Rule of Threes
Paul Klee, In Angel's Care, Watercolor and colored inks on paper, 1931.
Solomon R. Guggenheim Museum, New York Estate of Karl Nierendorf,At times, the length of Edie and Marie’s friendship, a full half of their lives—the entirety, so far, of both of their adulthoods—at times it felt that knowing someone this intimately and for such a critical duration had been and may continue to be the main event of Marie’s life. Being in love and later being married had been more urgent, more time-consuming, and in some ways more intimate, but nothing had felt more central and reliable than the conversation that had been happening between the two of them, and, at least until recently, with K. This long witnessing, on even ground—unlike the angled perspective between parent and child or the concave mirror of marriage—had created an unwritten record within each of them about how the other had or had not changed, an archive of actions and habits that became more detailed and more critical with every passing year.
Marie had met K and Edie when she was 17, just shy of 18, gawkish and awkward and closeted, freshman year, still a child in her newly adult body. K and Edie, who’d spent their whole childhoods together, adopted her into their friendship as if they’d been looking for her all this time, and many years ago, though Marie could hardly stand to recall this now, K had told her that she, on her 24th birthday, was so easy to love, a statement she would have been unable to accept from anyone else, not from a girlfriend, not from her own family, and when K’s sister used this exact phrase in her vows to Marie on their wedding day, unaware of what it echoed, Marie had blushed. She knew it was a lie.
As a girlfriend she hadn’t been easy to love, and as a wife she knew she still wouldn’t be easy to love. Marie was melancholic, indecisive, and anxious. She had insomnia so strong it was often contagious, and when she did sleep she hogged the blankets. She couldn’t cook, barely cleaned, and had a regular habit of getting drawn into long conversations with neighbors and colleagues when she should have been on her way home for dinner or carrying out an errand she promised she’d do or meeting her wife somewhere on the rare nights they went out. Above all she knew she wanted too much from romantic love, held it to impossible standards, wanted it to totally redeem her, somehow, effortlessly and constantly. But Marie did believe that she was good at friendship, easy in it, never asking anything unreasonable of the platonic, always relaxing into the human texture, the natural ebbing and flowing of her bonds with K and Edie. She gave herself up without tension into friendship, respected her friends enough to allow them to change her.
It was Edie who had, one day toward the end of their third year in college, said to Marie, I think you’re past it now. And she didn’t have to say more than that. Marie knew exactly what Edie meant, yet it was only in hearing Edie make this observation about this change that Marie suddenly knew and felt it to be true—that tenacious streak of self-hatred, that ambiguous but inescapable sense of being a failure, the stiffened way she’d been occupying her body—for years it had been lifting but had lifted almost entirely the moment that Edie said this—I think you’re past it now—or at least the first layer of it had lifted, and Marie knew the only reason this change had been possible was the way she’d been absorbed into K and Edie’s world—they, the pair of friends who’d come to college together, platonic prom dates, everyone said they’d be together in the end, those kind of friends. Even as children they knew they were already together in the end—it was already the end, and they were already together. K and Edie’s relationship seemed to be the most radical and rare thing to Marie—a true marriage, a marriage without marriage—and for years she’d thought herself ancillary to the two of them, a role she felt at home in, an additional person, a spare, a friendly ghost, until it was clear, all at once in the August she turned 21, that she was, a shock to herself, no less essential, just a newer element, the obvious third point of the triangle.
The three of them had lived in a crooked and cheap little apartment for a time during and after college, the soft and uncomplicated years before jobs and partners and graduate school and travel had peeled them apart, and though each of those transitions had seemed final or potentially final, none had yet proven so. The moves to other cities or other apartments in the same city seemed to signal the end of an era and the likelihood that it would never be quite like this again, that they’d never live together again, that the nature of this family was once again changing. But relationships that had seemed permanent had ruptured, jobs were lost, new moves were needed, and graduations ended in nothing but a more advanced state of the confusion that had led to grad school in the first place, and it was then that one of them always returned to one or the other or both of them, hovering for a few weeks or months in a guest room, changing their lives once more with the assurance that their conversation and their jointly held archive and their shared support may actually be the most stable thing in their lives, and though other aspects of adulthood may peak or crash, this thing between the three of them would change shape but never reach a conclusion.
