs with resident Kameelah Janan Rasheed using risographs and simple xerox machines. Second Sundays Commissions are made possible by Facebook’s Artist in Residence Program (FB AIR).

Second Sundays Commission: Printing, Riffing, and Improvising with Kameelah Janan Rasheed

Browse archives of Black printed matter and vernacular photographs from resident Kameelah Janan Rasheed&#8217;s research into Black traditions of publishing and self-determination. Rasheed will walkthrough the materials from 6-7:30pm. Second Sundays Commissions are made possible by Facebook’s Artist in Residence Program (FB AIR).

Second Sundays Commission: Primitive Hypertext Lab Curated by Kameelah Janan Rasheed

What do our genes tell us about love? Join GenSpace in our Science Studios and test your DNA for the &#8220;cuddle chemical&#8221;–a protein associated with affection. Trade in your horoscope for a cheek swab.

Genetic Love Tests with GenSpace

Isomorphs and Droste is an electronic sound and movement performance staged across virtual and embodied space. The performance explores choreography and the poetics of technological mediation as it echoes between the virtual and the real.

Isomorphs and Droste

Award-winning online radio station 8 Ball Radio is taking over our Media Lab where you can join them to watch live recordings of DJ sets. At 7:30pm, 8 Ball will livestream the Sunwatchers concert in the North Hall. Listen live at <a href="https://www.8ballradio.nyc/">www.8ballradio.nyc</a>

8 Ball Radio 

Synthesize image and text materials from the Primitive Hypertext Lab to create new visual compositions, collages, and narrative forms.

Linked Stories 

Sunwatchers are a New York-based ensemble (featuring current &amp; former members of NYMPH, Dark Meat, Chris Forsyth’s Solar Motel Band &amp; Arthur Doyle’s New Quiet Screamers) that blur the lines between avant-jazz, punk, psychedelia, Ethio-jazz and desert blues, creating joyous, chaotic, mystical elegies to modern sound. Their eponymous 2016 album was released on Castle Face Records in 2016, followed by their Trouble In Mind debut, &#8220;II&#8221; in 2018. The band will release their third album &#8220;Illegal Moves&#8221; on February 22nd, 2019

Sunwatchers 

GenSpace

Matthew Gantt

SecondSundays_2019_February

, Maria Antelman presents eight installation works across three floors of the Pioneer Works building. Antelman creates collage-like videos that pull from a well of sources, including scenarios about rewilding the American West, ideas of techno-animism, and early reconnaissance images from outer space. Crafted from unexpected juxtapositions, her often foreboding filmic compositions decode what it means to exist in a networks system.

In the third floor gallery, Antelman will debut the namesake video installation 

, newly commissioned by Pioneer Works and co-produced by the National Museum of Contemporary Art, Athens (EMST). Titled after a computer tool that translates machine code into assembly language for humans to understand, the piece raises questions about the physical and psychological impact of automation processes on the individual and society. 

 confronts a post-automated experience, where bodies and gestures return to an organic, experiential world.

Additionally, five video sculptures will be exhibited in the second floor gallery, including 

 (2014). As a whole, Antelman’s installations bring together the cerebral with the comic, and the alarming with the absurd in an attempt to suggest new meanings and raise new questions. 

 points toward the grasp of the unthinkable, the moment where our ability to reasonably understand reality collapses. The exhibition is accompanied by a new, Risograph-printed publication which bears text and imagery from the newly commissioned video, as part of Pioneer Works’ Mimo series.

Maria Antelman (b. 1971, Athens, Greece) is a video artist based in New York. She studied Art History at the Complutense University in Madrid and holds an MFA from Columbia University. Her work has been shown in recent exhibitions at Daata Editions; Marinaro Gallery, New York, NY; Videonale, Bonn, Germany; and Apex Art, New York, NY; The Agency, London, UK; and Melanie Flood Projects, Portland, Oregon. She has been awarded grants from the J.F. Costopoulos Foundation and residencies at ISCP and Pioneer Works, both in New York. Her work has been featured and reviewed in 

 is produced by the Onassis Foundation USA.

is co-produced by the National Museum of Contemporary Art, Athens (EMST).

