David Everitt Howe is a Red Hook, Brooklyn-based critic and curator. He received his BFA from the Savannah College of Art and Design and his MA in Modern Art from Columbia University. He has written extensively for The Village Voice, Art Papers, Art in America, Flash Art International, BOMB, where he’s Online Art Editor, Modern Painters, Paper Monument, Frieze, Kaleidoscope, Mousse, Afterall and Art Review, where he’s a contributing editor. He has written features on numerous artists, including Ellen Cantor, Merlin Carpenter, AK Burns, MPA, AL Steiner, and Alan Reid. Howe’s recent curated exhibitions, performances, and projects include collaborations with E.S.P. TV, the Estate of Jimmy DeSana, Charles Harlan, Dynasty Handbag, and Emily Roysdon, for institutions including Pioneer Works, where Howe is currently Curator/Editor, The Kitchen, Participant Inc, MoMA, MoMA PS1, and 47 Canal. His curatorial work has been recently featured in Artforum, Art in America, The New York Times, and The New Yorker, among other publications. Howe is the co-editor of catalogues on Charles Harlan, Shezad Dawood, Molly Lowe, and The Present is the Form of All Life: The Time Capsules of Ant Farm and LST. Currently, he’s working on the first institutional solo exhibition by E.S.P. TV, WORK, and Doreen Garner and Kenya Robinson’s two-person exhibition, White Man on a Pedestal, both forthcoming at Pioneer Works.