Curated by Clara Halpern
ON VIEW: January 18 — March 8, 2015
Bones, objects and ideas are equally subjected to the passage of time. The exhibition Tongue Stones explores legacies past, present and future through a constellation of histories and imminent possibilities. The works in this exhibition include experiments in research, reenactment, distribution, sampling, circulation, documentation and reanimation. In each instant, preservation is contingent on present attention spans, as the act of remembering is bound to the act of imagining the future. Tongue Stones will be accompanied by a forthcoming, fully-illustrated publication featuring essays by Clara Halpern, Laura McLean-Ferris, and individual artist projects.
Photo Credit: Elise Rasmussen. They Believe There is a Place the Dead Go. 40x50in. C-Print. 2012. Courtesy the artist.
Under Construction – New
Positions in American Photography
Group exhibition featuring works by Joshua Citarella, Jessica Eaton, Daniel Gordon, Matthew Leifheit & Cynthia Talmadge, Matt Lipps, Matthew Porter, Sara Cwynar, Kate Steciw and Sara VanDerBeek
OPENING RECEPTION: March 13, 6-9 pm
ON VIEW: March 14 – April 26, 2015
Foam Fotografiemuseum Amsterdam and Pioneer Works Center for Art and Innovation proudly present Under Construction – New Positions in American Photography, a group exhibition featuring ten young American and Canadian photographers. Even though the results of the artists’ individual practices are very diverse, the mentality, methodology and presentation of their work show a number of remarkable similarities. A key characteristic is the investigative attitude they adopt in looking at the photographic image and its representation. All the featured artists are explicitly engaged in a fundamental reassessment of the value and significance of photography in the early 21st century. This exhibition was first shown at Foam Museum in Amsterdam from September to December 2014.
The far-reaching digitisation of society exerts an unparalleled influence on almost every aspect of the medium. This ranges from entirely new photographic techniques (digitisation of the equipment) and the use of the photographic image (distribution via digital networks) to the value and significance of photography itself (in view of the never-ending stream of many millions of photographic images that are being taken, distributed and manipulated every day). This fundamental reassessment is particularly appropriate and important in a society in which so much culturally relevant information is communicated via images and where an unprecedented and extremely complex dynamic has developed amongst images. In this new world, how can photography or a photograph be defined? What is the value and significance of photography? What is the role of the artist?
These kinds of questions are of utmost relevance for this new generation of image makers who all represent very specific positions within a complex landscape. One of the most distinguishing features is that the image is constructed and built up from decontextualized elements. Furthermore its aesthetic qualities are largely determined by the use of abstract forms and colors. Whether the photograph is created entirely from scratch or whether it is put together using archetypal images, art history references, archive material or pictures derived from the internet, the end result is fragmented and layered. The artists make use of analogue or digital workflows, or a combination of both, often using advanced post-production software. With the introduction of three dimensionality as a self-evident addition, the photographic image is not always limited to a flat surface.
The participants of Under Construction are in fact engaged with a reinvention of photography within a totally different societal context, taking account of more than 150 years of photographic history. It is no less than a photographic renaissance.
To mark the exhibition, Foam Magazine devoted its whole #38 Issue: Under Construction, to the work of the above listed photographers, featuring extensive portfolios and texts by contributors such as Marcel Feil, Joshua Chang, Lorenzo Durantini and Hito Steyerl. The magazine is available here
This exhibition is made possible thanks to the generous support of principal benefactor Mondriaan Fund and WeTransfer, with additional support from Arcadis, the Consulate General of the Kingdom of the Netherlands and The Standard.
Living Room Index and Pool
An exhibition of installation & performance by Lauren Bakst and Yuri Masnyj
ON VIEW: March 13 – April 26, 2015
OPENING RECEPTION & PERFORMANCE: March 13, 2015 6-9PM
Sunday March 22, 2015: 3pm and 4pm*
Sunday April 5, 2015: 3pm and 4pm*
Second Sunday: April 12, 2015 6-8pm
Sunday April 19, 2015: 3pm and 4pm*
Pioneer Works is proud to present Living Room Index and Pool, an exhibition that takes the form of an encounter between Yuri Mansyj’s sculptures and Lauren Bakst’s performances. The exhibition will feature an installation of sculptural objects—boards, pipes, mats, tubes, chairs, tables, sections of wall—that take their cues from construction sites, furniture design and architecture. These objects relate to things in our world, but through their aestheticization, material quality, and scale produce a slightly-off or uncanny sensibility. This expanded landscape will serve as the context for a series of performances by Bakst, joined by fellow dancer Emma Geisdorf. Occupying and reconfiguring the space, the pair of bodies oscillate between the framer and the framed—exploring the ways that rooms, and the objects that constitute them, create containers of affective experience.
Living Room Index and Pool was designed over the course of seven months by Masnyj and Bakst and is the evidence and continuation of a working and research-oriented process. The installation and performances constitute a field in transition or site that will evolve over the course of the exhibition—resisting arrival at a singular image or event. In addition to the objects and events that make up the performance field, Masnyj and Bakst will exhibit a series of fixed sculptures and video works, respectively, that reflect their independent investigations into the materials of the exhibition.
About the Artists:
Lauren Bakst and Yuri Masnyj are both 2014-16 Open Sessions Artists at The Drawing Center and met through their participation in the program.
Lauren Bakst (b. 1989) is an artist whose work spans choreography, writing, video, and performance. A trained dancer, her work places the skilled body and choreographic form in conversation with questions around subjectivity, affect, memory, and history.
Yuri Masnyj (b. 1976) works in drawing and sculpture. Known for his austere drawings of interior space, and sculptural installations that have qualities of theatrical set objects. Masnyj’s work addresses the relationship between art and design while exploring the human compulsion to collect and compose objects.