Disassembler

In Disassembler, Maria Antelman presents eight installation works across three floors of the Pioneer Works building. Antelman creates collage-like videos that pull from a well of sources, including scenarios about rewilding the American West, ideas of techno-animism, and early reconnaissance images from outer space. Crafted from unexpected juxtapositions, her often foreboding filmic compositions decode what it means to exist in a networks system.
In the third floor gallery, Antelman will debut the namesake video installation Disassembler, newly commissioned by Pioneer Works and co-produced by the National Museum of Contemporary Art, Athens (EMST). Titled after a computer tool that translates machine code into assembly language for humans to understand, the piece raises questions about the physical and psychological impact of automation processes on the individual and society. Disassembler confronts a post-automated experience, where bodies and gestures return to an organic, experiential world.
Additionally, five video sculptures will be exhibited in the second floor gallery, including The Wild West (2017), Stones Make The Rivers Move (2016), and Darth Vader (2014). As a whole, Antelman’s installations bring together the cerebral with the comic, and the alarming with the absurd in an attempt to suggest new meanings and raise new questions. Disassembler points toward the grasp of the unthinkable, the moment where our ability to reasonably understand reality collapses. The exhibition is accompanied by a new, Risograph-printed publication which bears text and imagery from the newly commissioned video, as part of Pioneer Works’ Mimo series.
About the Artist
Maria Antelman (b. 1971, Athens, Greece) is a video artist based in New York. She studied Art History at the Complutense University in Madrid and holds an MFA from Columbia University. Her work has been shown in recent exhibitions at Daata Editions; Marinaro Gallery, New York, NY; Videonale, Bonn, Germany; and Apex Art, New York, NY; The Agency, London, UK; and Melanie Flood Projects, Portland, Oregon. She has been awarded grants from the J.F. Costopoulos Foundation and residencies at ISCP and Pioneer Works, both in New York. Her work has been featured and reviewed in Art in America, Art Papers, Flash Art, zingmagazine, and artforum.com.
&nbsp;
Maria Antelman: Disassembler is produced by the Onassis Foundation USA.
<img loading="lazy" class="alignnone wp-image-6342" src="https://sunset.pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-300x232.jpg" alt="" width="126" height="97" srcset="https://sunset.pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-300x232.jpg 300w, https://sunset.pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-768x593.jpg 768w, https://sunset.pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-1024x791.jpg 1024w, https://sunset.pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-1600x1236.jpg 1600w" sizes="(max-width: 126px) 100vw, 126px" />
&nbsp;
The work Disassembler is co-produced by the National Museum of Contemporary Art, Athens (EMST).
&nbsp;
<img loading="lazy" class="alignnone size-medium wp-image-7690" src="https://sunset.pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-300x21.png" alt="" width="300" height="21" srcset="https://sunset.pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-300x21.png 300w, https://sunset.pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-768x54.png 768w, https://sunset.pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-1024x73.png 1024w, https://sunset.pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-1600x113.png 1600w" sizes="(max-width: 300px) 100vw, 300px" />
&nbsp;

Maria Antelman

Gabriel Florenz

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PW_MariaAntelman_Disassembler_3