In fact, the possibility of a diminished potency in her relationships with K and Edie had been the only fear Marie could not even bring herself to confess to her wife in the months before the arrival of the twins. All the other fears—the medical and mortal fears, the fears of their marriage getting filleted by two babies, the financial and logistical fears, the fear of failure—they had all seemed more dismissible than the worry she felt that she might lose her friends. It was clear that K and Edie were the axis of her life, though it seemed real adults were supposed to forge that kind of centrality elsewhere.
Marie’s wife had always been certain that bearing and raising children was a central if not the sole purpose of her life, a certainty that was sometimes unsettling in its unquestioned steadiness, but Marie also knew her wife’s certainty would be the lighthouse of their family life, the velocity that kept the whole thing aloft.
Then the twins came. They had been manageably unruly, without any major or lasting problems in their behavior or health or temperament, and Marie’s transformation into a parent had not (as she had silently feared) ended her friendships with K or Edie, and it had even, in some ways, enriched them. Edie would occasionally obtain permission from her partner to visit Marie and the twins for a weekend, and she naturally became a child around the children, getting on the floor with them, inventing absurd games. When Edie looked up at Marie from the twins’ angle, each saw new dimensions in the other.
Alone with the twins, noticing how intensely they surveilled Marie from their car seats and high chairs, how they seemed to forget nothing and catalogued everything about their parents—words used in passing, momentary flickers of emotion, loose promises made then broken—Marie had often thought of and longed for the softer ways her friends had watched her, how different it was from the nonstop, existential intensity of those two little sets of eyes. Marie’s wife did not, she knew, share this irritation at being watched so closely all the time, and it was possible, Marie thought, that her wife’s innate impulse toward birth and child-raising had really been about this, all along—the desire to be witnessed with such life-or-death intensity, for her children to create hyperrealistic and micro-detailed portraits of their mother, and to live beneath them for the rest of their lives. Knowing this, knowing that these people who did not yet exist could be created and would in turn create this portrait of her—was this what Marie’s wife envisioned as she walked with determination and authority into a sperm bank, mercilessly studied the options, and made her choice without hesitation?
During the years Marie had helped raise the twins, feeding them and ferrying them around and tucking them in and waking up with them once more, she felt that though there was so much humbling clarity in these daily acts, the one-directional devotion of parenting also felt a little demented and compulsive—similar to the way, at the height of her smoking, she’d sometimes realize she was inhaling from a cigarette she had no memory of lighting, like there was a ghost inside of her that smoked without her awareness—like there was a ghost inside of her that went through the actions of parenting without her conscious participation. But she was good at it, she was told. Everyone said so.
Now that her marriage and relationship with the twins and her friendship with K had been severed in the course of a single afternoon, Marie’s relationship with Edie was the most long-lasting thing in her life—Edie, Jesus, fucked up, feral, and precious as she is—and Marie is coming close to crying now, though she’s smiling, watching Edie still talking about her exploits, remembering how Edie has always been able to give the best advice but never to take it, and how irritated Marie has always been by Edie’s tendency to disappear for months on end, then show up as if she’d been there all along.
Marie is still watching her friend recount the details of some small orgy, distantly registering the facts of the event, but mainly she is just watching Edie’s face, the wild gaze of someone newly introduced or reintroduced to the world. It’s in that faint glimmer in her skin, in her eyes, her gestures, and of course her overblown word choice, her breathless way of speaking, the way she fidgets the fray on her shorts, curling her legs unnaturally in her chair, as if she isn’t used to being alive, as if the life in her is constantly at risk of spilling out, rushing out everywhere and into everything.
Marie starts laughing and Edie says, What? and Marie says she doesn’t know, that she’s just out of it, but Edie asks again, Out of what?