In Disassembler, Maria Antelman presents eight installation works across three floors of the Pioneer Works building. Antelman creates collage-like videos that pull from a well of sources, including scenarios about rewilding the American West, ideas of techno-animism, and early reconnaissance images from outer space. Crafted from unexpected juxtapositions, her often foreboding filmic compositions decode what it means to exist in a networks system.
In the third floor gallery, Antelman will debut the namesake video installation Disassembler, newly commissioned by Pioneer Works and co-produced by the National Museum of Contemporary Art, Athens (EMST). Titled after a computer tool that translates machine code into assembly language for humans to understand, the piece raises questions about the physical and psychological impact of automation processes on the individual and society. Disassembler confronts a post-automated experience, where bodies and gestures return to an organic, experiential world.
Additionally, five video sculptures will be exhibited in the second floor gallery, including The Wild West (2017), Stones Make The Rivers Move (2016), and Darth Vader (2014). As a whole, Antelman’s installations bring together the cerebral with the comic, and the alarming with the absurd in an attempt to suggest new meanings and raise new questions. Disassembler points toward the grasp of the unthinkable, the moment where our ability to reasonably understand reality collapses. The exhibition is accompanied by a new, Risograph-printed publication which bears text and imagery from the newly commissioned video, as part of Pioneer Works’ Mimo series.
About the Artist
Maria Antelman (b. 1971, Athens, Greece) is a video artist based in New York. She studied Art History at the Complutense University in Madrid and holds an MFA from Columbia University. Her work has been shown in recent exhibitions at Daata Editions; Marinaro Gallery, New York, NY; Videonale, Bonn, Germany; and Apex Art, New York, NY; The Agency, London, UK; and Melanie Flood Projects, Portland, Oregon. She has been awarded grants from the J.F. Costopoulos Foundation and residencies at ISCP and Pioneer Works, both in New York. Her work has been featured and reviewed in Art in America, Art Papers, Flash Art, zingmagazine, and artforum.com.
&nbsp;
Maria Antelman: Disassembler is produced by the Onassis Foundation USA.
<img loading="lazy" class="alignnone wp-image-6342" src="https://pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-300x232.jpg" alt="" width="126" height="97" srcset="https://pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-300x232.jpg 300w, https://pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-768x593.jpg 768w, https://pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-1024x791.jpg 1024w, https://pioneerworks.org/wp-content/uploads/OFUSA_color_horiz-1600x1236.jpg 1600w" sizes="(max-width: 126px) 100vw, 126px" />
&nbsp;
The work Disassembler is co-produced by the National Museum of Contemporary Art, Athens (EMST).
&nbsp;
<img loading="lazy" class="alignnone size-medium wp-image-7690" src="https://pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-300x21.png" alt="" width="300" height="21" srcset="https://pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-300x21.png 300w, https://pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-768x54.png 768w, https://pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-1024x73.png 1024w, https://pioneerworks.org/wp-content/uploads/EMST-logo-eng_png-1-1600x113.png 1600w" sizes="(max-width: 300px) 100vw, 300px" />
&nbsp;

Jaimie Warren is a multidisciplinary artist and the Co-Director and Co-Creator of the community arts project and fake public access tv show 

. Warren is a NYFA Fellow and has been awarded residencies with the Sharpe-Walentas Studio Program, BRICworkspace, Abrons AIRspace, and American Medium. Warren is the recipient of the Baum Award and is featured in Art21’s documentary series “New York Close Up.”Warren has taught workshops with the Museum of Modern Art, the Art21 Education Department, the Museum of Art & Design, the Brooklyn Arts Council SU-CASA Program, NurtureArt, Dia: Beacon, and Abrons Arts Center. They received a U.S. Presidential Teaching Award, presented by Barack Obama in 2013.

<div>Jaimie Warren is a multidisciplinary artist and the Co-Director and Co-Creator of the community arts project and fake public access tv show Whoop Dee Doo. Warren is a NYFA Fellow and has been awarded residencies with the Sharpe-Walentas Studio Program, BRICworkspace, Abrons AIRspace, and American Medium. Warren is the recipient of the Baum Award and is featured in Art21’s documentary series “New York Close Up.”</div>
<div></div>
<div>Warren has taught workshops with the Museum of Modern Art, the Art21 Education Department, the Museum of Art &amp; Design, the Brooklyn Arts Council SU-CASA Program, NurtureArt, Dia: Beacon, and Abrons Arts Center. They received a U.S. Presidential Teaching Award, presented by Barack Obama in 2013.</div>

01_Second-Sundays-Jaimie-Warren-Maggot-Surprise-by-Edwina-Hay-0107

Baseera Khan is a New York-based artist whose work shares experiences of exile and kinship shaped by economic, pop cultural, and political situations. She mixes consumerism with spirituality and treats decolonial histories, practices, and archives as geographies of the future. Khan was recently included in the group exhibition 

at SculptureCenter. Her first solo exhibition, 

, took place at Participant Inc in 2017 and is currently on tour to Moudy Gallery at Texas Christian University and the Fine Arts Museum of Colorado Springs. She has performed at Whitney Museum of Art, Queens Museum, and ArtPop Montreal International Music Festival.

Khan has completed an artist-in-residence program at Abrons Art Center, was an International Travel Fellow to Jerusalem/Ramallah through Apexart, a Process Space artist-in-residence for Lower Manhattan Cultural Council, and attended Skowhegan School of Painting and Sculpture. She is published in 

Artforum Magazine, Art in America, Bomb Magazine, OSMOSMagazine, Unbag, 

. She received an M.F.A. at Cornell University and B.F.A. from the University of North Texas.

Baseera Khan is a New York-based artist whose work shares experiences of exile and kinship shaped by economic, pop cultural, and political situations. She mixes consumerism with spirituality and treats decolonial histories, practices, and archives as geographies of the future. Khan was recently included in the group exhibition In Practice: Another Echo at SculptureCenter. Her first solo exhibition, iamuslima, took place at Participant Inc in 2017 and is currently on tour to Moudy Gallery at Texas Christian University and the Fine Arts Museum of Colorado Springs. She has performed at Whitney Museum of Art, Queens Museum, and ArtPop Montreal International Music Festival.
Khan has completed an artist-in-residence program at Abrons Art Center, was an International Travel Fellow to Jerusalem/Ramallah through Apexart, a Process Space artist-in-residence for Lower Manhattan Cultural Council, and attended Skowhegan School of Painting and Sculpture. She is published in Artforum Magazine, Art in America, Bomb Magazine, OSMOSMagazine, Unbag, and TDR Drama Review. She received an M.F.A. at Cornell University and B.F.A. from the University of North Texas.

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Jen Liu is a New York-based visual artist working in video, performance, and painting on topics of national identity, economy, and the re-motivating of archival artifacts. In 2017, she received the Guggenheim Fellowship in Film/Video, the NYFA/NYSCA Gregory Millard Fellowship in Digital/Electronic Media, and she premiered her most recent work, 

She has presented work at the Whitney Museum, the New Museum, and Issue Project Room, all in New York; the Royal Academy and the ICA in London; Kunsthaus Zurich; Kunsthalle Wien and das weisse haus in Vienna; the Aspen Museum of Art; Henry Art Gallery, Seattle; MUSAC, Leon; as well as the 2014 Shanghai Biennale (China) and the Coreana Museum in Seoul, Korea. She has also received multiple grants and residencies, including Akademie Schloss Solitude, Stuttgart, Germany; Sommerakademie, Bern, Switzerland; de ateliers, Amsterdam, Netherlands; and the Pollock-Krasner Foundation, New York, among others.

Jen Liu is a New York-based visual artist working in video, performance, and painting on topics of national identity, economy, and the re-motivating of archival artifacts. In 2017, she received the Guggenheim Fellowship in Film/Video, the NYFA/NYSCA Gregory Millard Fellowship in Digital/Electronic Media, and she premiered her most recent work, PINK SLIME CAESAR SHIFT, in 2018&#8217;s Berlinale Forum Expanded exhibition.
She has presented work at the Whitney Museum, the New Museum, and Issue Project Room, all in New York; the Royal Academy and the ICA in London; Kunsthaus Zurich; Kunsthalle Wien and das weisse haus in Vienna; the Aspen Museum of Art; Henry Art Gallery, Seattle; MUSAC, Leon; as well as the 2014 Shanghai Biennale (China) and the Coreana Museum in Seoul, Korea. She has also received multiple grants and residencies, including Akademie Schloss Solitude, Stuttgart, Germany; Sommerakademie, Bern, Switzerland; de ateliers, Amsterdam, Netherlands; and the Pollock-Krasner Foundation, New York, among others.

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Nicholas Oh is a Korean American artist currently working in Brooklyn. Oh focuses on creating objects and installations that deal with race and identity. By creating and destroying clay replicas of Confederate statues, the artist explores changes in the statue’s meaning through time and history. While many believe these statues were built to commemorate fallen soldiers during the Civil War, he looks deeper into their role in oppression and terror. The artist’s ideas start by looking back on his own history and background (Oh was born in Wisconsin, but spent his early childhood in Korea). Nicholas Oh is a United States Marine Corps veteran. He received his MFA from Rhode Island School of Design, Providence, in 2018, after graduating with a BA from San Francisco State University, San Francisco, 2015. Oh’s Residency is supported in part by a partnership with Rhode Island School of Design.

Nicholas Oh is a Korean American artist currently working in Brooklyn. Oh focuses on creating objects and installations that deal with race and identity. By creating and destroying clay replicas of Confederate statues, the artist explores changes in the statue’s meaning through time and history. While many believe these statues were built to commemorate fallen soldiers during the Civil War, he looks deeper into their role in oppression and terror. The artist’s ideas start by looking back on his own history and background (Oh was born in Wisconsin, but spent his early childhood in Korea). Nicholas Oh is a United States Marine Corps veteran. He received his MFA from Rhode Island School of Design, Providence, in 2018, after graduating with a BA from San Francisco State University, San Francisco, 2015. Oh&#8217;s Residency is supported in part by a partnership with Rhode Island School of Design.