Why are you telling me about all this?
Edie sits up, alert and formal as she recites an answer that seems rehearsed, how sexuality was one of the most beautiful and simple ways for a person to leave their mind and interact with the subconscious, or how sex was one of the few ways to exist directly as a body, as an animal, as a mortal and dying thing, and how sex also brought your awareness out of yourself and into the consciousness of another and how essential that was—but when Edie reaches the point in her response about the Paraclete, the soul, salvation, Marie pours another glass of mezcal and tilts it back quickly.
Good for Edie, really—good for her. But she had no self-awareness sometimes, and it was true that what Edie had been through was terrible, and it was true that it was good for her now to be finding pleasure in something, regardless of how frivolous, but Edie’s recently past problems and their subsequent solutions all seemed so small right now, while Marie’s problems were ongoing, they were serious and inescapable and quite frankly they were tragic, and perhaps the most tragic problem was that she could no longer have a reasonable relationship with the twins, and maybe even worse than that she was beginning to feel that the twins were never really hers in the first place, as they had never been genetically hers—the product only of her wife’s body and the anonymous substance from the sperm bank—and though the genetics of the twins had never seemed consequential in the years she had lived with and raised them, her lack of genetic claim and her lack of domestic responsibility now amounted to the fact that though she’d once had children, she now no longer had children, and perhaps they didn’t even miss her, didn’t need her, that she had perhaps always been something like a nanny in their life, removable, extraneous, easy to send away. It had become difficult to even say the word “my” before the word “children.” The twins. It had come to that.
But is it true? Edie asks.
Is what true?
What K saw. That you were seeing someone else.
Seeing is a weird word for it, isn’t it? Seeing—I can see you right now. I’ve seen a lot of people.
You know what I mean.
I do know what you mean. It just happens not to be a particularly simple situation, and no one knows that because no one asked me anything. K didn’t ask me anything. My wife didn’t ask me anything. You didn’t even call.
I was out of town when it happened.
And where were you?
Greece. After I left him. For a month.
You went to Greece for a month?
Brenda was house-sitting and tickets were cheap.
So you went to Greece for a month. Great.
What’s that supposed to mean?
It’s just that—you’re the sort of person that goes to Greece for a month, and I’m the kind of person who lives here.
Will you just tell me what happened?
But Marie doesn’t know where to start, especially with someone who felt that sex with someone she barely even knew was or even could be something sacred when, in Marie’s life, sex had mainly been something that brought people into her life or sent people out, the beginnings and endings of things.
How to tell it? She wants to tell Edie the truth, but she doesn’t trust herself to know it.
It had seemed like a friendship at first, Marie says, but already she was getting things wrong. It hadn’t seemed like a friendship; it had seemed, for reasons Marie could not completely discern, like a game, a series of challenges from this woman, Helena, a parent she’d met at day-care pickup years ago now, a mother with whom she’d exchanged numbers on the pretext that their kids might want to hang out, even though they could both tell that their kids didn’t like each other, a fact made painfully clear on that one playdate a week later that ended with Helena’s kid pushing one of the twins over and the other twin retaliating by taking a handful from the sandbox and forcing it into his mouth. Next time, no kids, Helena said, and Marie just felt her head nodding. Anyway, this woman is married, and anyway, this woman is straight, and anyway, it’s nothing, and the next time they saw each other didn’t happen until nine months later, a text from a name she’d nearly forgotten, a slow day at work anyway, an excuse to go downtown for lunch. That evening, when Marie’s wife asked her how her day had been, Marie had simply not mentioned her lunch with Helena. She didn’t tell her about how Helena had launched immediately into the most intimate conversation Marie had ever had with anyone she didn’t actually, technically, know—Helena had been thinking about the nature of desire and power and men and women and how the reasons she had gotten married just ten years ago now already seemed so retro and regrettable, almost unmentionable, but she did believe in sticking it out, in sticking around even when it seemed doomed, when it seemed like she may never again feel real sexual pleasure with another human body, but then again, What had even been the purpose of sexual pleasure in the first place? she asked, undercutting the urgency with which