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Kameelah Janan Rasheed is a learner seeking to make her learning and thinking visible through an ecosystem of iterative projects including “architecturally-scaled collages,” poetic gestures, long-form essays, publications, large-scale public works, digital archives, teaching, curriculum development, lecture performances, stand up comedy, and other forms yet to be determined.

Rasheed’s work has been exhibited nationally and internationally at the 2017 Venice Biennale; New Museum of Contemporary Art, New York, NY; The Kitchen, New York, NY; Portland Institute of Contemporary Art, Portland, OR; Institute of Contemporary Art, Philadelphia, PA; Printed Matter, New York, NY; Jack Shainman Gallery, New York, NY; Studio Museum in Harlem, New York, NY; Bronx Museum, New York, NY; Queens Museum, New York, NY; Schomburg Center for Research in Black Culture, New York, NY; Brooklyn Academy of Music, New York, NY; and PinchukArtCentre, Kyiv, Ukraine, among others. She has forthcoming shows at Ghebaly Gallery, Los Angeles, CA; Contemporary Art Gallery, Vancouver, Canada; Tufts University, Medford, MA; Oberlin College, Oberlin, OH; and Reid Gallery, Glasgow, UK.

Artforum, Guernica Magazine, The New York Times, Art21, BOMB, Hyperallergic, ArtSlant, 

Kameelah Janan Rasheed is a learner seeking to make her learning and thinking visible through an ecosystem of iterative projects including “architecturally-scaled collages,” poetic gestures, long-form essays, publications, large-scale public works, digital archives, teaching, curriculum development, lecture performances, stand up comedy, and other forms yet to be determined.
Rasheed’s work has been exhibited nationally and internationally at the 2017 Venice Biennale; New Museum of Contemporary Art, New York, NY; The Kitchen, New York, NY; Portland Institute of Contemporary Art, Portland, OR; Institute of Contemporary Art, Philadelphia, PA; Printed Matter, New York, NY; Jack Shainman Gallery, New York, NY; Studio Museum in Harlem, New York, NY; Bronx Museum, New York, NY; Queens Museum, New York, NY; Schomburg Center for Research in Black Culture, New York, NY; Brooklyn Academy of Music, New York, NY; and PinchukArtCentre, Kyiv, Ukraine, among others. She has forthcoming shows at Ghebaly Gallery, Los Angeles, CA; Contemporary Art Gallery, Vancouver, Canada; Tufts University, Medford, MA; Oberlin College, Oberlin, OH; and Reid Gallery, Glasgow, UK.
Her work has been written about in Artforum, Guernica Magazine, The New York Times, Art21, BOMB, Hyperallergic, ArtSlant, and Frieze, among others.

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MV Carbon is an artist and composer whose work encompasses live performance, sound art, painting, sound for film, and multi-media installation. Her current work explores interchangeability, the human mechanism, perceptive states of consciousness, habitat, animism, and the empirical force of nature. In live performances, a non-traditional approach to music is embraced with the use of electric cello, sculptural sound objects, gongs, amplified objects, oscillators, and hand constructed instruments. Carbon reinterprets the physical form associated with virtuosity, and challenges the way a musical instrument is defined, and approached. She is interested in the psychological effect of sound and works to heighten our senses through spatial, psychic, and temporal based explorations. Photo by Olivia Wyatt.

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Taeyoon Choi is an artist and a co-founder of School for Poetic Computation in New York City. His practice involves performance, electronics, paintings, and installations that form the basis for storytelling to explore the connection between race, gender, disability and environment. He was a fellow at Data and Society and Eyebeam Art and Technology Center. His projects were presented at the Whitney Museum of American Art and Los Angeles County Museum of Art. In 2019, Taeyoon is working on Distributed Web of Care and ongoing research with a critical perspective towards technology, ethics, justice and sensitivity to the concept of personhood.

Taeyoon Choi is an artist and a co-founder of School for Poetic Computation in New York City. His practice involves performance, electronics, paintings, and installations that form the basis for storytelling to explore the connection between race, gender, disability and environment. He was a fellow at Data and Society and Eyebeam Art and Technology Center. His projects were presented at the Whitney Museum of American Art and Los Angeles County Museum of Art. In 2019, Taeyoon is working on Distributed Web of Care and ongoing research with a critical perspective towards technology, ethics, justice and sensitivity to the concept of personhood.