she had just uttered the phrase “real sexual pleasure with another human body,” and Helena claimed that she distrusted the urge toward sex, how it seemed that the people who regularly followed that urge tended to be led around in circles, but still, lately she spent a lot of time thinking about how being in a couple seemed entirely at odds with being in a family and how it might be better if all the women just took all the children away from the men and raised them collectively, without the men, men who seemed only to get in the way, men who seemed so often to be no different than children, just larger. Oh, but I don’t really mean it, I do love my husband, what am I even saying, he’s a good father, a great father, she took a sip of wine, I mean what am I even saying? And Marie had tried to reassure her that this all seemed to be normal in a long marriage, the irritation at the edges of it, though Marie did not, at least not consciously, feel any of that irritation in her own long marriage. It does seem like a lot to manage, she said to Helena, an observation that seemed to calm Helena, a little, but Marie also noticed the tragic little tick in Helena’s voice when she asked and rapidly answered two questions she’d pushed together into a single line: But you’re married right to a woman right? Marie paused as if she needed to remember whether she was married (right?) to a woman (right?), then she said, as if reading the phrase, Yes, I am. The lunch went on, both of them increasingly tense, overly aware of their own breath and each other’s every gesture, and at times Marie thought she was doing something wrong just by being there (though she couldn’t identify what, exactly, was wrong with it), and at other times she thought she was being presumptuous to assume anything indecent about this lunch of salade niçoise and chenin blanc with Helena, whose intentions, personal history, desires, middle name, fantasies, and current mental health status were all still to be, soon, discovered.
A month passed before they met again, a duration of time that made Marie feel that perhaps deciding not to mention the existence of this lunch with Helena to her wife (or even the existence of Helena) had been absolutely fine, as there was nothing to mention, and Marie accepted the spontaneous invitation for a coffee and a walk—This morning? Now?—thinking that she would, of course, tell her wife about Helena afterward, but the morning coffee spiraled into a long walk through a cemetery and a discussion of the purpose of sexual fantasy in general and the contents of their fantasies in specific, a conversation so frequently punctuated with I can’t believe I’m saying this and Why am I telling you this? that shame itself was even worn away and nothing was taboo any longer. They touched only once that day—as they parted Marie had tried to use the vaguely formal contactless bow she’d gotten away with last time, but Helena went in for the European cheek-kiss and missed, landing on Marie’s neck, wrecking Marie’s composure for a fraction of a second, a fraction that Helena had recognized and taken in, and from that day onward their meetings became more frequent and passed with greater intensity, in stranger and stranger locations in order not to be observed, the secrecy of an affair but without any of the traditional forms of contact—without actual sex, for instance, without so much as a kiss. It was like a nineteenth-century courtship, but with conversations that verged on the pornographic; brief, one-hour meetings and occasional phone calls during which they divulged secrets, asked questions that neither had ever asked anyone, and, eventually, each woman dared the other to fuck their spouses with special assignments—positions to use, words to say, and images to imagine. But they never touched each other—not like that—not physically, and because of that lack of contact Marie began to think of her time with Helena as time she was spending alone, or time she was doing something like therapy, or as time she was reading a book, a book called Helena, a book with whom she was on speaking terms. And maybe it could have gone on like that even much longer than their three years, with many extended breaks, which they each filled with remorse, swearing the whole thing off, laughing at it privately, then giving in again, sending a quick text, meeting up immediately to continue this erotic game. Then there was the day they each confessed that this was insane, it had been years, and all their discussions and dares and disclosures had to stop—We aren’t children, Marie said, and though she wasn’t entirely sure what she meant by that, Helena agreed, and from there they went straight to a hotel, texted lies about work to their spouses, and stayed in that hotel until it was time to go home and tuck their children into bed. ♦
Excerpted from The Möbius Book by Catherine Lacey. Reprinted by permission of Farrar, Straus and Giroux. Copyright © 2025 by Catherine Lacey.
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