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 is an artist and composer based in Queens, NY. His practice focuses on (dis)embodiment in virtual spaces, procedural systems facilitated by idiosyncratic technology, and the recursive nature of digital production and consumption. He has presented or performed at a range of institutional and grassroots venues, including Panoply Performance Laboratory, New Museum, The Stone, Issue Project Room, and internationally at IRCAM (Paris) and Koma Elektronik (Berlin). Gantt releases music with Orange Milk and Oxtail Recordings, teaches extended media and experimental composition at Harvestworks, and worked as a studio assistant to electronics pioneer Morton Subotnick from 2016 – ’18.

 is a performance artist, dancer, choreographer, and arts-historical researcher from NYC, currently based in Berlin. As an artist and academic, Drury creates systems in which bodies and their function are conceived, deceived, received and perceived anew. Drury’s performances have been featured in various showings at venues around the world, including in Germany at CAT Cologne, Grüntaler9, and Theater Discounter; in Mexico at UDLAP; in New York City at the Queens Museum, Judson Church, Cunningham Studio, Brooklyn Arts Exchange, Gibney Dance, Danspace, Dance New Amsterdam, The Chocolate Factory, the Brooklyn International Performance Art Festival, Issue Project Room, and elsewhere.

Matthew D. Gantt is an artist and composer based in Queens, NY. His practice focuses on (dis)embodiment in virtual spaces, procedural systems facilitated by idiosyncratic technology, and the recursive nature of digital production and consumption. He has presented or performed at a range of institutional and grassroots venues, including Panoply Performance Laboratory, New Museum, The Stone, Issue Project Room, and internationally at IRCAM (Paris) and Koma Elektronik (Berlin). Gantt releases music with Orange Milk and Oxtail Recordings, teaches extended media and experimental composition at Harvestworks, and worked as a studio assistant to electronics pioneer Morton Subotnick from 2016 – &#8217;18.
Lindsey Drury is a performance artist, dancer, choreographer, and arts-historical researcher from NYC, currently based in Berlin. As an artist and academic, Drury creates systems in which bodies and their function are conceived, deceived, received and perceived anew. Drury’s performances have been featured in various showings at venues around the world, including in Germany at CAT Cologne, Grüntaler9, and Theater Discounter; in Mexico at UDLAP; in New York City at the Queens Museum, Judson Church, Cunningham Studio, Brooklyn Arts Exchange, Gibney Dance, Danspace, Dance New Amsterdam, The Chocolate Factory, the Brooklyn International Performance Art Festival, Issue Project Room, and elsewhere.

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Sophie Kahn is an Australian digital artist based in Brooklyn. She earned a BA in Fine Art/History of Art at Goldsmiths College, University of London; a Graduate Certificate in Spatial Information Architecture from RMIT University, Melbourne; and an MFA in Art and Technology Studies at the School of the Art Institute of Chicago, where she was awarded a full tuition Trustee scholarship.

She has exhibited her artwork in New York, Los Angeles, London, Paris, Sydney, Tokyo, Osaka, Seoul and Beijing. Recent exhibitions include ‘Rodin and the Contemporary Figurative Tradition’ at the Frederik Meijer Sculpture Gardens; ‘New Romantics’ at Eyebeam Art and Technology Center, New York; and The Real Fake 2.0, Bronx Art Space, New York. Sophie has taught in the Department of Digital Arts at Pratt Institute as a Visiting Associate Professor, and at Columbia College, Chicago, as a visiting instructor.

Sophie Kahn is an Australian digital artist based in Brooklyn. She earned a BA in Fine Art/History of Art at Goldsmiths College, University of London; a Graduate Certificate in Spatial Information Architecture from RMIT University, Melbourne; and an MFA in Art and Technology Studies at the School of the Art Institute of Chicago, where she was awarded a full tuition Trustee scholarship.
She has exhibited her artwork in New York, Los Angeles, London, Paris, Sydney, Tokyo, Osaka, Seoul and Beijing. Recent exhibitions include ‘Rodin and the Contemporary Figurative Tradition’ at the Frederik Meijer Sculpture Gardens; ‘New Romantics’ at Eyebeam Art and Technology Center, New York; and The Real Fake 2.0, Bronx Art Space, New York. Sophie has taught in the Department of Digital Arts at Pratt Institute as a Visiting Associate Professor, and at Columbia College, Chicago, as a visiting instructor.